SKU: GI.G-8154
ISBN 9780824550059. English.
Two veteran Catholic journalists, one based at the Vatican and the other in the U.S., collaborate to explore the unprecedented papal election of Pope Francis. Drawing from conversations, interviews, inside information, and the Pope's own writings and talks, A Call to Serve offers first-hand information, moving reflections, and profound insights into the workings of the Catholic Church, the challenges ahead, and the heart of Pope Francis.
SKU: GI.G-1077
UPC: 785147007722.
Liam Lawton’s High Is the Heaven, combines Celtic themes, strong melodies, and poignant texts to create this unique and accessible collection of music for liturgical celebrations and beyond. Like so many of Liam’s songs, each exquisite piece has a back story. For example, the psalm “The Lord Hears the Cry of the Poor†was written for the Papal Mass of Pope Francis in Ireland. “High Is the Heaven†was written to celebrate the 800th anniversary of St. Columba—one of the ancient Celtic monks who brought Christianity from Ireland to Europe, and the Christmas piece “There’s a Star†was written for Liam’s own parish choir in Ireland. This shorter collection contains a wide variety of songs for worship. In true Lawton fashion, he injects the beauty and spirituality of his homeland into every song. You will not want to miss High Is the Heaven. Grab it for your library today! CONTENTS: The Lord Hears the Cry of the Poor • As You Bring Your Gifts to the Altar • There’s a Star • In the Presence of the Angels • How Lovely Is Your Dwelling Place • What Marvels the Lord Worked for Us • High Is the Heavens • Bonus Track: The Cloud’s Veil.
SKU: GI.G-8629
UPC: 785147862901. English. Text by George Pope Morris.
An ode to the star of love this SATB, a cappella anthem extols the beauty of evening and the star that decorates the night sky. A moderate tempo and frequently shifting meters give an almost conversational quality to this lovely piece.
SKU: GI.G-9985
UPC: 785147998501. English.
As a result of the shared wisdom of Pope Francis at a 2013 World Youth Day prayer event, Lori True reveals that Francis’ “awe-inspiring instruction has prompted me to compose...for the church at prayer. ‘I Send You with the Grace of My Spirit’ is intended to bless us as we go forth from our gatherings as ‘companions of peace,’ and calls us to include the least among us as friend along the journey.â€.
SKU: GI.G-10087
UPC: 785147008736.
Liam Lawton’s High Is the Heaven combines Celtic themes, strong melodies, and poignant texts to create a unique and accessible collection of music for liturgical celebrations and beyond. Like so many of Liam’s songs, each exquisite piece has a back story: The Lord Hears the Cry of the Poor was written for the Papal Mass of Pope Francis in Ireland, High Is the Heaven commemorates the 1400th anniversary of the death of St. Columban, one of the ancient Celtic monks who brought Christianity from Ireland to Europe, and the Christmas piece There’s a Star was written for Liam’s own parish choir in Ireland. In true Lawton fashion, he injects the beauty and spirituality of his homeland into every song of this collection. Click here to redeem your download code.
SKU: BT.1555-08-070-MS
ISBN 9789043130646. 9x12 inches. English-German-French-Dutch.
