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| Buskers Fake Book All Time Hit Piano solo Music Sales | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.
(10)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Pied Piper of Hamelin - Intermediate Hal Leonard
Fanfare Band; Fanfare Band Set (Score) - Grade 4 SKU: HL.4007962 For F...(+)
Fanfare Band; Fanfare Band Set (Score) - Grade 4 SKU: HL.4007962 For Fanfare Band for Fanfare Band, Grade 4 14:17 Score. Composed by Otto M. Schwarz. Concert. Softcover. Duration 857 seconds. Hal Leonard #SDP059.21-101. Published by Hal Leonard (HL.4007962). Stories, sagas and legends - who among us don't know them? Always delivered with a tinge of brutality, these cautionary tales are a legacy of moral education from times past: inquisitive children alone in the forest are generally eaten by a witch; the 'Soup-Kasper' of Hoffman's Struwwelpeter dies from starvation eather than eating his soup; anyone letting in strangers usually gets devoured; anyone who plays with matches gets burned; and thumb-suckers get their thumbs cut off. The list of unfortunate demises is almost endless. In the tale of The Pied Piper of Hamelin, parents lose their children through greed, ridicule, scom and a failure to appreciate art. There is still a street in the town of Hamelin in which neither drumming nor playing has not been allowed since 130 children disappeared into a mountain, never to be seen again. This composition by Otto M. Schwarz opens with exactly this scene, taking us back to the year 1284. As in many towns at the time, Hamelin in Germany suffered with hygiene problems - rats and mice began to multiply rapidly, and the town was overrun with the plague. There appeared a man dressed in coorful clothes who promised the locals to free them from this burden. They agreed and settled on a fee. Then the man pulled out a pipe and began to play. When the rate and mice heard this, they followed him. He led the animals into the Weser River, where they all drowned. Back in town, the people refused to pay him. They didn't recognize this man's skills and knowledge and were only prepared to pay for simple labor. A pact with the devil was made, which led to the Pied Piper leaving the town in a furious rage. One Sunday, when many people were at church, he returned, took out his flute and began to play. The town'schildren were so enchanted by his playing that they followed him. He led them out of the town and disappeaed with them forever into a mountain. Of all the children, only two survived - however one was mute, and one was blind. In the street from which the children left Hamelin, music may no longer be played in memory of this event. $40.00 - See more - Buy online | | |
| The Pied Piper of Hamelin - Intermediate Hal Leonard
Brass Band (Score) - Grade 4 SKU: HL.4007972 For Brass Band. Compo...(+)
Brass Band (Score) - Grade 4 SKU: HL.4007972 For Brass Band. Composed by Otto M. Schwarz. Concert. Duration 857 seconds. Hal Leonard #SDP068.21-201. Published by Hal Leonard (HL.4007972). Stories, sagas and legends--who among us doesn't know them? Always delivered with a tinge of brutality, these cautionary tales are a legacy of moral education from times past: inquisitive children alone in the forest are generally eaten by a witch; the Soup-Kasper of Hoffmann's Struwwelpeter dies from starvation rather than eating his soup; anyone letting in strangers usually gets devoured; anyone who plays with matches gets burned; and thumb-suckers get their thumbs cut off. The list of unfortunate demises is almost endless.In the tale of The Pied Piper of Hamelin, parents lose their children through greed, ridicule, scorn and a failure to appreciate art. There is still a street in the town of Hamelin in which neither drumming nor playing has not been allowed since 130 children disappeared into a mountain, never to be seen again. This composition by Otto M. Schwarz opens with exactly this scene, taking us back to the year 1284. As in many towns at the time, Hamelin in Germany suffered with hygiene problems--rats and mice began to multiply rapidly, and the town was overrun with the plague. There appeared a man dressed in colorful clothes who promised the locals to free them from this burden. They agreed and settled on a fee. Then the man pulled out a pipe and began to play. When the rats and mice heard this, they followed him. He led the animals into the Weser River, where they all drowned. Back in town, the people refused to pay him. They didn't recognize this man's skills and knowledge and were only prepared to pay for simple labour. A pact with the devil was made, which led to the Pied Piper leaving the town in a furious rage. One Sunday, when many people were at church, he returned, took out his flute and began to play. The town's children were so enchanted by his playing that they followed him. He led them out of the town and disappeared with them forever into a mountain. Of all the children, only two survived--however one was mute, and one was blind. In the street from which the children left Hamelin, music may no longer be played in memory of this event. $27.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Pied Piper of Hamelin Concert band - Intermediate Hal Leonard
Concert Band; Concert Band Set (Score) - Grade 4 SKU: HL.4007945 For C...(+)
Concert Band; Concert Band Set (Score) - Grade 4 SKU: HL.4007945 For Concert Band, Grade 4, 14:17 Score. Composed by Otto M. Schwarz. Concert. Softcover. Duration 857 seconds. Hal Leonard #SDP041.21-01. Published by Hal Leonard (HL.4007945). Stories, sagas and legends--who among us doesn't know them? Always delivered with a tinge of brutality, these cautionary tales are a legacy of moral education from times past: inquisitive children alone in the forest are generally eaten by a witch; the “Soup-Kasper†of Hoffmann's Struwwelpeter dies from starvation rather than eating his soup; anyone letting in strangers usually gets devoured; anyone who plays with matches gets burned; and thumb-suckers get their thumbs cut off. The list of unfortunate demises is almost endless.In the tale of The Pied Piper of Hamelin, parents lose their children through greed, ridicule, scorn and a failure to appreciate art. There is still a street in the town of Hamelin in which neither drumming nor playing has not been allowed since 130 children disappeared into a mountain, never to be seen again. This composition by Otto M. Schwarz opens with exactly this scene, taking us back to the year 1284. As in many towns at the time, Hamelin in Germany suffered with hygiene problems--rats and mice began to multiply rapidly, and the town was overrun with the plague. There appeared a man dressed in colorful clothes who promised the locals to free them from this burden. They agreed and settled on a fee. Then the man pulled out a pipe and began to play. When the rats and mice heard this, they followed him. He led the animals into the Weser River, where they all drowned. Back in town, the people refused to pay him. They didn't recognize this man's skills and knowledge and were only prepared to pay for simple labour. A pact with the devil was made, which led to the Pied Piper leaving the town in a furious rage. One Sunday, when many people were at church, he returned, took out his flute and began to play. The town's children were so enchanted by his playing that they followed him. He led them out of the town and disappeared with them forever into a mountain. Of all the children, only two survived--however one was mute, and one was blind. In the street from which the children left Hamelin, music may no longer be played in memory of this event. $38.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Complete Keyboard Player: Book 1 Keyboard Music Sales
Keyboard SKU: BT.MUSAM91383 Composed by Kenneth Baker. The Complete Keybo...(+)
Keyboard SKU: BT.MUSAM91383 Composed by Kenneth Baker. The Complete Keyboard Player. Tuition. Book Only. Music Sales #MUSAM91383. Published by Music Sales (BT.MUSAM91383). ISBN 9780711936485. English. Based on popular songs and with easy-to-follow text and diagrams, this excellent course assumes no prior knowledge of keyboards or music yet right from the beginning, you will be playing arrangements which include a completerhythmsection with full sounding chords, bass and drums. Book 1 contains 15 famous songs including 'Let It Be', 'Super Trouper', 'Oh Lonesome Me' and 'Blowin' In The Wind'. Instrumental effects include piano, guitar, vibes andmanyothers. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Tales of Vandosar Orchestra [Score and Parts] - Intermediate Highland/Etling
Composed by Richard Meyer. Orchestra. For full (timp, bells/xylophone, Suspended...(+)
Composed by Richard Meyer. Orchestra. For full (timp, bells/xylophone, Suspended Cymbal, Crash Cymbals, Triangle, Snare Drum, Tambourine, Castanets). Full Orchestra; Part(s); Score. Highland Full Orchestra. Form: Overture. Grade 3. 220 pages. Published by Highland/Etling
$72.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Classic of Mountains and Seas Theodore Presser Co.
