SKU: BR.PB-15132
ISBN 9790004214688. 10 x 12.5 inches.
Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.
SKU: BR.OB-15132-15
ISBN 9790004341940. 10 x 12.5 inches.
SKU: BR.PB-15133-07
In Cooperation with G. Henle Verlag
ISBN 9790004214695. 6.5 x 9 inches.
SKU: BR.PB-15133
SKU: BR.OB-15132-19
ISBN 9790004341964. 10 x 12.5 inches.
SKU: BR.OB-15132-23
ISBN 9790004341971. 10 x 12.5 inches.
SKU: BR.OB-15132-27
ISBN 9790004341988. 10 x 12.5 inches.
SKU: BR.EB-10708
ISBN 9790201807089. 9.5 x 12 inches.
Bruch's evergreen for the first time in Urtext Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto? The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.In Cooperation with G. Henle Verlag.
SKU: BR.OB-15132-30
ISBN 9790004341995. 10 x 12.5 inches.
SKU: BR.OB-15132-16
ISBN 9790004341957. 10 x 12.5 inches.
SKU: AP.36-M326991
UPC: 660355184079. English.
Max Bruch (1838-1920) was a German composer and contemporary of Johannes Brahms, with a style very much in the same Romantic classicism camp as that of his better known friend. Best known for his violin concerti and choral works, his chamber works are also revived occasionally. This reprint collection of short Romantic works for piano include the following: I. Andante sostenuto, II. Andante con moto, III. Impromptu. Allegretto, IV. Moderato, V. Walzer. Grazioso, and VI. Andante con larghezza.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: CY.CC2763
The Four Pieces, Op. 70 were written for Cello and Piano in Berlin, 1896. The four movements are titled:Aria, Finnish, Scottish and Swedish1. Aria is an Adagio in A minor reminiscent of the Kol Nidre2. Finnish is a brooding lyrical Andante in G Minor3. Scottish is a proud song in B major with dotted rhythms4. Swedish, an unruly Allegro dance in A-B-A form in A minorFor advanced performers, this work of about 12 minutes in length has been superbly arranged by Ralph Sauer.