SKU: BT.DHP-1064131-010
9x12 inches. English-German-French-Dutch.
The Russian composer Modest Mussorgsky (1839-1881) was self-educated to a large extent but went on to become one of the ?Mighty Five? which also included Balakirev, Cui, Borodin and Rimsky-Korsakov. Today he is considered the innovator of Russian music par excellence. He composed Pictures at an Exhibition in 1874, inspired by ten pictures produced by his then recently deceased friend, the Russian architect and artist Victor Hartmann. The French composer Maurice Ravel made an orchestration of Mussorgsky?s composition in 1922 which is now more well-known and more performed than the original piano suite. For his transcription of Pictures at an Exhibition, Tohru Takahashimade use of the original piano composition by Mussorgsky. The Great Gate of Kiev, issued here separately, is probably the best known melody from this classical masterpiece. De Russische componist Moessorgsky (1839-1881) componeerde Pictures at an Exhibition (Schilderijententoonstelling) in 1874. Zijn inspiratiebron vormden tien schilderijen van de hand van zijn overleden vriend Victor Hartmann,een Russisch architect en kunstenaar. De Franse componist Maurice Ravel maakte in 1922 een orkestratie van Moessorgsky’s compositie - deze is bekender en wordt meer uitgevoerd dan de oorspronkelijke pianosuite. Voor zijn ¬transcriptievan Pictures at an Exhibition gebruikte Tohru Takahahsi echter de originele compositie van Moessorgski. Dit afzonderlijk uitgegeven deel, The Great Gate at Kiev, is waarschijnlijk het bekendst.Obwohl der russische Komponist Modest Petrowitsch Mussorgski hauptsächlich als Komponist von Opern und Liedern bekannt ist, schrieb er auch eine Anzahl von bedeutenden Klavierwerken, wie zum Beispiel die weltberühmte Suite Bilder einer Ausstellung, die vielen besser in der Orchestrierung von Maurice Ravel bekannt ist. Für seine Transkription von Bilder einer Ausstellung griff Tohru Takahashi jedoch auf die ursprüngliche Komposition von Mussorgski zurück. Der separat veröffentlichte Satz Das große Tor von Kiew ist daraus der wohl bekannteste Teil, der immer wieder gerne gespielt und gehört wird.Modest Moussorgski (1839-1881) est considéré comme le grand innovateur de la musique russe. Il a réalisé ses plus grandes créations dans le domaine lyrique, mais n’a jamais manqué de composer des oeuvres pour piano dont le célèbre cycle Tableaux d’une Exposition. Dixième et dernier tableau de la suite, La grande porte de Kiev est certainement le mouvement le plus connu du public. Modest Moussorgski (1839-1881) è considerato il più grande innovatore della musica russa. Ha realizzato le sue più grandi creazioni nel campo della musica lirica, ma ha anche composto opere per pianoforte tra le quali il celebre ciclo Quadri di un’esposizione. Decimo ed ultimo quadro della suite, La grande porta di Kiev è certamente il movimento più conosciuto dal pubblico.
SKU: AP.47433
UPC: 038081544687. English.
Expose your students to one of the great compositions of the 19th century. This arrangement contains three of the more popular pieces from the original suite: Promenade, Baba Yaga (The Hut on Fowl's Legs), and The Great Gate of Kiev. A great contest or concert piece!
SKU: AP.47433S
UPC: 038081544694. English.
SKU: AP.31647
UPC: 038081343488. English.
Closing out our Pictures at an Exhibition show is the memorable Great Gate of Kiev. Starting out with a soft chordal texture, this chart quickly builds to a stunning conclusion. Spectacular!
SKU: HL.14021648
ISBN 9788774553526. 8.25x11.75x0.408 inches.
Pictures from an Exhibition were written by Moussorgsky in 1874 in tribute to the art of his friend Victor Alexandrowitch Hartmann. This series of ten short works for the piano represent the composer's impressions of some parts of the exhibition. Arranged by Alexander Borovsky.
SKU: HL.1455423
ISBN 9798892703291. UPC: 196288209546. 9.0x12.0x0.069 inches.
Its never too early to introduce your students to great music. This outstanding addition to the beginning band repertoire is certain to be a hit with your students and audience. Clarinets remain below the break, first trumpet goes stepwise once to fourth line D.