Orchestra Concert Band SKU: PR.11642169L Concerto for Orchestra. C...(+)
Orchestra Concert Band SKU: PR.11642169L Concerto for Orchestra. Composed by Zhou Long. Large Score. Duration 36 minutes. Theodore Presser Company #116-42169L. Published by Theodore Presser Company (PR.11642169L). UPC: 680160692118. Chinese mythology is a cultural heritage that has been passed down through the ages. It is full of bizarre andsupernatural artistic charm. Shan Hai Jing is like a history book, which contains many mythological stories depictingthousands of mountains and waters, geography and humanities, The Concerto for Orchestra Shan Hai Jing is using alarge scyle orchestra in multi-movements, inspired by the anceint supernatural aesthetics, and creates an imaginaryuniverse and human illusion with an abstract sound world. This work is not based on the story of the ancient gods, butbased on the geographical distribution of the Fivering Mountains, metaphorical waters, mountains range, folkcustoms, and rituals of the gods, depicting the north, west, east, south, and middle respectively in five movements. Thecharacteristics of the mountain system and the regional customs.The first movement, Beishan Jing (Largo) (page 1-30). In this movement, folk music elements such as the traditionalMongolian “Humai” and the traditional Tibetan “Bon’e’ri” are used to Ode the folk customs and heroism of the vastmountains and plains and different ethnic groups.The second movement, Xishan Jing (Allegro and Adagio) (page 31-52). The music of this movement has the westernstyle of Gansu and Qinghai Plateau.The third movement, Dongshan Jing (Adagio and Allegro) (page 53-86). The legend of great bells that ringspontaneously without being struck has origins in the ancient Classic of Mountains and Seas, in which we read:“Upon the Mountains of Plenty, Nine Bells ring with Knowledge of the Frost.”Tales of those blasts of wind that pulse like a heartbeat through caverns in the limestone cliffs, setting off a mysterioussympathetic ringing from bells encrusted in frost, led to “Frost-Bell” becoming a word during the Tang dynasty, almosta millennium after the Mountains and Seas classic first appeared.The fourth movement, Nanshan Jing (Adagio and Andante) (page 87-100) . The music is characterized by thewoodwinds and string harmonics texture depicting of the cloud mountain in the south of the Yangtze River, Fujian,Guangdong and Hunan.The fifth movement, Zhongshan Jing (Allegretto) (page 101-118) symbolizes the end of the ritual ceremony, which isroughly centered on the sacred place of Chu. The people danced together, waving flowers and hitting the bronze drums,just like sending the Divine Comedy, the scene is lively, the atmosphere is Solemn and lively. $92.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Classic of Mountains and Seas Theodore Presser Co.
Orchestra Concert Band SKU: PR.11642169S Concerto for Orchestra. C...(+)
Orchestra Concert Band SKU: PR.11642169S Concerto for Orchestra. Composed by Zhou Long. Study Score. Duration 36 minutes. Theodore Presser Company #116-42169S. Published by Theodore Presser Company (PR.11642169S). UPC: 680160692101. Chinese mythology is a cultural heritage that has been passed down through the ages. It is full of bizarre andsupernatural artistic charm. Shan Hai Jing is like a history book, which contains many mythological stories depictingthousands of mountains and waters, geography and humanities, The Concerto for Orchestra Shan Hai Jing is using alarge scyle orchestra in multi-movements, inspired by the anceint supernatural aesthetics, and creates an imaginaryuniverse and human illusion with an abstract sound world. This work is not based on the story of the ancient gods, butbased on the geographical distribution of the Fivering Mountains, metaphorical waters, mountains range, folkcustoms, and rituals of the gods, depicting the north, west, east, south, and middle respectively in five movements. Thecharacteristics of the mountain system and the regional customs.The first movement, Beishan Jing (Largo) (page 1-30). In this movement, folk music elements such as the traditionalMongolian “Humai” and the traditional Tibetan “Bon’e’ri” are used to Ode the folk customs and heroism of the vastmountains and plains and different ethnic groups.The second movement, Xishan Jing (Allegro and Adagio) (page 31-52). The music of this movement has the westernstyle of Gansu and Qinghai Plateau.The third movement, Dongshan Jing (Adagio and Allegro) (page 53-86). The legend of great bells that ringspontaneously without being struck has origins in the ancient Classic of Mountains and Seas, in which we read:“Upon the Mountains of Plenty, Nine Bells ring with Knowledge of the Frost.”Tales of those blasts of wind that pulse like a heartbeat through caverns in the limestone cliffs, setting off a mysterioussympathetic ringing from bells encrusted in frost, led to “Frost-Bell” becoming a word during the Tang dynasty, almosta millennium after the Mountains and Seas classic first appeared.The fourth movement, Nanshan Jing (Adagio and Andante) (page 87-100) . The music is characterized by thewoodwinds and string harmonics texture depicting of the cloud mountain in the south of the Yangtze River, Fujian,Guangdong and Hunan.The fifth movement, Zhongshan Jing (Allegretto) (page 101-118) symbolizes the end of the ritual ceremony, which isroughly centered on the sacred place of Chu. The people danced together, waving flowers and hitting the bronze drums,just like sending the Divine Comedy, the scene is lively, the atmosphere is Solemn and lively. $52.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Scrimshaw Tales [Score] Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal and more. SKU: CF.CPS270F Composed by Carl Strommen. Full score. 32 pages. Carl Fischer Music #CPS270F. Published by Carl Fischer Music (CF.CPS270F). ISBN 9781491164099. UPC: 680160922888. Scrimshaw is the technique of whalebone and ivory carving that was started by sailors centuries ago. Inspired by the composer's stay in Utqiagvik, Alaska, this composition musically illustrates scenes from these carvings that depict a day of Alaskan fishing. Starting broadly and majestically, the music quickly moves to a lively and energetic section that features syncopation and introduces the concept of canonic entrances. A return to the initial thematic material brings the piece to an exciting conclusion. Although challenging in many ways, this composition fully rewards all performers and listeners with a thrilling musical journey. Scrimshaw is the technique of ivory carving, an art form I saw firsthand during my stay in Barrow (Utqiagvik), the northernmost town in North America. Scrimshaw Tales depicts some of the scenes that sailors and artists once carved into whale bone and ivory, often related to the day-to-day activities of Alaskan fishing crews.The opening 28 measures (Port at Dawn) should be played broadly and majestically. Measures 29 through 66 (A Gathering of Ships) should be playing in a lively and energetic manner. The various canonic entrances represent the ships as they leave port one-by-one. Measures 67 through 132 (Out to Sea) should be played forcefully and energetically. Each successive entrance should push the pulse of this section to its conclusion at 132.Measures 133 through 150 (Return to Port) recalls the opening section, played with sweeping grandeur. $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Focus [Complete Set] String Orchestra [Score and Parts] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Duboff, Jeffrey Sultanof, Alex Chilowicz, and Andrew Homzy. Arranged by Eddie Sauter. For string ensemble (score and parts) (Soloist (parts in concert, B-flat, and E-flat), Violin I (8 parts), Violin II (8 parts), Viola (5 Parts), Cello (5 Parts) , Double Bass (3 Parts), Harp, Piano/Celeste, Percussion (Snare Drum, Marimba, Tambourine)). Advanced. Score and parts. Published by Jazz Lines Publications
$399.98 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Scrimshaw Tales - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal and more. - Grade 3.5 SKU: CF.CPS270 Composed by Carl Strommen. Set of Score and Parts. Carl Fischer Music #CPS270. Published by Carl Fischer Music (CF.CPS270). ISBN 9781491163696. UPC: 680160922482. Scrimshaw is the technique of ivory carving, an art form I saw firsthand during my stay in Barrow (Utqiagvik), the northernmost town in North America. Scrimshaw Tales depicts some of the scenes that sailors and artists once carved into whale bone and ivory, often related to the day-to-day activities of Alaskan fishing crews.The opening 28 measures (Port at Dawn) should be played broadly and majestically. Measures 29 through 66 (A Gathering of Ships) should be playing in a lively and energetic manner. The various canonic entrances represent the ships as they leave port one-by-one. Measures 67 through 132 (Out to Sea) should be played forcefully and energetically. Each successive entrance should push the pulse of this section to its conclusion at 132.Measures 133 through 150 (Return to Port) recalls the opening section, played with sweeping grandeur. $90.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fantasy Tales Concert band [Score and Parts] - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-0960784-010 Composed by Piet ...(+)
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-0960784-010 Composed by Piet Swerts. Sovereign Series. Concert Piece. Set (Score & Parts). Composed 1996. De Haske Publications #DHP 0960784-010. Published by De Haske Publications (BT.DHP-0960784-010). This work, reminiscent of a film score, describes the history of the Dutch town Horn. A broad lyrical theme, played by the horns, depicts the history of this town on the river Meuse. A cheerful Allegro represents rural life around the town and its castle. Following this the horn theme returns and the music changes dramatically. A drum roll symbolises the times of war that the town and castle have known. The threatening music eventually develops once more into the hopeful horn theme, a sign of reconstruction and the future.
