A Guide For The Claw-Less!. Par LEVENSON DAN. Southern Appalachian native Dan Levenson and Mel Bay Publications present Clawhammer Banjo from Scratch - A Guide for the Claw-less! This book teaches clawhammer banjo the way we play, not the way others say. It really begins as though you really have NO knowledge of how to play the five string banjo clawhammer style. Based on Dan's innovative Meet the Banjo™ program (where Dan brings 15 banjos and teaches players who may have never held a banjo), this book assumes no prior experience. Beginning at the beginning, Dan presents a brief history of the 5-string banjo then goes over the parts of the banjo, holding the banjo, right and left hand positions and his basic clawhammer strum. Even the strum is broken down into the steps of the finger and thumb. You are guided through the chords, the scale and then the individual notes of each of 12 jam session favorite tunes from scratch. Includes 2 reference CD's with all exercises, tunes (slow and up to speed), and a fiddle version of each tune. / Niveau : Débutant / Clawhammer/Frailing - Methods / Méthode / Banjo à 5 Cordes

Tablature With Standard Notation For Fiddle And Other Instruments. Par LEVENSON DAN. Bienvenue sur des airs de Gospel pour Clawhammer Banjo. Après plusieurs années de demandes par vous et l'éditeur, j'ai fait cette collection de favoris de Gospel disponibles pour ceux d'entre vous qui jouent le style de banjo clawhammer. Les versions des onglets présentées ici ne sont ni trop simple, ni particulièrement complexes. Toute personne ayant des compétences de base clawhammer devrait être capable de jouer l'onglet, comme l'écrit ou de s'approcher suffisamment pour qu'ils peuvent créer une version satisfaisante de chaque morceau pour eux-mêmes. Devez vous trouvez vous avez besoin d'un livre d'instruction, veuillez obtenir mon livre Clawhammer Banjo de Scratch avec companion CD (MB20190BCD) et le DVD correspondant du qui sont également disponibles de Mel Bay. Vous pouvez également voir Old-Time Gospel Banjo Solos de Jack Hatfield (MB96755BCD) pour les 3 versions de bluegrass/Scruggs doigt de nombreux airs les présentées ici. / Niveau : Débutant / Gospel-Old Time - Solos / Tablatures / Banjo Tablatures à 5 Cordes

The primary aim of this book is to help the reader to understand the language of music and how it works in relation to the guitar. It is not intended as a substitute for all other lines of study but it will provide a basicknowledge that can be expanded and developed. The reader is urged to read as wide a range of books as possible and to examine whatever music he or she possesses to identify further examples of the points discussed. The examplesshould be played and carefully listened to. The study of music is sterile if confined to making marks on paper no matter how well understood intellectually; no real value attaches to a theoretical study of music unless it isdirectly related to aural experience and its value is reduced further if it is not related to the music of one's instrument. Contents include Musical Sounds and Their Origins The Organization of single notes Melody Intervals The Beginning of Harmony-Triads Functional Harmony and Cadences Primary Harmony and Cadences Primary Triads and Substitution Modulation and Transition Secondary Sevenths Other Diatonic Secondary Sevenths TheCadential Six-four the Dominant Ninth Secondary Ninths Chords of the Eleventh and Thirteenth Chromatic Alteration of Diatonic Chords chromatic Harmony Remote Modulation Pedal Points and Steps Beyond

This book with online audio recordings is intended to be a tune repertoire book. It includes over 100 Old-Time festival favorites. Some are cliche others unusual some easy some difficult. This Mandolin book includes two linesof standard notation -- basic and advanced - as well as a Mandolin tab line that can be interpreted for Fiddle also. The basic version should be playable by those with general skills. The advanced version will require more timeand finesse as it is more ornamental (often more than just melodic) and may include less than intuitive ways of playing some passages.