The adventures of Popeye, the famous spinach-eating sailor first entered the world in the animated drawings of Sammy Lerner in 1933. As popular today as back then his theme tune is presented here in a wonderful four-part flexible version. A must for all woodwind/brass groups. Part 1 Fl Ob Bb Clar S Sax Tpt Part 2 Fl Cor Ang Bb Clar Eb Clar A Sax Tpt Hn Part 3 Bb Clar Eb Clar T Sax Bsn Hn Trom Euph Part 4 Bass Clar Bari Sax Fg Bsn Euph Tuba Opt. DrumSammy Lerner schreef in 1933 het lied I'm Popeye the Sailor Man voor de tekenfilm-serie Popeye. Lerner liet zich voor dit lied inspireren door de eerste twee delen uit Gilbert en Sullivans operette The Pirates of Penzance. Lorenzo Bocci arrangeerde deze titelsong op uitstekende wijze voor een vierstemmig variabel blazersensemble. Part 1 C' C Bb Part 2 C' C Bb Eb F Part 3 C Bb Bb [TC] Bb [BC] Eb F Part 4 C' C Bb [TC] Bb [BC] Eb [TC] Eb [BC] Opt. DrumZum Titelsong der beliebten Zeichentrickserie über den Spinat essenden Supermatrosen Popeye ließ sich Sammy Lerner 1933 von den ersten beiden Zeilen aus Gilbert und Sullivans Operette The Pirates of Penzance inspirieren. Lorenzo Bocci wiederum ließ sich von Sammy Lerners eingängiger Melodie zu dieser Bearbeitung für eine vierstimmig variable Bläserbesetzung anregen.Part 1 Fl Ob Kl B S-Sax Trp Part 2 Fl Cor Ang Kl B A-Kl A-Sax Trp Hn Part 3 Kl B A-Kl T-Sax Fg Hn Pos Euph Part 4 B-Kl B-Sax Fg Pos Euph Tuba Opt. DrumLes aventures de Popeye, le plus célèbre marin et mangeur d'épinards, ont fait le tour du monde. Le titre-phare du dessin animé a été écrit en 1933 par Sammy Lerner.Part 1 Fl Htb Cl. Si♭ Sax. S. Trp Part 2 Fl Cor Angl. Cl. Si♭ Cl. Alto Sax. A. Trp Cor Part 3 Cl. Si♭ Cl. Alto Sax. T. Basson Cor Trb Euph. Part 4 Cl. Basse Sax. B. Basson Trb Euph. Tuba Opt. Batt. Le avventure di Popeye, il più celebre marinaio e mangiatore di spinaci, hanno fatto il giro del mondo. La sigla di questo cartone animato è stata scritta nel 1933 da Sammy Lerner. Lorenzo Bocci ha realizzato un arrangiamento a quattro voci per ensemble a strumentazione variabile.Part 1 Fl Ob Bb Clar S Sax Tpt Part 2 Fl Cor Ang Bb Clar Eb Clar A Sax Tpt Hn Part 3 Bb Clar Eb Clar T Sax Bsn Hn Trom Euph Part 4 Bass Clar Bari Sax Fg Bsn Euph Tuba Opt. Drum.
SKU: CA.2720249
ISBN 9790007200985. Language: Latin.
During his tenure under Pope Urban VIII Virgilio Mazzocchi was among the most renowned musicians of Rome. He directed the Cappella Giulia in St. Peters Basilica for 17 years. He also organized the musical activities at the court of the Pope's influential nephew, Francesco Barberini. The Psalmi Vespertini, Mazzocchi's most important sacred work, were published two years after his death. This collection contains two complete vesper cycles for double choir with a basso continuo accompaniment. At the conclusion of the first vesper cycle, in the predominately festive setting of the Magnificat, Mazzocchi displays his artistry in the old and new styles by combining contrapuntal choral sections with concertante passages. The new Carus edition of this work presents a most significant and impressive document of Roman church music in the first half of the 17th century. Score and part available separately - see item CA.2720200.
SKU: CA.2720200
ISBN 9790007045210. Language: Latin.
During his tenure under Pope Urban VIII Virgilio Mazzocchi was among the most renowned musicians of Rome. He directed the Cappella Giulia in St. Peters Basilica for 17 years. He also organized the musical activities at the court of the Pope's influential nephew, Francesco Barberini. The Psalmi Vespertini, Mazzocchi's most important sacred work, were published two years after his death. This collection contains two complete vesper cycles for double choir with a basso continuo accompaniment. At the conclusion of the first vesper cycle, in the predominately festive setting of the Magnificat, Mazzocchi displays his artistry in the old and new styles by combining contrapuntal choral sections with concertante passages. The new Carus edition of this work presents a most significant and impressive document of Roman church music in the first half of the 17th century.