Piet Swerts (*1960) hat sich beim Schreiben dieses Werks musikalisch durch amerikanische Filmmusik, u. a. von John Williams, inspirieren lassen. Durch ein breites, lyrisches Horn-Thema wird die Entstehung des niederländischen Ortes Horn am Fluss Maas dargestellt. Dieses Thema symbolisiert die drei Hörner, die auf dem Wappenschild des Dorfes und des Grafen von Horn vorkommen. Ein munteres Allegro typisiert, wie in der Pastorale von Beethoven, das ländliche Leben rund um das Dorf und sein Schloss. Danach kommt das Thema der Hörner zurück und die Musik nimmt eine dramatische Wendung. Trommelwirbel symbolisieren Krieg! Die drohende Musik löst sich dann wieder imhoffnungsvollen Thema der Hörner auf.
Fantasy Tales décrit l’histoire de la ville de Horn aux Pays-Bas. L’œuvre développe un thème mélodique épique, lyrique, quasi filmique, qui retrace l’évolution de cette ville située sur les rives de la Meuse. L’interprétation de ce thème par les cors a une portée symbolique. En effet, le blason de la ville et les armoiries du comté de Horn sont constitués de trois cors de chasse rouges sur fond jaune. Un allegro joyeux, écrit dans le style d’une pastorale, dépeint la vie rurale autour de la ville et de son ch teau. Le thème initial est réexposé, mais la musique prend une tournure plus dramatique pour évoquer, travers des roulements de tambours, lesdiverses périodes de guerre. L’espoir renaît néanmoins. Le thème premier est repris et se fait le signe de la reconstruction, et de l’expansion. La ville de Horn est désormais tournée vers le futur. $236.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Long Ships Concert band - Easy Carl Fischer
Band Anvil, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarin...(+)
Band Anvil, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3 SKU: CF.CPS221 A Viking Saga. Composed by Gene Milford. Concert Band (CPS). Set of Score and Parts. With Standard notation. 8+8+4+8+16+16+4+4+4+4+4+4+8+8+8+4+4+6+6+6+8+8+2+4+10+24+4 pages. Duration 4:44. Carl Fischer Music #CPS221. Published by Carl Fischer Music (CF.CPS221). ISBN 9781491152478. UPC: 680160909971. The Long Ships: A Viking Saga portrays the drama and excitement of the adventures of Viking heroes and great tales of Norse mythology. Composer Gene Milford has written a descriptive work that is bold, exciting, and beautiful. It is a rhapsodic piece with great potential for developing the musicianship of your students. The Long Ships is a perfect addition to your ensemble's contest and festival repertoire. The Vikings or Norsemen were the great explorers, warriors and traders of the European Medieval Age. In their iconic “long ships†they traveled from their Scandinavian home lands as far west as Greenland and New Foundland, south into the Mediterranean and East through Russia to the Black Sea. The Vikings were also the scourge of the era, and the cry “the Long Ships are coming†sent fear through coastal and river communities throughout Great Britain and Europe. The Norse sagas, tales of gods and heroes, have inspired musicians and authors though the centuries.The Long Ships: A Viking Saga portrays the drama and excitement of the adventures of Viking heroes and great tales of Norse mythology.The anvil in Percussion 2 should be struck with a large metal hammer. A low sounding anvil is preferred but a break drum can be substituted. $95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Long Ships Concert band [Score] - Easy Carl Fischer
Band Anvil, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarin...(+)
Band Anvil, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3 SKU: CF.CPS221F A Viking Saga. Composed by Gene Milford. Concert Band (CPS). Full score. With Standard notation. 24 pages. Carl Fischer Music #CPS221F. Published by Carl Fischer Music (CF.CPS221F). ISBN 9781491153154. UPC: 680160910656. The Long Ships: A Viking Saga portrays the drama and excitement of the adventures of Viking heroes and great tales of Norse mythology. Composer Gene Milford has written a descriptive work that is bold, exciting, and beautiful. It is a rhapsodic piece with great potential for developing the musicianship of your students. The Long Ships is a perfect addition to your ensemble's contest and festival repertoire. The Vikings or Norsemen were the great explorers, warriors and traders of the European Medieval Age. In their iconic “long ships†they traveled from their Scandinavian home lands as far west as Greenland and New Foundland, south into the Mediterranean and East through Russia to the Black Sea. The Vikings were also the scourge of the era, and the cry “the Long Ships are coming†sent fear through coastal and river communities throughout Great Britain and Europe. The Norse sagas, tales of gods and heroes, have inspired musicians and authors though the centuries.The Long Ships: A Viking Saga portrays the drama and excitement of the adventures of Viking heroes and great tales of Norse mythology.The anvil in Percussion 2 should be struck with a large metal hammer. A low sounding anvil is preferred but a break drum can be substituted. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Baltic Way Brass ensemble [Score] - Intermediate De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-1206253-130 Composed by Jan de Haan. Con...(+)
Brass Band - Grade 4 SKU: BT.DHP-1206253-130 Composed by Jan de Haan. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Score Only. Composed 2019. 48 pages. De Haske Publications #DHP 1206253-130. Published by De Haske Publications (BT.DHP-1206253-130). English-German-French-Dutch. In 1989, the demonstration named the Baltic Way also known as the Baltic Chain— was held in the Baltic states of Estonia, Latvia and Lithuania by its citizens in a call for independence from the Soviet Union. On 23rd August 1989, some two million participants formed a human chain, hand-in-hand all the way from the Estonian capital of Tallinn its Latvian counterpart, Riga, through to the Lithuanian capital of Vilnius - six hundred kilometres long. It became the longest human chain ever created and turned out to be the final push needed for much sought-after independence. This historic event became the source of inspiration for this composition. The introduction of thefirst movement, ‘Struggle for Independence’, is based on a nocturne for piano by the renowned Lithuanian composer and painter Mikalojus Konstantinas iurlionis (1875-1911), thematic material from which has been incorporated throughout the whole composition. The melancholic beginning is followed by a powerful theme which reflects the resolve of the Baltic people. The sudden aggressive, dissonant chords and a dominant and—in rhythmic terms—contrary bass drum announce that the resistance is not going smoothly. Just for a moment, we hear the anthem of the Soviet Union in the lower brass, but this is relentlessly pushed to the background by the rest of the band playing the Lithuanian national anthem, ‘Tautiška giesm ’ (Lithuania, our homeland). The second movement, ‘Decades of Suffering’, echoes life under the Soviet Union's thumb. In the pursuit of independence, a peaceful protest is planned in which a human chain is formed across the Baltic states of Estonia, Latvia and Lithuania. This ‘Chain of Freedom’ is depicted in the final movement of the work.
De Baltische Weg (The Baltic Way) was een demonstratie van de bevolking van de Baltische staten die in 1989 plaatsvond als een roep om onafhankelijkheid van de Sovjet-Unie. Deze historische gebeurtenis vormde de inspiratiebron voor deze compositie. Van Vilnius via Riga naar Tallinn werd een zeshonderd kilometer lange keten van naar schatting twee miljoen mensen gevormd. Op 23 augustus 1989 gaven al die mensen elkaar de hand en werd De Baltische Weg de langste menselijke keten ooit. Het bleek de uiteindelijke opmaat tot de zo gewenste onafhankelijkheid. De inleiding van het eerste deel, ‘Struggle for Independence’, is gebaseerd op een nocturne voor piano van devooraanstaande Litouwse componist en kunstschilder Mikalojus Konstantinas iurlionis (1875-1911). Het thematische materiaal van deze nocturne is door de hele compositie heen verwerkt. Na het melancholische begin volgt een krachtig thema, waarmee de strijdbaarheid van de Baltische bevolking wordt uitgebeeld. De plotselinge agressieve dissonante akkoorden en een dominante en ritmisch gezien tegendraadse grote trom laten horen dat het verzet niet eenvoudig verloopt. Even klinkt het begin van het volkslied van de Sovjet-Unie in het lage koper, maar dat wordt door de rest van de band onverbiddelijk naar de achtergrond verwezen door het Litouwse nationale volkslied ‘Tautiška giesm ’ (Litouwen, ons vaderland). In deel twee, ‘Decades of Suffering’, wordt het leven onder het juk van de Sovjet-Unie verklankt. In het streven naar onafhankelijkheid worden plannen gemaakt om als vreedzaam protest tegen de onderdrukking een menselijke keten te vormen over de wegen van de Baltische staten Litouwen, Letland en Estland. Deze ‘Chain of Freedom’ wordt in het laatste deel van het werk muzikaal weergegeven.