En dag ringede telefonen hos Ole Hyltoft. Det var komponistenFinn Jørgensen som forfatteren aldrig før havde talt med. – Jeg har lavet en melodi til dit digt Efterårsblæst som du bragte i Politiken i søndags sagde Finn Jørgensen. – Vil du høre den? Det blev begyndelsen til et samarbejde mellem komponist ogforfatter som er fortsat siden. For det viste sig at vi to havde samme umiddelbare modtagelighed for naturens små og store undere. Den samme glade munterhed og humor. Den samme taknemlighed over for den rigdom naturen begunstiger os med. Den samme ærbødighed for naturensstorhed men også glæden ved forløsningen i en frimodig latter. En af folkekirkens præster sagde engang at Ole Hyltofts årstidsdigtevar en naturens andagt. Men i så fald en andagt uden mange forordninger og reskripter. Det udvalg af vores sange som Wilhelm Hansens forlag her præsenterer har stor spændvidde. Fra det frisindede humør til poesiens sammenbinding af alt levende med det guddommelige.- Ole Hyltoft Finn Jørgensen

With Online Audio-This collection includes 30 songs as played by the renowned old-time Clawhammer Banjo player Wade Ward. Written in Banjo tab these traditional pieces have here been given modern interpretations by Bob Carlinand Dan Levenson. The repertoire in Wade Ward Clawhammer Banjo Master is the perfect starting point for your journey through the world of old-time music. As such each piece is presented inmultiple arrangements both on the page and the accompanying audio. Available to download these recordings are for the most part played at a learning tempo and are close to the written notation but not exact in allcases. Songs include: Arkansas Traveler Chilly Winds Cindy Cluck Old Hen Peachbottom Creek Polly Put The Kettle On Sally Ann Shady Grove Silly Bill and more.

Par LEVENSON DAN. Cet ensemble de livre et deux CD est destiné à être un livre de répertoire de mélodie. Il comprend plus de 100 favoris festivals Old-Time. Certains sont cliche', d'autres inhabituel, certains facile, certains difficile. Le livre contient 2 lignes de tablature (un basic et un avancé) ainsi que de notation standard et accords suggérées. La version de base devrait être jouable par ceux qui ont les compétences générales clawhammer. La version avancée nécessitera plus de temps et finesse comme c'est le plus ornemental (souvent plus que juste mélodique) et peut comprendre moins de moyens intuitifs de jouer certains passages. Télécharger les versions de violon libre de chansons de ce livre. / Niveau : Débutant à Intermédiaire / Old Time - Tune Book / Tablatures / Banjo Tablatures à 5 Cordes

Media Type : Book Level : Multiple Levels Musical Genre : All Styles Series : Encyclopedia Number of pages : 144 • A case size edition of Mel Bay's best-selling Deluxe Encyclopedia of Guitar Chords. - Chord forms uniquely broken into melody forms, inside forms, rhythm guitar forms, and bottom four-string chord forms. Thousands of great-sounding guitar chords presented. - Each diagram shows notes in the chord, fingering, and essential chord tones on the bottom and top note of the chord form. Chords are shown in every key. - Chord forms include major, minor, diminished, augmented, seventh, minor seventh, seventh augmented fifth, seventh flat fifth, major seventh, major seventh flat third, major seventh flat fifth, suspended fourth, seventh suspended fourth, sixth, minor sixth, ninth, minor ninth, major ninth, ninth sharp fifth, ninth flat fifth, seventh flat nine, seventh sharp nine, sixth add nine, eleventh, augmented eleventh, thirteenth, thirteenth flat nine, thirteenth flat nine flat five.

