Les avancées techniques fingerpicking introduit et exploré dans cette leçon de DVD donnera une autre dimension à votre style de guitare blues. Blues fingerstyle acoustique contemporaine comprend une grande variété de styles, de techniques et de sons. Dans cette leçon, quatre instrus de blues multi-sectionné basés sur des techniques traditionnelles, idées de piano blues, seule chaîne licks guitare mélodique et horn solos de style sont présentés. La musique varie d'un piano-style boogie à un lente country blues, qui rappelle le jeu de Blind Blake et Jelly Roll Morton, un Blues de la Nouvelle-Orléans dans le style et le personnage de Ray Charles et Snooks Eaglin. Inclut un livret de 32 pages qui contient toute la musique incluse dans la leçon. / Guitare

Il est difficile de décrire la transformation qui a eu lieu dans ce sourire, homme sympathique, penché sur sa guitare et se lance, corps semblait-il, dans sa musique. Le blues a possédé comme un 'verité secouant froid' et le public en haleine vu l'incarnation même du blues que, la tête rejetée en arrière, il a crié et gémi les paroles inquiétantes et fouetté la guitare, faisant claquer les cordes contre le manche en arrière pour accentuer la rythme d'agonie. Fils de musique est au centre de l'expérience de blues et quand il l'exécute est une chose corporelle, le public et le chanteur devenu comme l'un '-. Bob Groom / Blues mondiale'Dans les années précédant la Seconde Guerre mondiale, Son House a créé certains des bleus plus purs, les plus puissants du delta du Mississippi au dossier. Jouer avec les partenaires Charley Patton et Willie Brown, il a exercé une profonde influence sur Robert Johnson et Muddy Waters, qui ont tous deux copiés sa musique et la porta à de nouvelles générations influence de House résonne encore à travers les Rolling Stones, Eric Clapton, et de nombreux autres musiciens, et à bien des égards, il est le vrai père de ce qui est connu aujourd'hui comme des bleus profonds. '-. Jas ObrechtDans cette leçon, Tom Feldmann vous guide étape par étape à travers 15 chansons classiques Son House qui couvrent toutes les phases de la carrière enregistrés Fils. Cette leçon 4 heures est sans aucun doute l'aspect le plus étendu dans la musique de Son House et les techniques qu'il a développées.DISC ONE met en évidence 8 chansons en espagnol tuning. Bien DISQUE DEUX se concentre sur 7 chansons en utilisant le réglage Vestapol (Open D), Standard, et le plus surprenant pour les étudiants de la Maison du jeu, de la Croix-Note tuning avec Clarksdale Moan.Sont également inclus sur DISC TWO est une interview bonus avec Stefan Grossman où il parle longuement de rencontrer Son House et l'enregistrement avec lui. Performances rares de Son House après sa redécouverte sont utilisés tout au long de la leçon. Les pistes audio d'origine sont inclus, où le film est pas utilisé.Titres Inclure: OPEN TUNING G: Death Letter Blues, My Mama Black, Low Down Dirty Dog Blues, Blues Les Jinx, Rider Blues spéciales, Walkin 'Blues (à partir de 1930), sec Blues sorts, Comté Blues Farm OUVERTE D TUNING: Poney Shetland Blues, Preachin 'The Blues, This Little Light of Mine, CROSS-TUNING REMARQUE: Clarksdale Moan, accordage standard: Blues Depot, ai-je raison ou je me trompe, Walkin' Blues (à partir de 1940)240 minutes - Niveau 2/3 - Détail de l'onglet / la musique au format PDF sur le DVD / Guitare

Grâce à cette série de DVD, vous allez explorer divers style de fingerstyle blues guitare. Cette première leçon se focalise sur la clé de Do. Vous apprendrez les techniques de Mississippi John Hurt, Rev. Gary Davis et Blind Blake. Mais le but de cette leçon est surtout de vous permettre d'improviser en jouant du blues. Vous étudirez les morceaux ci-dessous, phrase à phrase, chaque morceau sera jouer normalement puis plus lentement. Le livret contient toutes les partitions, 85 minutes, en anglais. / Guitare

Pickin? With The Book-A DVD of the artistry of Roy Book Binder. No book included. It was 40 years ago that I first recorded for Stefan Grossman’s Kicking Mule record label! Much has changed over the years and much has pretty much stayed the same. I still love the music that caught my attention back in the old days and I still play it. Many of my old pals are gone but they are still a part of my life and they come alive every time I take the stage to tell my story. After 40 years ‘in the game’ I consider myself to be a very lucky man. When your heroes end up becoming your pals life is sweet.you can’t really ask for more than that!” - Roy Book Binder