Der sogenannte Baltischer Weg (The Baltic Way) auch unter dem Namen Baltische Kette bekannt war 1989 eine Demonstration von Bürgern in den baltischen Staaten Estland, Lettland und Litauen mit dem Aufruf zur Unabhängigkeit von der Sowjetunion. Am 23. August 1989 bildeten rund zwei Millionen Teilnehmer eine sechshundert Kilometer lange Menschenkette, die von der estnischen Hauptstadt Tallinn über das lettische Riga bis zur litauischen Hauptstadt Vilnius reichte. Die längste Menschenkette, die jemals geschaffen wurde, erwies sich als der letzte Schritt, der zur lang ersehnten Unabhängigkeit führte. Dieses historische Ereignis diente der Komposition alsInspirationsquelle. Die Einleitung des ersten Satzes, Struggle for Independence“, basiert auf einem Nocturne für Klavier des bekannten litauischen Komponisten und Malers Mikalojus Konstantinas iurlionis (1875 1911), dessen thematisches Material in der gesamten Komposition verwendet wird. Dem melancholischen Anfang folgt ein mitreißendes Thema, das die Entschlossenheit der baltischen Bevölkerung widerspiegelt. Die plötzlichen aggressiven, dissonanten Akkorde und eine dominante und rhythmisch gegenläufige Bewegung in der Basstrommel kündigen an, dass der Widerstand nicht reibungslos verläuft. Für einen kurzen Moment erklingt die Hymne der Sowjetunion in den tiefen Blechbläsern, aber diese wird unerbittlich vom restlichen Orchester in den Hintergrund gedrängt, welches die litauische Nationalhymne Tautiška giesm “ (Litauen, unser Heimatland“) spielt. Der zweite Satz, Decades of Suffering“, spiegelt das Leben unter dem Joch der Sowjetunion wider. Für das Streben nach Unabhängigkeit war ein friedlicher Protest geplant, bei dem eine Menschenkette durch die baltischen Staaten Estland, Lettland und Litauen gebildet wurde. Diese Chain of Freedom“ wird im letzten Satz des Werkes beschrieben.
En 1989, la manifestation nommée « La Voie balte » (The Baltic Way) s’est tenue en Estonie, en Lettonie et en Lituanie, les pays baltes dont les citoyens demandaient être indépendants de l’Union soviétique. Le 23 ao t 1989, quelque deux millions de personnes se tenant par la main ont formé une chaîne humaine de 600 km de long reliant les trois capitales Tallinn (Estonie), Riga (Lettonie) et Vilnius (Lituanie). Cette chaîne humaine, la plus longue ce jour, donna une impulsion décisive au rétablissement d’une indépendance vivement souhaitée. Cet événement historique est devenu source d’inspiration pour cette composition. L’introduction du premier mouvement,« Struggle for Independence », est fondée sur un nocturne pour piano du célèbre compositeur et peintre letton Mikalojus Konstantinas iurlionis (1875-1911). Du matériel thématique emprunté ce nocturne est parsemé travers la présente composition. Un début mélancolique est suivi d’un thème puissant qui reflète la détermination des peuples baltes. La présence soudaine d’accords agressifs et dissonants, associés une grosse caisse dont le décalage rythmique domine, indiquent que la résistance rencontre des obstacles. Nous entendons momentanément l’hymne soviétique dans les cuivres graves, mais cet air est inexorablement repoussé l’arrière-plan par le reste de l’orchestre interprétant l’hymne national de Lettonie, « Tautiška giesm » (Lettonie, notre patrie). Le deuxième mouvement, « Decades of Suffering », dépeint la vie sous le joug de l’Union soviétique. la recherche de l’indépendance, une manifestation pacifique est organisée sous la forme d’une chaîne humaine traversant les trois pays baltes l ’Estonie, la Lettonie et la Lituanie. Le dernier mouvement de la pièce, « Chain of Freedom », exprime cet appel la liberté. $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Baltic Way Brass ensemble [Score and Parts] - Intermediate De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-1206253-030 Composed by Jan de Haan. Con...(+)
Brass Band - Grade 4 SKU: BT.DHP-1206253-030 Composed by Jan de Haan. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Set (Score & Parts). Composed 2019. De Haske Publications #DHP 1206253-030. Published by De Haske Publications (BT.DHP-1206253-030). English-German-French-Dutch. In 1989, the demonstration named the Baltic Way also known as the Baltic Chain— was held in the Baltic states of Estonia, Latvia and Lithuania by its citizens in a call for independence from the Soviet Union. On 23rd August 1989, some two million participants formed a human chain, hand-in-hand all the way from the Estonian capital of Tallinn its Latvian counterpart, Riga, through to the Lithuanian capital of Vilnius - six hundred kilometres long. It became the longest human chain ever created and turned out to be the final push needed for much sought-after independence. This historic event became the source of inspiration for this composition. The introduction of thefirst movement, ‘Struggle for Independence’, is based on a nocturne for piano by the renowned Lithuanian composer and painter Mikalojus Konstantinas iurlionis (1875-1911), thematic material from which has been incorporated throughout the whole composition. The melancholic beginning is followed by a powerful theme which reflects the resolve of the Baltic people. The sudden aggressive, dissonant chords and a dominant and—in rhythmic terms—contrary bass drum announce that the resistance is not going smoothly. Just for a moment, we hear the anthem of the Soviet Union in the lower brass, but this is relentlessly pushed to the background by the rest of the band playing the Lithuanian national anthem, ‘Tautiška giesm ’ (Lithuania, our homeland). The second movement, ‘Decades of Suffering’, echoes life under the Soviet Union's thumb. In the pursuit of independence, a peaceful protest is planned in which a human chain is formed across the Baltic states of Estonia, Latvia and Lithuania. This ‘Chain of Freedom’ is depicted in the final movement of the work.
De Baltische Weg (The Baltic Way) was een demonstratie van de bevolking van de Baltische staten die in 1989 plaatsvond als een roep om onafhankelijkheid van de Sovjet-Unie. Deze historische gebeurtenis vormde de inspiratiebron voor deze compositie. Van Vilnius via Riga naar Tallinn werd een zeshonderd kilometer lange keten van naar schatting twee miljoen mensen gevormd. Op 23 augustus 1989 gaven al die mensen elkaar de hand en werd De Baltische Weg de langste menselijke keten ooit. Het bleek de uiteindelijke opmaat tot de zo gewenste onafhankelijkheid. De inleiding van het eerste deel, ‘Struggle for Independence’, is gebaseerd op een nocturne voor piano van devooraanstaande Litouwse componist en kunstschilder Mikalojus Konstantinas iurlionis (1875-1911). Het thematische materiaal van deze nocturne is door de hele compositie heen verwerkt. Na het melancholische begin volgt een krachtig thema, waarmee de strijdbaarheid van de Baltische bevolking wordt uitgebeeld. De plotselinge agressieve dissonante akkoorden en een dominante en ritmisch gezien tegendraadse grote trom laten horen dat het verzet niet eenvoudig verloopt. Even klinkt het begin van het volkslied van de Sovjet-Unie in het lage koper, maar dat wordt door de rest van de band onverbiddelijk naar de achtergrond verwezen door het Litouwse nationale volkslied ‘Tautiška giesm ’ (Litouwen, ons vaderland). In deel twee, ‘Decades of Suffering’, wordt het leven onder het juk van de Sovjet-Unie verklankt. In het streven naar onafhankelijkheid worden plannen gemaakt om als vreedzaam protest tegen de onderdrukking een menselijke keten te vormen over de wegen van de Baltische staten Litouwen, Letland en Estland. Deze ‘Chain of Freedom’ wordt in het laatste deel van het werk muzikaal weergegeven.
