SKU: MB.31060M
ISBN 9781513468051. 8.75x11.75 inches.
As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. Titles include: Oh, You Beautiful Doll, I’ve Got The Blues, High Society, St. Louis Blues, Davenport Blues, Poor Butterfly, Dixie Jass Band One-Step, Memphis Blues, Big Foot Ham, Grandpa’s Spells, The Original Jelly Roll Blues, Midnight Mama, Milenberg Joys, Fizz Water, Back Home in Indiana, Sweet Georgia Brown, Red Wing (An Indian Intermezzo), There’ll Be Some Changes Made, Way Down Yonder In New Orleans, Charleston, Where The Morning Glories Grow, Limehouse Blues, Susie (of the Islands), I Need Some Pettin’, Weather Bird, Cornet Chop Suey, Kansas City Stomps, King Porter Stomp, Jubilee Stomp, Take It Easy, If I Had You, Moonlight Serenade
SKU: SU.46200050
Clarinet, Violin & Piano Duration: 10' Composed: 2001 Published by: Verdehr Trio Every measure of Collage – 1912 is based on one or more snippets taken from one composition each by Béla Bartók, Irving Berlin, Claude Debussy, W.C. Handy, Charles Ives, Gustav Mahler, Maurice Ravel, Arnold Schoenberg, James Scott, Richard Strauss, Igor Stravinsky, and JoaquÃn Turina. The work is about 12 minutes long and consists of two parts that are performed without pause. Michigan State University Press.
SKU: GI.G-6814
ISBN 9781579996352. English. Text source: Contributors: James Abbington, Robert Batastini, Carol Doran, David Eicher, Scott Kumer, David Music, Don Saliers, Paul Westermeyer.
Pastoral music makers have talents that translate across denominations, and every now and then a musician might find him- or herself playing in unfamiliar territory (different order of service, different rituals, different traditions, different musical styles, etc.). The question of how to adapt to another pattern of worship may arise, creating a great deal of confusion or stress for the musician. A Primer for the Visiting Organist, edited by Fred Moleck, provides a comprehensive answer for anyone in this situation. This book includes insightful chapters by some of the foremost experts on music in worship that describe, in detail, what the visiting organist can expect when playing for one of the following eight religious traditions: African American Protestant: Dr. James Abbington Baptist: Dr. David Music Episcopalian: Dr. Carol Doran Reform Jewish: Mr. Scott Kumer Lutheran: Dr. Paul Westermeyer Presbyterian: Mr. David Eicher Roman Catholic: Mr. Robert Batastini & Dr. Fred Moleck United Methodist: Dr. Don Saliers A Primer for the Visiting Organist covers everything from the order of service to the question of receiving communion. There is a wealth of information here—no organist should travel without it.
SKU: AP.1-ADV20071
UPC: 805095200713. English.
The Evolution of Solo Jazz Piano is a study of solo piano styles developed by 24 of the most influential solo pianists from 1900 to the present. In order to clearly illustrate the specific contributions of the various pianists, Bill Dobbins composed a theme based on the well-known standard All of Me. By applying the stylistic approaches of the different pianists to the same theme, one becomes aware of the subtle yet evocative elements of each individual style. Common elements between Waller, Ellington, Tatum, Monk and Rowles, Tatum, Hines and Wilson, Smith and Ellington, Corea and Beirach etc., should make it clear that musical individuality is largely the result of the subconscious emphasis of some musical elements over others, rather than the self-conscious cultivation of originality for its own sake. We sincerely hope that this DVD may serve as a stimulus toward the further study of the solo jazz piano tradition in particular and for creative music in general. Titles: Part 1: Traditional Styles Scott Joplin * Jelly Roll Morton * James P. Johnson * Willie The Lion Smith * Earl Fatha Hines * Thomas Fats Waller * Teddy Wilson * Duke Ellington * Art Tatum * Meade Lux Lewis * Pete Johnson * Jimmy Yancey * Part 2: Modern Styles Thelonious Monk * Bud Powell * Oscar Peterson * Erroll Garner * Lennie Tristano * Bill Evans * Clare Fischer * Jimmy Rowles * Cecil Taylor * Chick Corea * Keith Jarrett * Richie Beirach.
SKU: TA.TSPB-44
In Mainstream Mallets, Jason Hammond-Wood has compiled over 20 short, 2-mallet solos with optional piano accompaniment to challenge more experienced middle school students while offering high school percussionists more performance opportunities. All selections are familiar tunes, including classical favorites such as The Nutcracker, Sleeping Beauty, Anitra's Dance (from Peer Gynt), and The Barber of Seville. Also included are nonclassical melodies like The Stars and Stripes Forever, The Entertainer, and On Wisconsin (the university's fight song). All pieces are playable on xylophone, vibraphone, or marimba, and two of the solos are adapted to be performed as duets! The optional piano accompaniment may be performed with a pianist, or by using the provided audio accompaniment tracks. Mainstream Mallets includes these 24 pieces: On Wisconsin | J.S. Hubbard and Charles D. Rosa | (Med-Easy, :35) The Happy Farmer | Robert Schumann | (Med-Easy, :51) Bourree | Johann Sebastian Bach | (Med-Easy, 1:51) Infernal Galop | Jacques Offenbach | (Med-Easy, 1:06) Sonatina | Muzio Clementi | (Medium, 1:07) Hungarian Dance No. 5 | Johannes Brahms | (Medium, 1:47) Pizzicati | Leo Delibes | (Med-Easy, 2:07) Sleeping Beauty | Pyotr Ilyich Tchaikovsky | (Medium, 1:33) The Barber of Seville | Gioachino Rossini | (Medium, 1:22) The Royal Fireworks | George Frideric Handel | (Medium, 1:19) Anitra's Dance | Edvard Grieg | (Medium, 1:40) The Entertainer | Scott Joplin | (Medium, 2:10) Spring Season | Antonio Vivaldi | (Medium, 1:47) The Stars and Stripes Forever | John Phillip Sousa | (Medium, 2:12) Badinerie | Johann Sebastian Bach | (Med-Advanced, :57) The Chromatic Galop | Franz Liszt | (Medium, 1:19) The Sorcerer's Apprentice | Paul Dukas | (Med-Advanced, 1:43) Trepak [Russian Dance] | Pyotr Ilyich Tchaikovsky | (Med-Advanced, 1:10) Turkish March | Wolfgang Amadeus Mozart | (Med-Advanced, 1:52) Csardas | Vittorio Monti | (Med-Advanced, 1:44) Back Home Again | James F. Hanley | (Medium, 1:18) Raindrop | Frederic Chopin | (Medium, 1:45) Bourree [Duet Version] | Johann Sebastian Bach | (Med-Easy, 1:53) Sleeping Beauty [Duet Version] | Pyotr Ilyich Tchaikovsky | (Medium, 1:35) Mainstream Mallets ships as a fully-bound book with a sleek cover design by Bob Beck of Montreal's Design Society. Also included are reference recordings of each solo, PDF parts for duets, PDF parts for the piano accompaniment, and audio tracks with piano only, so that players can perform with just the piano accompaniment.
SKU: KN.61031S
UPC: 822795610314.
Rich harmonies, syncopated figures, and staggered entrances give this swing original for advancing groups a really fresh, sophisticated sound. 2nd Trumpet is featured on a portion of the melody soon after the introduction and later during an improvised solo, followed by a dramatic series of section and full band passages that build in volume and intensity before the quiet final note. A guitar chord chart by James Greeson is included in each set. Duration 5:20.