SKU: ST.CD0087
Sydney Carter's Lord of the Dance CD is a brilliant compilation that matches the finest work of this much-loved songwriter with some of the leading lights in contemporary music. The distinguished musicians and performers appearing on the disc include Sarah-Jane Morris, Why?, Norma Winstone, The Kingdom Choir, Martyn Joseph, Whirling Pope Joan, Matt Redman, Ian Shaw, Isla Blair, Carrie and David Grant and The Swingle Singers. Sydney Carter himself reads two of his own poems. It has been the inspiration of producers Craig McLeish and Jeremy Taylor to intertwine the most popular songs - and a few unfamiliar gems - with some of Carter's searching poetry. With great sensitivity, the essential religious content of his words, whether sung or spoken, has been faithfully preserved, along with a sense of the music's origins in folksong and dance. At the same time, Carter's universal message about matters of doubt and faith is proclaimed in terms of the plenitude of contemporary sound resources, and the rich plurality of musical styles that is the hallmark of our present age.
SKU: AP.1-ADV14823
UPC: 805095148237. English.
Featuring lead parts from 11 original pieces from Weniger's Legal Paradizer CD, this play-along set emphasizes the importance of playing in time and in the groove, rather than following the changes in a strict fashion. Short explanations for each work are included to help with stylistic and/or structural considerations. Titles: Scrootch * Castro-Pope * The Breed Is Funkin' * Just Skufflin' * French Affair * Half-Life * Poem of a Bird * Paradizer * We Are Like That * The Zigg-Zagg * Speedworld.
SKU: AP.1-ADV14822
UPC: 805095148220. English.
Featuring lead parts from 11 original pieces from Weniger's Legal Paradizer CD, this play-along set emphasizes the importance of playing in time and in the groove, rather than following the changes in a strict fashion. Short explanations for each work are included to help with stylistic and/or structural considerations. Titles include: Paradizer * Half-Life * Speedworld * French Affair * The Breed Is Funkin' * Castro-Pope * We Are Like That * The Zigg-Zagg * Scrootch * Just Skufflin' * Poem of a Bird.
SKU: AP.1-ADV14821
UPC: 805095148213. English.
Featuring lead parts from 11 original pieces from Weniger's Legal Paradizer CD, this play-along set emphasizes the importance of playing in time and in the groove, rather than following the changes in a strict fashion. Short explanations for each work are included to help with stylistic and/or structural considerations. Titles: The Breed Is Funkin' * French Affair * Paradizer * Half-Life * The Zigg-Zagg * Poem of a Bird * Speedworld * Just Skufflin' * Castro-Pope * Scrootch * We Are Like That.
SKU: ST.MB58
ISBN 9790220207037.
Two pieces with a distinctly Cambridge connection, the Ode being composed for the opening of James Gibbs' University Senate House in 1730, the anthem intended for performance in King's College Chapel on 25th March - Founder's Day - 1728. CONTENTS Ode on St Cecilia's Day (Alexander Pope), 1730 Anthem: Hearken unto me, ye holy children, 1728 Performing material is available for rental.