Der sogenannte Baltischer Weg (The Baltic Way) auch unter dem Namen Baltische Kette bekannt war 1989 eine Demonstration von Bürgern in den baltischen Staaten Estland, Lettland und Litauen mit dem Aufruf zur Unabhängigkeit von der Sowjetunion. Am 23. August 1989 bildeten rund zwei Millionen Teilnehmer eine sechshundert Kilometer lange Menschenkette, die von der estnischen Hauptstadt Tallinn über das lettische Riga bis zur litauischen Hauptstadt Vilnius reichte. Die längste Menschenkette, die jemals geschaffen wurde, erwies sich als der letzte Schritt, der zur lang ersehnten Unabhängigkeit führte. Dieses historische Ereignis diente der Komposition alsInspirationsquelle. Die Einleitung des ersten Satzes, Struggle for Independence“, basiert auf einem Nocturne für Klavier des bekannten litauischen Komponisten und Malers Mikalojus Konstantinas iurlionis (1875 1911), dessen thematisches Material in der gesamten Komposition verwendet wird. Dem melancholischen Anfang folgt ein mitreißendes Thema, das die Entschlossenheit der baltischen Bevölkerung widerspiegelt. Die plötzlichen aggressiven, dissonanten Akkorde und eine dominante und rhythmisch gegenläufige Bewegung in der Basstrommel kündigen an, dass der Widerstand nicht reibungslos verläuft. Für einen kurzen Moment erklingt die Hymne der Sowjetunion in den tiefen Blechbläsern, aber diese wird unerbittlich vom restlichen Orchester in den Hintergrund gedrängt, welches die litauische Nationalhymne Tautiška giesm “ (Litauen, unser Heimatland“) spielt. Der zweite Satz, Decades of Suffering“, spiegelt das Leben unter dem Joch der Sowjetunion wider. Für das Streben nach Unabhängigkeit war ein friedlicher Protest geplant, bei dem eine Menschenkette durch die baltischen Staaten Estland, Lettland und Litauen gebildet wurde. Diese Chain of Freedom“ wird im letzten Satz des Werkes beschrieben.
En 1989, la manifestation nommée « La Voie balte » (The Baltic Way) s’est tenue en Estonie, en Lettonie et en Lituanie, les pays baltes dont les citoyens demandaient être indépendants de l’Union soviétique. Le 23 ao t 1989, quelque deux millions de personnes se tenant par la main ont formé une chaîne humaine de 600 km de long reliant les trois capitales Tallinn (Estonie), Riga (Lettonie) et Vilnius (Lituanie). Cette chaîne humaine, la plus longue ce jour, donna une impulsion décisive au rétablissement d’une indépendance vivement souhaitée. Cet événement historique est devenu source d’inspiration pour cette composition. L’introduction du premier mouvement,« Struggle for Independence », est fondée sur un nocturne pour piano du célèbre compositeur et peintre letton Mikalojus Konstantinas iurlionis (1875-1911). Du matériel thématique emprunté ce nocturne est parsemé travers la présente composition. Un début mélancolique est suivi d’un thème puissant qui reflète la détermination des peuples baltes. La présence soudaine d’accords agressifs et dissonants, associés une grosse caisse dont le décalage rythmique domine, indiquent que la résistance rencontre des obstacles. Nous entendons momentanément l’hymne soviétique dans les cuivres graves, mais cet air est inexorablement repoussé l’arrière-plan par le reste de l’orchestre interprétant l’hymne national de Lettonie, « Tautiška giesm » (Lettonie, notre patrie). Le deuxième mouvement, « Decades of Suffering », dépeint la vie sous le joug de l’Union soviétique. la recherche de l’indépendance, une manifestation pacifique est organisée sous la forme d’une chaîne humaine traversant les trois pays baltes l ’Estonie, la Lettonie et la Lituanie. Le dernier mouvement de la pièce, « Chain of Freedom », exprime cet appel la liberté. $137.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Tales of the Drum 4 Guitars (Quartet) [Score and Parts] - Intermediate Productions OZ
4 guitars - Intermediate SKU: DZ.DZ-588 Composed by John Graham. Score an...(+)
4 guitars - Intermediate SKU: DZ.DZ-588 Composed by John Graham. Score and parts. Les Productions d'OZ #DZ 588. Published by Les Productions d'OZ (DZ.DZ-588). ISBN 9782895004745. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Once Upon a Music Class Musical Awakening [Sheet music + CD] Alfred Publishing
Folk Tales, Fairy Tales, and Nursery Rhymes for Primary Music Students. C...(+)
Folk Tales, Fairy Tales, and Nursery Rhymes for Primary Music Students. Composed by Greg Foreman and Valeaira Luppens. This edition: Primary Book and Enhanced CD. Book; Classroom/Pre-School; Enhanced CD; General Music and Classroom Publications; Reproducible. Folk. 68 pages. Published by Alfred Music (AP.45332).
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Once Upon a Music Class Musical Awakening [Sheet music + CD] - Intermediate Alfred Publishing
Folk Tales, Fairy Tales, and Nursery Rhymes for Intermediate Music Students(+)
Folk Tales, Fairy Tales, and Nursery Rhymes for Intermediate Music Students. Composed by Greg Foreman and Valeaira Luppens. This edition: Intermediate Book and Enhanced CD. Book; Classroom/Pre-School; Enhanced CD; General Music and Classroom Publications; Reproducible. Folk. 84 pages. Published by Alfred Music (AP.45329).
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Official J-Rock Band Score; BABYMETAL "METAL RESISTANCE" Yamaha
Guitar, bass, drums - Intermediate-Advanced SKU: YM.GTL01100838 Composed ...(+)
Guitar, bass, drums - Intermediate-Advanced SKU: YM.GTL01100838 Composed by Various. Guitar/Bass/Drum. BABYMETAL. Artist Folio; J-Metal; J-Rock; J-Pop. Book. Yamaha Music Media #GTL01100838. Published by Yamaha Music Media (YM.GTL01100838). ISBN 9784636106138. Official Matching Score of their 2nd CD with 4 color pages. $27.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Karla [Score] Theodore Presser Co.
Orchestra 2 Clarinets (2 dbl. bass Clarinet), 2 Flutes (2 dbl. Piccolo), 2 Horns...(+)
Orchestra 2 Clarinets (2 dbl. bass Clarinet), 2 Flutes (2 dbl. Piccolo), 2 Horns, 2 Oboes (2 dbl. English Horn), 2 Trombones, 2 Trumpets, 2 bassoons, 3 Timpani + tenor Drum (or Tom Tom), High Hat, S, Tuba (Trombone 2 and Tuba may be played by one player), bass Drum SKU: PR.416414360 One-Act Opera. Composed by Leonard Lehrman. Based on Bernard Malamud's Notes From A Lady At A Dinner Party. Tales of Malamud. Opera. Full score. With Standard notation. Composed 1974. 109 pages. Theodore Presser Company #416-41436. Published by Theodore Presser Company (PR.416414360). UPC: 680160606245. 8.5 x 11 inches. Based on Bernard Malamud's Notes From A Lady At A Dinner Party. Based on Bernard Malamud's Notes From A Lady At A Dinner Party. $70.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Karla Theodore Presser Co.
Orchestra 2 Clarinets (2 dbl. bass Clarinet), 2 Flutes (2 dbl. Piccolo), 2 Horns...(+)
Orchestra 2 Clarinets (2 dbl. bass Clarinet), 2 Flutes (2 dbl. Piccolo), 2 Horns, 2 Oboes (2 dbl. English Horn), 2 Trombones, 2 Trumpets, 2 bassoons, 3 Timpani + tenor Drum (or Tom Tom), High Hat, S, Tuba (Trombone 2 and Tuba may be played by one player), bass Drum SKU: PR.41641436L One-Act Opera. Composed by Leonard Lehrman. Based on Bernard Malamud's Notes From A Lady At A Dinner Party. Tales of Malamud. Opera. Large Score. With Standard notation. Composed 1974. 109 pages. Theodore Presser Company #416-41436L. Published by Theodore Presser Company (PR.41641436L). UPC: 680160606252. 11 x 14 inches. Based on Bernard Malamud's Notes From A Lady At A Dinner Party. Based on Bernard Malamud's Notes From A Lady At A Dinner Party. $140.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Haja: The Bird Who Was Afraid to Fly Choral [Sheet music + Audio access] Hal Leonard
Choral SKU: HL.283650 Storybook from Musical Tales for Modern Minds(+)
Choral SKU: HL.283650 Storybook from Musical Tales for Modern Minds. J3 Music Studios. Classroom Resources, Elementary, Music / Genres & Styles / Children's. Softcover Audio Online. 32 pages. Published by Hal Leonard (HL.283650). ISBN 9780990785125. UPC: 888680793692. 10x9 inches. West Africa's vibrant colors and sounds come alive in this interactive musical storybook depicting the touching tale of a small bird who must face her biggest fear. 4 to 7 year olds will love adding the sounds of Haja's heartbeat, wind and the rain on the mango leaves. Companion audio includes a djembe drum jam track, an audiobook of the story, and the instant classic song “Fly Haja Fly,” performed by author Julia Jordan Kamanda and students from J3Music Studios. A singer/songwriter, teaching artist, and “mom on a music mission,” Julia helps your students explore Haja's world and learn more about the musical element of rhythm.
The price of this book includes a unique code that provides access to download audio tracks online. $12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Mesoamerican Suite Theodore Presser Co.