Stefan Grossman's Guitar Workshop-Blind Willie Johnson recorded thirty songs from 1927-1930 and of those thirty he used a slide on only twelve. There has been much debate surrounding how he played and what he played with but regardless of 'how' or 'what' those twelve songs stand as some of the best slide guitar ever recorded.In The Guitar Of Blind Willie Johnson Tom Feldmann breaks down the complexities of eight of Johnson's classics. You will see how Johnson created his 'as you feel' bass lines by utilizing alternating monotonic and 'brushing' bass techniques. Of course the defining element of Johnson's songs was his unearthly slide playing which Tom shows indetail teaching you Johnson's strike and slides pull-offs and vibrato. A detailed tab/music booklet is included as a PDF file on the DVD. In addition the original recordings of all the tunes are included.Titles include: Bye And Bye I'm Goin' To See The King You're Gonna Need Somebody On Your Bond Dark Was The Night Cold Was The Ground God Don't Never Change Lord I Just Cant Keep From Crying Keep Your Lamp Trimmed And Burning I Know His Blood Can Make Me Whole and Jesus Make Up My Dying Bed

?This is one of those albums that excited me from the word go. When John and I first discussed the possibilities of his recording I was very pleased. You see John James is one of the most creative and important acoustic Guitar players performing and living in Europe today. His music owes little to the days of Davey Graham and Bert Jansch. These were the English guitar heroes of ten years ago. Instead John's music has travelled a path derived from folk music ragtime and jazz sounds. From these sources he has developed a very unique and beautiful style of playing as well as composing.Once we had recorded all the material for this album I knew we had a proverbial 'hotplatter' on our hands. Finally the complete talents of John James seemed to have been captured on record. All of his skills as a guitarist arranger and composer were clearly present. Plus John was happy to transcribed his solos into tablature and we have prepared a PDF booklet that accompanies this CD. This will certainly bring joy to guitarists who have struggled to learn John's intricate instrumentals.? 1977 Stefan Grossman

'Stefan Grossman one of the finest of the East Coast guitar pickers has put together a collection of some classic ragtime pieces. It's a wonderful album demonstrating all the light easy exciting sounds of ragtime. All the players perform with authority and the commitment that master musicians have.In Leo Wynkamp's Grace and Beauty Rag and Eric Shoenberg's Piano Roll Blues the players perform the walking bass and play tingling high strings with great feel and expertise. Woody Mann's Tenth Street Scratch his own composition has the great funk slapping bass and drive of the down and dirty and David Laibman's Nola is magic up and downthe neck with great grace.This is a perfect record far those interested in contemporary ragtime techniques; if you're not it's still great.'- Come For To Sing/Edward Mark HolsteinAlso included is a PDF TAB/music booklet featuring these songs from the recording: Wild Cherries Rag; The Old Piano Roll Blues; At A Georgia Camp Meeting; Nola; Livin' In The Country; Dill Pickle Rag; Bye Bye Blackbird. You will need Adobe Acrobat (a free download) to open and print this file from your computer.

'It is difficult to describe the transformation that took place as this smiling friendly man hunched over his guitar and launched himself bodily it seemed into his music. The blues possessed him like a 'lowdown shaking chill' and the spellbound audience saw the very incarnation of the blues as head thrown back he hollered and groaned the disturbing lyrics and flailed the guitar snapping the strings back against the fingerboard to accentuate the agonized rhythm. Son's music is the centre of the blues experience and when he performs it is a corporeal thing audience and singer become as one.' Bob Groom/Blues World'In the years before World War II Son House created some of the purest most powerful Mississippi Delta blues on record. Playing with partners Charley Patton and Willie Brown he exerted a profound influence on Robert Johnson and Muddy Waters both of whom copied his music and carried it to new generations. House's influence still echoes through the Rolling Stones Eric Clapton and many other musicians and in many respects he is the true father of what's known today as deep blues.' Jas ObrechtIn this lesson Tom Feldmann takes you step by step through 15 classic Son House tunes that span every phase of Son's recorded career. This 4 hour lesson is undoubtedly the most extensive look into the music of Son House and the techniques he developed. DISC ONE highlights 8 songs in Spanish tuning. While DISC TWO focuses on 7 songs using the Vestapol tuning (Open D) Standard and most surprising to students of House's playing Cross-Note tuning with Clarksdale Moan. Also included on DISC TWO is a bonus interview with Stefan Grossman where he talks extensively about meeting Son House and recording with him. Rare performances of Son House following his rediscovery are used throughout the lesson. The

The Films Of Pete Toshi And Dan Seeger-A truly unique and authentic document of the rural and community-based musics of the world captured as a series of 16mm camera films in the early sixties. International folk-music authority Pete Seeger presents the product of three years of travel and discovery as the Seeger family toured the world filming whatever good music they could find. They had no game plan but Pete Toshi and Dan were able to capture a huge resource of footage that has since rested dormant in the back of their barn.Stefan Grossman has assembled the Seeger family reels creating a captivating collection of moments that show the rural musical heritage of America in the context of the townships andcommunities in which it thrives. Included amongst the footage you will find:Big Bill BroonzyThe McPeake FamilySonny TerryJ.C. BurrisJean CarignanPete SteeleOklahoma Fiddle Contest 1957Schuyler MichealsAfrican-American worksongs in a Texas prison...and much much more.