SKU: BT.DHP-1002209-010
Sinfonia Hungarica is a three-movement symphony that depicts the history of Hungary. All three movements were inspired by historical key figures, wars, and other important events from this country. This symphony is a celebration of Hungary’s millennium in 2001.The final movement is named after ISTVAN, the King who introduced Christianity into Hungary and who was crowned by Pope Silvestro II on January 1, 1001. A rather solemn start leads to another war-like passage, ending with some loud crashes. This symbolizes the fact that the body of the pagan Koppany was cut into four pieces, and sent to the four castles of the country as an example. After a quiet, almost religiousintermezzo, the National Hymn of Hungary is introduced. This broad “grandioso†ending also has a symbolic meaning: after ten centuries, Hungary has many reasons to look back on the past with pride, and to look forward to the future with optimism and confidence. Dit stuk werd gecomponeerd in opdracht van het symfonisch blaasorkest Kiskunfélegyhaza uit Hongarije en opgedragen aan dirigent Ferenc Jankovski, burgemeester Jozsef Ficsor en Gabriella Kiss. De wereldpremière vond plaats op 31 maart2001 in Budapest (Hongarije) door het eerdergenoemde orkest onder leiding van de componist.Deze driedelige symfonie beschrijft de geschiedenis van Hongarije. De drie delen zijn ge nspireerd op historische sleutelfiguren, oorlogenen andere belangrijke gebeurtenissen in dit land. De symfonie werd geschreven ter gelegenheid van de millenniumviering van Hongarije in 2001.ATTILA, koning van de Hunnen, vaak ‘de gesel Gods’ genoemd, is de centrale figuurin het eerste deel, dat voornamelijk wordt gekenmerkt door angst, dreiging, agressie en wreedheid. Attila’s broer, Buda, heeft echter een hero scher thema, terwijl zijn geliefde vrouw, Rika, een lyrische melodie heeft. Het spannendeeinde van dit openingsdeel illustreert de gevreesde snelheid van Attila’s troepen: ze achtervolgden hun slachtoffers en vermoordden ze allemaal! Het tweede deel gaat over ARPAD, de stichter van de Hongaarse staat. Hetbegint met een sfeerpassage, die het beeld oproept van zijn grootmoeder, Emese, dromend over zijn bestemming. Een van Arpad’s tegenstanders, de Bulgaarse prins Zalan, werd verdreven na een gevecht. Hierna noemde Arpad het gebiedofficieel ‘Magyarorszag’.Het laatste deel is genoemd naar ISTVAN, de koning die het christendom in Hongarije introduceerde en die werd gekroond door paus Silvester II op 1 januari 1001. Een vrij plechtige start leidt tot nogeen martiale passage, die eindigt met een aantal luide slagen. Deze symboliseren het voorval waarbij het lichaam van de heiden Koppany in vier stukken werd gesneden, die naar de vier kastelen van het land werden gezonden als schrikwekkendDie Sinfonie in drei Sätzen ist eine musikalische Schilderung der Geschichte Ungarns. Alle drei Sätze haben bedeutende historische Persönlichkeiten und Schlüsselereignisse aus der Landesgeschichte - wie etwa Kriege - zum Inhalt. Das Werk wurde zuUngarns Tausendjahrfeier im Jahr 2001 geschrieben.Attila, König der Hunnen, oftmals auch die Geißel Gottes genannt, ist die zentrale Gestalt des ersten Satzes; in seiner musikalischen Beschreibung sind Aggressivität und Grausamkeit, die vonihm ausgehende Bedrohung und ihm entgegengebrachte Furcht spürbar. Daneben erscheinen das heroischer klingende Thema von Buda, Attilas Bruder, und das lyrische von Rika, seiner zärtlich geliebten Frau. Der aufpeitschende Schluss desSatzes ist Sinnbild für die gefürchtete Schnelligkeit von Attilas Truppen, mit der sie ihre Opfer eingeholt und ohne Ausnahme getötet haben.Im Mittelpunkt des zweiten Satzes steht Arpad, der eigentliche Begründer des ungarischen Staates. Eineatmosphärisch klingende Einleitung beschwört Emese, die Großmutter Arpads, herauf, die