Chamber Music Percussion, Trumpet, Violoncello SKU: PR.144406530 For T...(+)
Chamber Music Percussion, Trumpet, Violoncello SKU: PR.144406530 For Trumpet, Cello, And Percussion. Composed by Lauren Bernofsky. Premiered by Drumpetello (Carrie Pierce, cello; Matthew McClung, percussion; Mary Thornton, trumpet) Performing Arts Center/Texas A&M - Corpus Christi/Hispanic Heritage Month Celebration/Fiesta Concert. Contemporary. Set of Score and Parts. With Standard notation. Composed 2015. 24+8+12+8 pages. Duration 14 minutes, 30 seconds. Theodore Presser Company #144-40653. Published by Theodore Presser Company (PR.144406530). UPC: 680160634088. 9 x 12 inches. Commissioned by Drumpetello (Carrie Pierce, Matthew McClung, and Mary Thornton) and Texas A&M University - Corpus Christi, Mesoamerican Suite is comprised of five brief and varied impressions of tales from Mexico. Set for the uncommon combination of trumpet, cello, and percussion, the Suite is played for fun and effect. The world premiere performance by Drumpetello is available for view on YouTube. For advanced performers. $36.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mesoamerican Suite [Score] Theodore Presser Co.
Chamber Music Percussion, Trumpet in C, Violoncello SKU: PR.14440653S ...(+)
Chamber Music Percussion, Trumpet in C, Violoncello SKU: PR.14440653S For Trumpet, Cello, And Percussion. Composed by Lauren Bernofsky. Premiered by Drumpetello (Carrie Pierce, cello; Matthew McClung, percussion; Mary Thornton, trumpet) Performing Arts Center/Texas A&M - Corpus Christi/Hispanic Heritage Month Celebration/Fiesta Concert. Contemporary. Full score. With Standard notation. Composed 2015. 24 pages. Duration 14 minutes, 30 seconds. Theodore Presser Company #144-40653S. Published by Theodore Presser Company (PR.14440653S). UPC: 680160634101. 9 x 12 inches. Commissioned by Drumpetello (Carrie Pierce, Matthew McClung, and Mary Thornton) and Texas A&M University - Corpus Christi, Mesoamerican Suite is comprised of five brief and varied impressions of tales from Mexico. Set for the uncommon combination of trumpet, cello, and percussion, the Suite is played for fun and effect. The world premiere performance by Drumpetello is available for view on YouTube. For advanced performers. $28.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Poesia Playing with the Chamber Orchestra Trumpet [Sheet music + Audio access] - Intermediate Hal Leonard
Bb Trumpet. Composed by Otto M. Schwarz. Duration 135 seconds. Hal Leonard #S...(+)
Bb Trumpet. Composed by Otto
M. Schwarz. Duration 135
seconds. Hal Leonard
#SDP049.21. Published by Hal
Leonard
$20.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Poesia Playing with the Chamber Orchestra Flute [Sheet music + Audio access] - Intermediate Hal Leonard
Flute. Composed by Otto M. Schwarz. Duration 135 seconds. Hal Leonard #SDP046....(+)
Flute. Composed by Otto M.
Schwarz. Duration 135 seconds.
Hal Leonard #SDP046.21.
Published by Hal Leonard
$20.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Poesia Playing with the Chamber Orchestra Alto Saxophone [Sheet music + Audio access] - Intermediate Hal Leonard
Eb Alto Saxophone. Composed by Otto M. Schwarz. Duration 135 seconds. Hal Leon...(+)
Eb Alto Saxophone. Composed by
Otto M. Schwarz. Duration 135
seconds. Hal Leonard
#SDP048.21. Published by Hal
Leonard
$20.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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| New Busker's
Fakebook 1001 All-Time
Hit Songs - Easy Music Sales
The second volume of a thousand and one all-time hit songs ranging from essentia...(+)
The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare
98.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| The Complete Keyboard
Player : Book 1 - Classic
Edition Keyboard [Sheet music + CD] - Beginner Music Sales
Based on popular songs and with easy-to-follow text and diagrams, this excellent...(+)
Based on popular songs and with easy-to-follow text and diagrams, this excellent course assumes no prior knowledge of keyboards or music yet right from the beginning, you will be playing arrangements which include a complete rhythm section with full sounding chords, bass and drums. Book 1 contains 15 famous songs including 'Let It Be', 'Super Trouper', 'Oh Lonesome Me' and 'Blowin' In The Wind'. Instrumental effects include piano, guitar, vibes and many others. / Clavier (Avec Grilles D'Accords)
15.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| The Complete Keyboard
Player : Omnibus Edition
1994 Edition Keyboard Music Sales
Based on popular songs and with easy-to-follow text and diagrams, this excellent...(+)
Based on popular songs and with easy-to-follow text and diagrams, this excellent course assumes no prior knowledge of keyboards or music yet right from the beginning, you will be playing arrangements which include a complete rhythm section with full sounding chords, bass and drums. Includes Books 1, 2 and 3 of the 1994 Edition. / Clavier (Avec Grilles D'Accords)
37.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Dan Forrest: Requiem for
the Living: SATB: Vocal
Score Choral SATB [Vocal Score] Hinshaw Music Inc.
Commissioned by the Hickory NC Choral Society for their 35th anniversary season ...(+)
Commissioned by the Hickory NC Choral Society for their 35th anniversary season Dan Forrest's Requiem For The Living is scored for mixed choir with solos for boy soprano and/or mezzo-soprano soprano & tenor. The instrumentation is available for large orchestra or chamber ensemble. Combining both liturgical and non-liturgical texts in some cases the traditional texts are slightly re-arranged for contextual emphasis. This powerful five movement work projects a wide range of meaningful expression from a biting essay on the vanity and pain of existence to a plea for mercy and a celebration of eternal light. The work standsalone - but would be especially moving for all saints Good Friday or even Palm Sunday. Movements: Introit - Kyrie Vanitas Vanitatum Agnus Dei Sanctus Lux Aeterna 3. Instrumentations available on rental only: 1. Full orch. (HMB265a): 2 flutes 2 oboes 2 bb clarinets 2 bassoons 2 horns (or 1-4: if performing with a large choir horn lines may be doubled by a second player on each part) 2 bb trumpets 2 trombones bass trombone or trombone 3 tuba percussion (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt.)(or other low drum) timpani (3) (one player) harp strings (min. Suggested count 4.4.2.2.1) full score. 2. Chamber version (HMB265b) - flute oboe horn in f (optional) combined percussion (one player: timpani suspended cymbal crash cymbal triangle glockenspiel crotales (bowed) snare drum low tom-tom (optional) (or other low drum) harp violin cello organ full score. 3. Expanded chamber version (HMB265c) - flute oboe horn in f(opt.) percussion from full orchestra version (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt. or other low drum) timpani (3) from full orchestra version (1 player) harp strings from full orchestra version
15.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Diego Barber: Barber
Diego Compositions For
Classical Guitar: Guitar: Guitar Classical guitar [Sheet music + Audio access] Mel Bay
Classically trained jazz guitarist Diego Barber presents five well-developed the...(+)
Classically trained jazz guitarist Diego Barber presents five well-developed themes and a 3-movement solo sonata transcribed from his outstanding commercial CD recordings: Calima One Minute Later Tales and The Choice. Two of the tracks “Elvira Maria” and the 3-movement Sonata “Banc d’Arguin” are strictly guitar solos while “Richi” is a solo accompaniedby light percussion. “Kilian’s Mountain” is a reduced score of an extended duet with a pianist and “Desierto” and “Virgianna” include expert sidemen on saxophone bass and drums.The music ventures from complex melody-chord textures to hard-swinging grooves all played with spontaneity and a heightened awareness of time dynamics color technique and tone. Even seasoned guitarists will find thesepieces rhythmically and technically challenging but they provide a roadmap to the recordings and rare insight to the workings of a unique musical mind. Diego Barber’s Compositions for ClassicalGuitar are written in standard notation only with online access to stellar solo and ensemble recordings. About Sonata “Banc d’Arguin” … Diego Barber is a native ofLanzarote in the Canary Islands just off the northeast coast of Africa; in writing Sonata “Banc d’Arguin ” the main solo piece in this collection he was inspired by the major cities Nouadhibouand Nouakchott the Banc d’Arguin National Park and the desert of the West African country of Mauritania.