‘Feroaring fan Lucht’ is gebaseerd op de gelijknamige roman van de Friese schrijver Rink van der Velde (1932-2001). De vele werken van Van der Velde zijn meestal gebaseerd op ervaringen die hij opdeed tijdens zijn werk als journalist of uit dehistorie van zijn eigen leefomgeving (Z.O. Friesland). De tweede wereldoorlog is een vaak terugkerend thema. De hoofdfiguren zijn niet zelden eenlingen. Ze kenmerken zich door het feit dat ze zich niet het meeste aantrekken van de geldenderegels die in de ‘normale’ maatschappij in acht worden genomen. De hoofdfiguur uit Feroaring fan Lucht ‘Durk Luchtigheid’ (in de volksmond Durk Snoad) voldoet volledig aan deze omschrijving. Jan Bosveld heeft een muzikalevertelling gecomponeerd waarin hij gebruik maakt van een leid-motief (twee stijgende kwart sprongen Bes-Es-C-F). Dit leid-motief heeft de toepasselijke naam ‘Durk-motief’ gekregen en is in vele hoedanigheden zowel melodisch als in deaccordiek (kwartstapeling) te beluisteren. Het werk begint met het ‘Durk-motief’. Levenslustig en onbekommerd stapt Durk door het leven genietend van de dingen die het leven voor hem in petto heeft. Plotseling is het tijd voor hetapp?l (maat 24) Durk blaast op een oude gedeukte bugel een soort reveille. Hij ziet zeven kinderen verschijnen maar bedenkt dat het er toch meer zouden moeten zijn. Na een wat nadrukkelijker geblazen reveille telt hij tien telgen. Dit stelt hemtevreden. Na het ochtendritueel trekt hij de natuur in (maat 28). Hij geniet van de wind de zon en de rust en laat de dingen op zich afkomen zoals ze zich aandienen. Dat Durk uit de natuur ook geldelijk gewin haalt hoort men in de nachtelijkestrooptocht (maat 73). Als hij langs zijn opgezette vallen gaat blijft hij op zijn hoede voor de veldwachter. Deze ligt echter als een wolf op de loer en ontdekt Durk. Hij blaast op zijn fluit (maat 111) en er ontstaat een achtervolging (maat 116).De sterke arm is langer dan Durk denkt en hij wordt uiteindelijk in de kraag gevat. Na tussenkomst van een maatschappelijk werkster wordt Durk tewerkgesteld bij Philips en verhuist hij naar een nieuwbouwwoning in Drachten (maat 149). Hijvoelt zich in zijn nieuwe huis en op het werk niet op zijn gemak en verlangt terug naar zijn oude bestaan (maat 157). Tegen alle bureaucratie in besluit hij terug te gaan naar zijn oude woning op de Zandlaan. Zelfs de burgemeester komt eraan tepas om deze eigenzinnige Fries om te praten maar helaas het heeft geen zin. Als hij krijgt te horen dat hij mag blijven wonen waar hij heel zijn leven al heeft doorgebracht is hij een gelukkig man (maat 230). Eind goed al goed.

Next page >> [ 1 ] [16] [31] [46] [61] [76] [91] [106] [121] [136] [151] ... [511] Eff ID instrument descr2 Image Medias Titre descr Auteur descr_uk prix Compo Best image width height url url uk Couverture Extrait Audio/Back cover Jeu date Select Vendeur 1758772 1758772 0 GUITARE METHODES : TECHNIQUES Guitare notes et tablatures Sub instrumentation... Intermédiaire Partition Accès audio Mel Bay Mel Bay 0 0 0