im Traum seine Bestimmung vorhergesehen hatte. Er schlug seinen Gegner, den Prinzen Zalan von Bulgarien, im Kampf in die Flucht und gab dem Land denNamen Magyarorszag.Das Finale ist nach Istvan benannt, dem König, der in Ungarn das Christentum einführte und am ersten Januar 1001 durch Papst Sylvester II. gekrönt wurde. Ein feierlicher Anfang leitet über in einen an Kriegsgetümmelerinnernden Abschnitt, der in lärmendem Getöse endet. Es steht für das Ende des Heiden Koppany, dessen Körper gevierteilt und als abschreckendes Beispiel an die vier Burgen des Landes gesandt wurde. Ein ruhiges, beinahe religiös wirkendesZwischenspiel mündet in die ungarische Nationalhymne. Dieser prachtvolle, mit grandioso überschriebene Schluss hat auch eine symbolische Bedeutung: Nach zehn Jahrhunderten hat Ungarn guten Grund, mit Stolz zurückzublicken und der Zukunft mitZuversicht und Optimismus entgegenzusehen.Die wunderbare Melodie der Nationalhymne erscheint in der Sinfonie auch vorher schon immer wieder, wird meist aber ganz oder teilweise überdeckt. Sie durchläuft das Werk wie ein roter Faden, der anfangs kaumwahrzunehmen ist und erst im Verlauf der Sinfonie immer deutlicher wird. Am Ende krönt sie das Werk in einer letzten prachtvollen Steigerung, in der das Orchester den majestätischen Klang einer Orgel annimmt.Sinfonia Hungarica est une œuvre de commande pour l’Orchestre d’Harmonie de Kiskunfelegyhaze en Hongrie. Elle est dédiée Ferenc Jankovski (Directeur de l’Orchestre d’Harmonie), Jozsef Ficsor (Maire de la ville de Kiskunfelegyhaze) et Gabriella Kiss.Cette symphonie en trois mouvements retrace l’histoire de la Hongrie. L’ensemble des trois mouvements s’inspire de la vie de personnages historiques clés, de guerres et d’autres événements de grande importance qui ont marqué l’histoire de ce pays. Sinfonia Hungarica célèbre le millénaire de la fondation de l’État hongrois (1001-2001). L’œuvre a été donnée en création mondiale, le 31 mars 2001 Budapest,par l’Orchestre d’Harmonie de Kiskunfelegyhaze placé sous la direction du compositeur.ATTILA, roi des Huns, surnommé “le Fléau de Dieuâ€, est le personnage central du premier mouvement où règne une atmosphère de peur, de menace, d’agression et de cruauté. Bléda, le frère d’Attila, est associé un thème aux accents plus héro ques, tandis que Kerka, l’épouse bien-aimée du roi des Huns, est représentée par une mélodie lyrique. La fin trépidante de ce mouvement d’ouverture illustre l’effroyable rapidité avec laquelle les troupes d’Attila poursuivaient et tuaient toutes leurs victimes.Le deuxième mouvement est centré sur ARPAD, le fondateur de l’État hongrois. Un passage limpide et aérien ouvre ce mouvement évoquant Émèse, la grand-mère d’Arpad, qui vit en rêve sa destinée future. Après avoir livré bataille contre l’un de ses opposants, le prince bulgare Zalan, et l’avoir chassé des terres magyares, Arpad donne officiellement au territoire le nom de Magyarorszag.Le troisième et dernier mouvement de la symphonie porte le nom de celui qui convertit le pays au christianisme : Étienne Ier (ISTVAN), sacré roi de Hongrie le 1er janvier 1001 par le Pape Sylvestre II. Les mesures d’ouverture, solennelles et majestueuses, mènent un passage dont l’atmosphère belliqueuse s’intensifie pour s’achever en de violents fracas symbolisant la mort Sinfonia Hungarica, commissionata dalla banda ungherese di Kiskunfelegyahaza, è dedicata al maestro Ferenc Jankovski, al sindaco della citt Jozsef Ficsor e a Gabriella Kiss. La prima mondiale, eseguita dalla banda Kiskunfelegyhaza si è tenutaa Budapest il 31 marzo 2001 sotto la direzione del compositore.Gli eventi salienti della storia dell’Ungheria, come le guerre ed altri avvenimenti importanti, sono tradotti in musica in questa sinfonia strutturata in tre movimenti. Sinfonia Hungaricavuole anche essere