18.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Stephen Hartke:
Precession: Chamber
Ensemble: Score Lauren Keiser Music Publishing
For flute english horn clarinet bassoon horn trumpet 2 percussionists (bra...(+)
For flute english horn clarinet bassoon horn trumpet 2 percussionists (brake drum 3 crotales snare drum 3 tom-toms vibraphone) piano violin viola cello and doublebass. Precession was composed for the 1987 NewMusic Los Angeles Festival. The term 'precession' is used here both in its sense of a processional but more especially in its astronomical sense of a cyclical process that recurs according to a slowly changing pattern. Forexample the opening of the work involves the juxtaposition of a melodic phrase that is gradually shortened with an accompanimental gesture that increases in length. Other musical devices used are intended to reinforce this senseof independent yet related cycles among them the application of the principles of change-ringing to aspects of the orchestration.
32.50 GBP - Sold by Musicroom UK | |
| Edward Gregson: Shadow of
Paradise
(Oboe/Percussion): Oboe:
Instrumental Work Oboe, Percussion [Sheet music] Novello & Co Ltd.
Shadow of Paradise was written specially for Melinda Maxwell. The work was compl...(+)
Shadow of Paradise was written specially for Melinda Maxwell. The work was completed in 2005 the same year that she recorded the work together with Richard Benjafield (percussion) for the Dutton label.'The work is based on the poem by Samuel Taylor Coleridge Kubla Khan and I have attempted to capture some of the spirit of his highly evocative text in my music.It is structured in three main sections: the opening section (And ‘mid this tumult Kubla heard from far Ancestral voices prophesying war) is dramatic in nature with the oboe announcing two ideas - the first a high repeated note rhythmic pattern (later with multiphonics) answered by six differentlypitched drums and temple blocks and the second a short lyrical phrase mainly built on thirds.In the second section (A damsel with a dulcimer In a vision once I saw…Could I revive within me Her symphony and song) the solo oboe transforms the repeated notes and thirds of the first section into a love song underpinned by the percussionist’s vibraphone and crotales.A short reprise of the very opening leads into the final section (Beware! Beware! His flashing eyes his floating hair! Weave a circle round him thrice…) which mirrors the text with three short dances in chain form folk-like in character and increasingly climactic. A final reprise of the opening seems to suggest a violent end but the oboe’s echo of the love song answered by the percussionist’s crotales brings the work to a gentler conclusion.' Edward Gregson - December 2011Instrumentation:Solo oboeSolo percussion (6 temple blocks 2 bongos 4 tom-toms vibraphone crotales 2 tambourines)
13.99 GBP - Sold by Musicroom UK | |
| Thea Musgrave: Wood Metal
And Skin: Percussion:
Score Concert band, Percussion [Sheet music] Novello & Co Ltd.
A concerto for Percussion and Orchestra. Full Score.Commissioned by the National...(+)
A concerto for Percussion and Orchestra. Full Score.Commissioned by the National Youth Orchestra of Scotland.First performance:Tuesday 4 January 2005 Usher Hall Edinburgh by Colin Currie (solo percussion)and The National Youth Orchestra of Scotland conducted by Garry Walker Instrumentation Solo percussion:Marimba metal wind chimes [mark tree] Chinese Bell tree Vibraphone Tubular bells 4 conga drums 4 tom toms 4 bongos2 Flutes2 Oboes2 Clarinets in Bb2 Bassoons4 Hornsin F3 Trumpets in CTrombonesTubaPercussion (4 Players):PERC A 1o: Tubular bells cymbal [medium] wood blocks crotalesPERC A 2o: Metal wind chimes [mark tree] Side drum temple blocks Tam-tamPERC B 1o: xylophone glockenspiel side drum cymbal [high] tomtomsPERC B 2o: Chinese bell tree Bass drum maracas triangle sleigh bellsStringsDuration: circa 17 min.
27.99 GBP - Sold by Musicroom UK | |
| Tales Of The Drum (GRAHAM
JOHN) 4 Guitars (Quartet) Classical guitar [Sheet music] - Intermediate Productions OZ
Par GRAHAM JOHN. / Niveau : Intermédiaire / Répertoire / 4 Guitares
15.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Once Upon A Music Class
Primary Musical course - Solfege Alfred Publishing
Once upon a time, a hardworking music teacher was determined to slay the dragons...(+)
Once upon a time, a hardworking music teacher was determined to slay the dragons of student doldrums. She looked far and wide for meaningful yet entertaining lessons that would engage her students while addressing the Common Core music standards. One day, she happened upon a set of enchanting books filled with folk tales, fairy tales, nursery rhymes, myths, legends, and more. As they dove into the grade-appropriate literature and music activities, her students became active musicians and lived happily ever after! Each volume of Once Upon a Music Class includes 20 lessons, complete with objectives, procedures, reproducible student pages, and all necessary recordings. Recommended for grades Pre-K through two. / Formation Musicale
43.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Once Upon A Music Class
Interm Musical Awakening Alfred Publishing
Once upon a time, a hardworking music teacher was determined to slay the dragons...(+)
Once upon a time, a hardworking music teacher was determined to slay the dragons of student doldrums. She looked far and wide for meaningful yet entertaining lessons that would engage her students while addressing the Common Core music standards. One day, she happened upon a set of enchanting books filled with folk tales, fairy tales, nursery rhymes, myths, legends, and more. As they dove into the grade-appropriate literature and music activities, her students became active musicians and lived happily ever after! Each volume of Once Upon a Music Class includes 20 lessons, complete with objectives, procedures, reproducible student pages, and all necessary recordings. Recommended for grades three through six. / Formation Musicale
43.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Poul Ruders: Listening
Earth - A Symphonic Drama
for Orchestra: Orchestra:
Score Orchestra [Sheet music] Wilhelm Hansen
Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchest...(+)
Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra conducted by David Robertson 29th November 2002.3 Flutes 1st and 2nd also Alto Flutes in G 3rd also Piccolo3 Oboes 3rd also Cor Anglais in F3 Clarinets in Bb 3rd also Bass Clarinet in Bb3 Bassoons 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion four playersPlayer 1 - Vibraphone Glockenspiel Water Chime Bell Tree Japanese Wood Blocks Cymbal (Suspended) TamTam (Medium)Player 2 - Triangle Tubular Bells Crotales Marimba Chinese CymbalPlayer 3 - TamTam (Large) Java Gong(Large very low) Bell Lyra (Handheld) Sizzle CymbalPlayer 4 - Bass Drum Glockenspiel Xylophone1 Harp1 Piano also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama a one- movement composition in four parts based on the work by two writers Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English a classical scholar essayist poet and politician but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems nature paintings I was immediately convinced when I carne across the Addison hymn that here was exactly what I wanted to use as my major source of inspiration for this piece commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety but have chosen the following 3 excerpts all acting as mottos for the first three sections of the piece thus turning the piece into a straightforward tonepoem in the classical
102.99 GBP - Sold by Musicroom UK | |
| John Joubert: An English
Requiem: SATB: Vocal
Score Choral SATB [Vocal Score] Novello & Co Ltd.
For Soprano and Barintone soloists SATB and junior chorus and Orchestra.English...(+)
For Soprano and Barintone soloists SATB and junior chorus and Orchestra.English text selected by Nicholas Fisher from the New Revised Standard Version of the Old and New Testaments. John Joubert 's An English Requiem was commissioned by the Grimmitt Trust for the 2010 Gloucester Three Choirs Festival and was given its first performance at Gloucester Cathedral on 9th August 2010 with the Festival Choirs of Gloucester Hereford and Worcester Carolyn Sampson (Soprano Neal Davies (Baritone) and Philharmonia Orchestra conducted by Adrian Partington. Instrumentation: 3 Flutes (III/Piccolo)3 Oboes (III/Cor Anglais)3 Clarinets (III/Bass Clarinet)3 Bassoons (III/Contrabassoon)4 Horns in F3 Trumpets3 TrombonesTubaTimpaniPercussion (2 Players);Bass Drum Tenor Drum Side Drum Cymbals Tam-tam Crotales Triangle Tubular BellsHarpOrganStrings
14.99 GBP - Sold by Musicroom UK | |
| Quartet (AHO KALEVI) Flûte, Saxophone Alto, Guitare
et Percussion [Score and Parts] Fennica Gehrman
For flute, alto saxophone, guitar and percussion. Par AHO KALEVI. Kalevi Aho com...(+)
For flute, alto saxophone, guitar and percussion. Par AHO KALEVI. Kalevi Aho composed Quartet for flute, alto saxophone, guitar & percussion in 1982 for Cluster ensemble, which is the reason for the particular combination of instruments. The work was premiered in Amsterdam. Dramatic and tragic evolution of the three-movement work culminates in the wild percussion cadenza, which is followed by a quiet epilogue. Duration: 22'. Percussion instruments needed: vibraphone, xylophone, crotales,glockenspiel, snare drum, field drum, 2 tom-toms (low&very low), chinese cymbal, tam-tam. A bow is also needed. This product includes a study score (A4) and a set of parts (B4). / Date parution : 2023-06-01/ Répertoire / Flûte, Saxophone Alto, Guitare et Percussion
64.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Kevin Houben: Into the
Abyss: Percussion: Score
& Parts Percussion Ensemble Scherzando
A Tale of Death a Tale of Life-Belgian composer Kevin Houben wrote this work fo...(+)
A Tale of Death a Tale of Life-Belgian composer Kevin Houben wrote this work for the following instrumentation: Glockenspiel Xylophone Vibraphone Marimba 1 Marimba 2 Bass Marimba Timpani Tubular Bells Whip Bell Plates Aquaphone Thunder Plate 1 Thunder Plate 2 Snare Drum Cymbal Triangle Tambourine Boo Bams Barchimes Woodblock Crotales Templeblocks Finger Cymbal Low Tom Tam Tam Cymbals à 2 Suspended Cymbal Bass Drum.