Away Down In The Alley Blues In G Go Back To Your No Good Man Stompin' 'Em Along Slow autres styles : 0 0 Musicroom UK FS UK CD DVD VHS K7 Guitar Of Lonnie Johnson: Guitar: Instrumental Tutor Langue: ID : MB98509M Cotage : MB98509M - Cotage Chercher Video (0) Lonnie Johnson blended blues and jazz styles, performing with blues shouters like Bessie Smith and Texas Alexander on one hand, and Louis Armstrong and Duke Ellington on the other. Now learn essential exercises and tips as they are presented in this compilation of tunes by this legendary musician. As part of Stefan Grossman's Guitar Workshop Audio Series not only does this book contain valuable lessons, but as an added bonus, online audio recording containing three full hours of instruction featuring note-by-note, phrase-by-phrase instruction to make the style and technique of Lonnie Johnson something that anyone can learn. Master instructor Woody Mann teaches you step-by-step to play these selections: Away Down in the Alley, Woke Up This Morning With Blues in My Fingers, Go Back to Your No Good Man, Blues in G, and Stompin' 'Em Along Slow. Written in standard notation and tablature. Includes access to online audio. Extrait : Vide UK Auteurs Int. FR Auteurs FR. 15.99 Lonnie Johnson blended blues and jazz styles, performing with blues shouters like Bessie Smith and Texas Alexander on one hand, and Louis Armstrong and Duke Ellington on the other. Now learn essential exercises and tips as they are presented in this compilation of tunes by this legendary musician. As part of Stefan Grossman's Guitar Workshop Audio Series not only does this book contain valuable lessons, but as an added bonus, online audio recording containing three full hours of instruction featuring note-by-note, phrase-by-phrase instruction to make the style and technique of Lonnie Johnson something that anyone can learn. Master instructor Woody Mann teaches you step-by-step to play these selections: Away Down in the Alley, Woke Up This Morning With Blues in My Fingers, Go Back to Your No Good Man, Blues in G, and Stompin' 'Em Along Slow. Written in standard notation and tablature. Includes access to online audio. Prix MR FR 15.99 0 0 https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB98509M_1_mini.jpg 60 80 https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(85f33a07-58ca-4384-9560-977cf3483e1d)ttid(3)url(https://www.musicroom.com/product/mb98509m/guitar-of-lonnie-johnson.aspx?clid=510) https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(85f33a07-58ca-4384-9560-977cf3483e1d)ttid(3)url(https://www.musicroom.com/product/mb98509m/guitar-of-lonnie-johnson.aspx?clid=510) https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB98509M_1.jpg Voir couverture See cover Vide 0 2016-07-05 00:00:00 0 25 1758713 1758713 0 GUITARE FINGERSTYLE - FINGERPICKING Guitare notes et tablatures Sub instrumentation... Niveau... Partition Accès audio Mel Bay Mel Bay 0 0 0

autres styles : 0 0 Musicroom UK FS UK CD DVD VHS K7 Stefan Grossman: Fingerpicking Guitar in the Dropped D Tuning: Guitar: Langue: ID : MB30731M Cotage : MB30731M - Cotage Chercher Video (0) Fingerpicking Guitar in the Dropped D Tuning. I became aware of the Dropped D tuning in 1960. It literally exploded my playing. Just by lowering the sixth string down a tone ? from E to D, my guitar sounded so much fuller. The tuning seemed to open up the fingerboard whether playing in the Keys of D, G or A. An alternating bass sounded huge and dynamic. Over the last 60 years I, as well as guitar playing friends, have explored playing in Dropped D. From folk and gospel to blues and early jazz to Celtic melodies and O?Carolan compositions to original instrumental compositions. This collection covers a lot of musical terrain. There?s plenty of musical notes, styles, techniques in these pages. Travel slowly and try to absorb the arrangements one by one. The constant throughout is the Dropped D tuning. Includes access to online audio, Extrait : Vide UK Auteurs Int. FR Auteurs FR. 24.99 Fingerpicking Guitar in the Dropped D Tuning. I became aware of the Dropped D tuning in 1960. It literally exploded my playing. Just by lowering the sixth string down a tone ? from E to D, my guitar sounded so much fuller. The tuning seemed to open up the fingerboard whether playing in the Keys of D, G or A. An alternating bass sounded huge and dynamic. Over the last 60 years I, as well as guitar playing friends, have explored playing in Dropped D. From folk and gospel to blues and early jazz to Celtic melodies and O?Carolan compositions to original instrumental compositions. This collection covers a lot of musical terrain. There?s plenty of musical notes, styles, techniques in these pages. Travel slowly and try to absorb the arrangements one by one. The constant throughout is the Dropped D tuning. Includes access to online audio, Prix MR FR 24.99 0 0 https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB30731M_1_mini.jpg 60 80 https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(da90b07f-89ce-4e2e-bf21-728e97f15938)ttid(3)url(https://www.musicroom.com/product/mb30731m/fingerpicking-guitar-in-the-dropped-d-tuning.aspx?clid=510) https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(da90b07f-89ce-4e2e-bf21-728e97f15938)ttid(3)url(https://www.musicroom.com/product/mb30731m/fingerpicking-guitar-in-the-dropped-d-tuning.aspx?clid=510) https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB30731M_1.jpg Voir couverture See cover Vide 0 2016-07-05 00:00:00 0 25 1758712 1758712 0 GUITARE FINGERSTYLE - FINGERPICKING Guitare seul et duo Sub instrumentation... Niveau... Partition Accès audio Mel Bay Mel Bay 0 0 0