un omaggio allo stato ungherese che festeggia il suo millennio nel 2001.ATTILA, re degli Unni, spesso chiamato “il flagello di Dio“ è la figura centrale del primo movimento, caratterizzato dalla paura, dalla minaccia,dall’aggressione e dalla crudelt . Buda, fratello di Attila è associato ad un tema più eroico, mentre Rika, l’amata moglie, è rappresentata da una melodia lirica. L’eccitante finale di questo movimento di apertura illustra la tanto temuta velocit delle truppe di Attila che seminavano paura e morte.Il secondo movimento pone l’accento su ARPAD, il fondatore dello Stato ungherese. Inizia con un passaggio in stile atmosferico che evoca la nonna di Arpad, Emese che aveva sognato e predettoil futuro del nipote. Uno degli oppositori di Arpad, il principe bulgaro Zalan, fu cacciato dopo una battaglia. In seguito, Arpad chiamò ufficialmente il territorio “Magyarorszagâ€.Il movimento finale prende il nome da ISTVAN, il re che portòil cristianesimo in Ungheria e che fu incoronato da Papa Silvestro II il 1 gennaio, 1001. Un inizio solenne prelude ad un passaggio bellico accentuato da rumori imponenti; questo a simboleggiare l’atroce fine del pagano Koppany il cui corpo futagliato in quattro pezzi e inviato ai quattro castelli del paese come monito. Dopo un intermezzo quieto, quasi religioso, viene presentato l’Inno nazionale ungherese. In questo ampio e grandioso finale riecheggia l’orgoglio dell’Ungheria nelricordare il suo passato e la fiducia con la quale si proietta al futuro.Lo stupendo tema dell’Inno nazionale ungherese è proposto nell’arco dell’intera sinfonia. E’ però spesso parzialmente nascosto e usato come filo conduttore, appena riconoscibileall’inizio ma sempre più ovvio quando la sinfonia si avvicina al suo finale. A conclusione della sinfonia, il sublime inno conduce la banda in un’apoteosi finale, facendo apparire l’organico strumentale come un maestoso organo.
SKU: MN.CH-1183
Originally called As Fair As Morn, this piece is a simple example of three-part imitative counterpoint. The lowest part was originally written in the tenor clef and was intended for the tenor voice. The text is one of the earliest of the Ambrosian hymns, 6th century or earlier, this hymn is used from Easter Sunday until Ascension. In the Breviary revision of 1632 by Pope Urban VIII the hymn was so greatly altered that only three lines of the original remained and thus is really a different hymn entirely. The revised hymn can be found under the title of Ad regias Agni dapes.
SKU: SU.25110030
This reflective work was inspired by HBO's television series The Tudors in which the pope pronounced an apostolic blessing to the people of Vatican City from the Ubis et Orbis. This solemn work reflects the composer's yearning: gratefulness in retrospect to the year of old, and anticipation at the prospect of the new year.String Orchestra Duration: 6’ Composed: 2014 Published by: Johno Muzik Performance materials available on rental:.
SKU: GI.G-9980
UPC: 785147998006. English. Text Source: Inspired by the words of Pope Francis.
In the words of the composer, “Inspired by the wisdom of Pope Francis, who offers, ‘Show by your life that it is worth giving your time and talents in order to attain high ideals, that it is worth recognizing the dignity of each human person, and it is worth taking risks for Christ and his Gospel,’ this piece tries to explore every facet of what it means to let your life speak what you truly believe.†Lori True’s experiences working with the students of St. Catherine University, strong women whose actions speak as loudly as their cries for justice, inspired the composition of “Show by Your Life.†The verses can be sung by a cantor, but the community can learn and pray them to God and to one another, keeping one another accountable to the mission of the gospel.
