SKU: HL.48187150

UPC: 888680849559. 10.75x13.5x0.47 inches.

Lalo Roi D'ys Air No 14 Duo Soprano Tenor Solo & Piano Book.

SKU: BT.ALHE06979

French.

Lalo Roi D'ys Air No.14 Bis Mezzo Soprano Baritone Duet & Piano Book.

SKU: BT.ALHE06971

French.

Lalo Roi D'ys Air No.13 Duo Mezzo Soprano Baritone Duet & Piano Book.

SKU: BR.OB-5520-23

The first true final version

ISBN 9790004338971. 10 x 12.5 inches.

Edouard Lalo's Symphonie espagnole was heretofore inadequately edited: the two first editions (piano reduction and score) differ considerably from one another, since the composer continued to hone his work after the completion of the engraver's master for the piano reduction, and he even made certain compositional additions. Christian Rudolf Riedel's new urtext edition eliminates all these inadequacies and inconsistencies. Moreover, the editor was able to base himself for the first time ever on the previously unknown autograph of the solo part. The discovery of this source was nothing less than sensational. Lalo, who was an outstanding violinist in his own right, had meticulously marked up his manuscript with the help of the arrangement by Pablo de Sarasate, to whom Lalo had dedicated the work and entrusted the world premiere. This new source situation allowed for the preparation of an urtext edition that corresponds throughout to the author's final version. The composer's piano part, which sometimes resembles a short score, was revised by the editor, who rendered it easier to perform and supplemented the ten measures that had been missing until now in the introduction to the fifth movement.As benfits this publishing house, the handy 6x9 inch score is meticulously edited and is a welcome aid to study of the whole works. (Mary Nemet, Strings)

The first true final version.

SKU: BR.OB-5520-30

The first true final version

ISBN 9790004338995. 10 x 12.5 inches.

Edouard Lalo's Symphonie espagnole was heretofore inadequately edited: the two first editions (piano reduction and score) differ considerably from one another, since the composer continued to hone his work after the completion of the engraver's master for the piano reduction, and he even made certain compositional additions. Christian Rudolf Riedel's new urtext edition eliminates all these inadequacies and inconsistencies. Moreover, the editor was able to base himself for the first time ever on the previously unknown autograph of the solo part. The discovery of this source was nothing less than sensational. Lalo, who was an outstanding violinist in his own right, had meticulously marked up his manuscript with the help of the arrangement by Pablo de Sarasate, to whom Lalo had dedicated the work and entrusted the world premiere. This new source situation allowed for the preparation of an urtext edition that corresponds throughout to the author's final version. The composer's piano part, which sometimes resembles a short score, was revised by the editor, who rendered it easier to perform and supplemented the ten measures that had been missing until now in the introduction to the fifth movement.As benfits this publishing house, the handy 6x9 inch score is meticulously edited and is a welcome aid to study of the whole works. (Mary Nemet, Strings)

The first true final version.

SKU: BR.OB-5520-16

The first true final version

ISBN 9790004338957. 10 x 12.5 inches.

Edouard Lalo's Symphonie espagnole was heretofore inadequately edited: the two first editions (piano reduction and score) differ considerably from one another, since the composer continued to hone his work after the completion of the engraver's master for the piano reduction, and he even made certain compositional additions. Christian Rudolf Riedel's new urtext edition eliminates all these inadequacies and inconsistencies. Moreover, the editor was able to base himself for the first time ever on the previously unknown autograph of the solo part. The discovery of this source was nothing less than sensational. Lalo, who was an outstanding violinist in his own right, had meticulously marked up his manuscript with the help of the arrangement by Pablo de Sarasate, to whom Lalo had dedicated the work and entrusted the world premiere. This new source situation allowed for the preparation of an urtext edition that corresponds throughout to the author's final version. The composer's piano part, which sometimes resembles a short score, was revised by the editor, who rendered it easier to perform and supplemented the ten measures that had been missing until now in the introduction to the fifth movement.As benfits this publishing house, the handy 6x9 inch score is meticulously edited and is a welcome aid to study of the whole works. (Mary Nemet, Strings)

The first true final version.

SKU: RM.LALO00795-CO

SKU: CY.CC2405

Lalo was born in Lille (Nord), in northernmost France. He attended that city's music conservatory in his youth. Then, beginning at age 16, Lalo studied at the Paris Conservatoire under Berlioz's old enemy Francois Antoine Habeneck. For several years, he worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, playing viola and second violin. Lalo's earliest surviving compositions are songs and chamber works. He dedicated most of his career to the composition of chamber music, which was in vogue, and to writing works for orchestra. These two works beautifully arranged by Mr. Sauder show the core of Lalo's chamber music; personal, subtle at times and filled with a French lyricism. For advanced performers.

SKU: CY.CC2373

Lalo was born in Lille (Nord), in northernmost France. He attended that city's music conservatory in his youth. Then, beginning at age 16, Lalo studied at the Paris Conservatoire under Berlioz's old enemy Francois Antoine Habeneck. For several years, he worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, playing viola and second violin. Lalo's earliest surviving compositions are songs and chamber works. He dedicated most of his career to the composition of chamber music, which was in vogue, and to writing works for orchestra. These two works beautifully arranged by Mr. Sauder show the core of Lalo's chamber music; personal, subtle at times and filled with a French lyricism. For advanced performers.

SKU: BR.OB-15100-15

ISBN 9790004339640. 10 x 12.5 inches.

In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings)

The first definitive author's version -.

SKU: HL.48187205

UPC: 888680990251. 6.0x8.25 inches.

Edouard Lalo: Ouverture de 'Le Roi d'Ys' (PH165) (Miniature Score).

SKU: BR.OB-15100-30

ISBN 9790004339695. 10 x 12.5 inches.

In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings)

The first definitive author's version -.