autres styles : 12 0 Musicroom UK FS UK CD DVD VHS K7 Stefan Grossman: Folk Blues Fingerstyle Guitar: Guitar: Instrumental Album Langue: ID : MB30950M Cotage : MB30950M - Cotage Chercher Video (0) Folk Blues Fingerstyle Guitar. In Nashville, the studio guitarists joke that all the money is in the first five frets. It is those simple first position chords that make the hits. In this collection we will stay within these boundaries and explore fingerstyle folk, blues, gospel, and ragtime arrangements in the keys of A, C, D, E and G. All you need to know are basic chord fingerings for A, C, D, E, F and G. Tunes include: KEY of C Railroad Bill, Careless Love, I Am A Pilgrim, What A Friend We Have In Jesus, I?ll Fly Away, Troubles, Delia, C. C. Rider, Trouble In Mind KEY of G I?m Troubled, Easy Rider Blues, Try Me One More Time, I?m Wild About My Loving, I Couldn?t Help It, Ragged and Dirty KEY of D Take a Whiff On Me, C. C. Rider, Will The Circle Be Unbroken, Careless Love KEY of E, Oh, Mary Don?t You Weep, Crow Jane, I Shall Not Be Moved, Trouble In Mind, Careless Love, Betty

Eleven beautiful solos on favorite hymns and traditional sacred melodies. The selections are appropriate for worship celebrations throughout the church year.The keyboard accompaniment complements the violin part andsometimes takes the melody while the violin plays a descant. Intermediate in difficulty some pieces include double stops use flat keys and require mutes. These solos will enrich any worship setting. The violin solo part isincluded in the book and is also available as an online download.

Experience the magic of Spanish guitar music with new compositions from author Kacha Metreveli. The material is written for two guitars andencompasses styles such as Malaguena, Festiva, Habanera, Capricho and more. Eleven duets of intermediate to advanced difficulty are presented, including the following compositions:Dos Guitarras Espanolas (Festiva)RecuerdosAlma Espanola (Capricho)Jota AragonesaHomenaje a los Romeros (Malaguena)Homenaje a Tarrega (Habanera)FandangoPaterna de Rivera (Petenera)Souvenir de Espana (Zapateado)Homenaje a Segovia (Tonadilla)Adios Amigos! (Postlude)The bonus piece 'Fandango No. 2' requires two players on one guitar at the same time! Experience the magic of Spanish Guitar music with new compositions from author Kacha Metreveli. The material is written for two Guitars and encompasses styles such as Malaguena, Festiva, Habanera, Capricho andmore. Eleven duets of intermediate to advanced difficulty are presented, including the following compositions: Dos Guitarras Espanolas (Festiva)RecuerdosAlma Espanola (Capricho)Jota AragonesaHomenaje a los Romeros(Malaguena)Homenaje a Tarrega (Habanera)FandangoPaterna de Rivera (Petenera)Souvenir de Espana (Zapateado)Homenaje a Segovia (Tonadilla)Adios Amigos! (Postlude). The bonus piece 'Fandango No. 2' requires two players on one Guitarat the same time./ Recueil / 2 Guitares