47.50 GBP - Sold by Musicroom UK | |
| Otto M. Schwarz Markus
Schenk: Poesia - Bb
Clarinet: Clarinet Solo:
Instrumental Clarinet Symphonic Dimensions Publishing
Playing with the Chamber orchestra. The recordings for the POESIA production wer...(+)
Playing with the Chamber orchestra. The recordings for the POESIA production were made by a chamber orchestra supported by electric bass and drums. Recordings and sheet music of the highest quality are the trademarks of composer Otto M. Schwarz and Symphonic Dimensions Publishing. Let this music transport you into the dreamworld of masks, fairy tales and romance!
14.50 GBP - Sold by Musicroom UK Shipment: (stock) information on site | |
| Per Nørgård: En Lys
Time / A Light Hour:
Parts Wilhelm Hansen
A Light Hour 2008-Set of parts for Per Nørgård's En Lys Time / A Light Hour (2...(+)
A Light Hour 2008-Set of parts for Per Nørgård's En Lys Time / A Light Hour (2008-09) for a variable Percussion Ensemble (min. 10 players). In A Light Hour everything - rhythms and motifs – is based on Nørgård´s special infinity series. Score: WH30964 Programme note A Light Hour is for ‘any number of percussion musicians’ (but a minimum of ten). The duration is about 60 minutes. The instrumentation is in principle open as long as percussion is used within the three types specified in the score: skin metal and wood. Each musicianuses two sound sources with two different sounds one of which is bright (or light) and the other dark. Certain passages also include tuned percussion instruments – vibraphone xylophone marimba gamelan glockenspiel steel drums crotales and the like. The work integrates and combines a number of rhythms that Nørgård has used in percussion works since the 1970s for example in Early Spring Dance (for choir and percussion) and percussion works like I Ching Easy Beats Whirls Zigzag Nemo Dynamo and Echo Zone I-II-III. Special “tone-feasts” (the composer’s term) – followed by a rest – are an recognizable melodic feature of the work.: the first minute end with a short tone-feast (and a rest) the first four minutes end with a tone-feast lasting a minute (and a rest) the first quarter of an hour ends with a tone-feast of four minutes (and a rest) – and the work ends with a tone-feast lasting quarter of an hour (and a rest when the work is over ...). The first 15 minutes have a bright light character throughout and alternate between rhythms and melodic play. The following 15 minutes are more insistent and decidedly percussion-based Afro-Cuban whereas the third quarter of A Light Hour moves in the
206.99 GBP - Sold by Musicroom UK | |
| Per Nørgård: En Lys
Time / A Light Hour:
Percussion: Score Wilhelm Hansen
Per Nørgård's En Lys Time / A Light Hour (2009) for a variable Percussion Ense...(+)
Per Nørgård's En Lys Time / A Light Hour (2009) for a variable Percussion Ensemble (min. 10 players). In A Light Hour everything - rhythms and motifs – is based on Nørgård´s special infinity series. Parts available: WH30964A Programme note A Light Hour is for ‘any number of percussion musicians’ (but a minimum of ten). The duration is about 60 minutes. The instrumentation is in principle open as long as percussion is used within the three types specified in the score: skin metal and wood. Each musician uses two soundsources with two different sounds one of which is bright (or light) and the other dark. Certain passages also include tuned percussion instruments – vibraphone xylophone marimba gamelan glockenspiel steel drums crotales and the like. The work integrates and combines a number of rhythms that Nørgård has used in percussion works since the 1970s for example in Early Spring Dance (for choir and percussion) and percussion works like I Ching Easy Beats Whirls Zigzag Nemo Dynamo and Echo Zone I-II-III. Special “tone-feasts” (the composer’s term) – followed by a rest – are an recognizable melodic feature of the work.: the first minute end with a short tone-feast (and a rest) the first four minutes end with a tone-feast lasting a minute (and a rest) the first quarter of an hour ends with a tone-feast of four minutes (and a rest) – and the work ends with a tone-feast lasting quarter of an hour (and a rest when the work is over ...). The first 15 minutes have a bright light character throughout and alternate between rhythms and melodic play. The following 15 minutes are more insistent and decidedly percussion-based Afro-Cuban whereas the third quarter of A Light Hour moves in the
87.99 GBP - Sold by Musicroom UK | |
| Jocelyn Pook: Hearing
Voices: Mezzo-Soprano:
Score Voice Mezzo-Soprano, Orchestra Chester
Jocelyn Pook’s Hearing Voices was commissioned by BBC3 for the BBC Concert...(+)
Jocelyn Pook’s Hearing Voices was commissioned by BBC3 for the BBC Concert Orchestra who gave the first performance at the Queen Elizabeth Hall London on 3 December 2012 with Melanie Pappenheim mezzosoprano conducted by Charles Hazlewood.The text for Hearing Voices was written by Emma Bernard. It also uses the words of artists Bobby Baker and Julie McNamara Jocelyn's relatives PhyllisWilliams and Mary Pook and the seamstress Agnes Richter inmate in a German asylum in the 1890s who covered her straightjacket with densely embroidered text. Instrumentation:2 Flutes (I/Alto II/Piccolo)2 Oboes (II/Cor Anglais)2 Clarinets (II/Bass Clarinet)2 Bassoons (II/Contrabassoon)4 Horns2 Trumpets3 TrombonesTubaTimpaniPercussion (2 players):Hi-Hat Cymbals Splash Cymbal Sleigh Bells Side Drum Bass Drum Temple Blocks Crotales Glockenspiel Vibraphone Xylophone Tubular BellsHarpSampler (recorded voices)StringsSolo mezzo-sopranoDuration: circa 35 minutes
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| Joby Talbot: Worlds
Stars Systems Infinity
(Full Score): Orchestra:
Score Orchestra Chester
Commissioned by the Philharmonia Orchestra and Esa-Pekka Salonen for the Univers...(+)
Commissioned by the Philharmonia Orchestra and Esa-Pekka Salonen for the Universe of Sound project.First perfromed at the Royal Festival Hall on 8th July 2012 by the Philharmonia Orchestra and PhilharmoniaVoices conducted by Esa-Pekka Salonen.Instrumentation.4 Flutes (3rd doubling Alto Flute Piccolo; 4th doubling Piccolo)3 Oboes (3rd doubling Bass Oboe)Cor Anglais2 Clarinets in BflatClarinet in A BassClarinet in B flat3 BassoonsContrabassoon6 Horns in F4 Trumpets in C2 Tenor TrombonesBass TromboneTenor Tuba in B flat (Euphonium)Bass Tuba2 Timpani (2nddoubling Suspended Cymbals China Cymbal)4 Percussion (Meditation Bowls Bass Drum Crotales Marimba Vibraphone Small & Large Tam-tam Glockenspiel Xylophone Side Drum Mark Tree SizzleCymbal)CelestaOrgan2 HarpsChorus (SSSAAAA)Strings
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| Elementary Clarinet Solos
Jay Arnold Clarinet and Piano [Sheet music] - Beginner Amsco Wise Publications
Ce volume contient une grande variété de matériaux allant des oeuvres des com...(+)
Ce volume contient une grande variété de matériaux allant des oeuvres des compositeurs classiques aux chansons et mélodies plus légers. Une collection plus utile pour les enseignants privés, des écoles et des musiciens aussi bien. Comprend l'accompagnement au piano et une partie de la clarinette distincts. Edité par Jay Arnold. / Clarinette / 192 pages / Partition
16.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
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