Stefan Grossman's Guitar Workshop-Mississippi John Hurt is certainly renowned for his blues songs whether tales of murder like Stack O'Lee and Frankie or the tongue-in-cheek Candy Man Blues yet it is his gospel songs that may more accurately reflect the heart of the man himself; gentle yet powerful simple yet substantial.In this lesson Tom Feldmann takes you step by step through Mississippi John Hurt's most celebrated and inspiring gospel songs in the keys of G C D and E. Whether beginner or intermediate you will learn to pick in the distinctive 'Hurt' style and build a large repertoire of classic gospel country blues.A detailed tab/music booklet is included as a PDF file onthe DVD. In addition the original old recordings of all the tunes are included. Titles include: Do Lord Remember Me Here I Am Oh Lord Send Me Blind Man Sit In The Way And Cried Since I’ve Laid My Burden Down Weeping and Wailing Blessed Be The Name Praying On The Old Camp Ground Nearer My God To Thee Beulah Land and Oh Mary Don’t You Weep

C'est un défi à organiser et à jouer fiddle américain tunes et mélodies celtiques à la guitare. Cet ensemble de leçons présente plusieurs approches pour le guitariste intermédiaire avec 3 CD contenant 3 heures complets d'enseignement. Ecrit en notation et tablature. UNE leçon : Arrangement de Dave Laibman de ' Aristocratie coloré ' propose une approche de Chet Atkins. ' Minuit sur l'eau, ' une belle Valse de Texas, a été arrangé par canard Baker et fonctionnalités contrepoint des lignes et des variations sur le thème. ' Le vent d'ouest ' est un air irlandais évocateur a joué avec un sentiment classique. LECON deux : Fiddle américain tunes: ' Boys, My Money All Gone ' a joué dans un style de Nashville et ' Dernier de Callahan, ' un arrangement à l'aide d'une ligne de basse de contrepoint jouée contre la mélodie. Leçon 3: Violon tunes d'Irlande et de l'Amérique : 'Droits de l'homme' et ' Ivres Wagoner ', tous deux joués dans un d a chuté de réglage (D A D G B E). / Guitare (Fingerpick) / 24 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

This is a challenging set of three lessons presenting a variety of tunes from string band rags to classic rags to novelty instrumentals. The three audio CDs give 3 full hours of note-by-note, phrase-by-phrase instruction. LESSON ONE: Two New Orleans standards are presented in this lesson. Both are played in the key of C with a style that combines an alternating bass with single-string runs and counterpoint lines. Mabel's Dream was popularized by the King Oliver Band. High Society is a well known Mardi Gras instrumental. LESSON TWO: Two rags are presented in this lesson. We begin in a dropped D tuning with the classic rag Powder Rag. This is followed by an arrangement of the 1928 Dallas String Band recording of Dallas Rag. This combines alternating bass with counterpoint techniques and single-string runs. LESSON THREE: One of Rev. Davis's most popular show instrumentals was Soldier's March. It has sections played in the keys of F and C and is a challenging guitar solo that takes the listener from early morning to lights out in the day of a soldier. / Guitare (Fingerpick) / 32 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Ce livre/3 CD audio leçon est conçue pour les débutants et intermédiaire étudiant. Styles de base fingerpicking sont illustrées dans toutes les principales clés. La technique de la basse alternance est introduite dans divers milieux (tant dans les ajustements apportés standards et ouvertes). Les styles et techniques de Mississippi John Hurt, le Révérend Gary Davis, Blind Blake, Blind Boy Fuller, Sam McGee, Skip James, Willie Brown et Tommy Johnson sont explorés. / Guitare (Fingerpick) / 24 pages / niveau : Débutant/Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Rev. Gary Davis was a musical giant. His ideas spanned a wide range of techniques and styles. His repertoire featured blues, rags, show instrumentals and gospel songs. He played with his thumb and index finger to pick out complex melodies, rhythmic licks and lightning fast single-string runs. In this book, seven of Rev. Davis's blues are presented. These arrangements have been performed and recorded by a host of great artists including Bob Dylan, Taj Mahal, Hot Tuna, David Bromberg, John Renbourn, Bert Jansch and many others. These lessons are for the intermediate to advanced fingerstyle guitarist. The accompanying three CD lessons teach these arrangements phrase by phrase as well as presenting the original recordings. LESSON ONE: Our first lesson highlights two of Rev. Davis's most popular blues arrangements. Hesitation Blues is played in the key of C. Baby, Let Me Follow You Down is played in the key of G. LESSON TWO: The key of C was a favorite for Rev. Davis. In this lesson we explore the party tune Sally Where'd You Get Your Liquor From (made popular by Hot Tuna). Rev. Davis used to joke that he could play Candyman so many different ways that he would be able to play it nonstop for at least 8 hours without repeating himself! We look at two versions of this very popular folk blues with the regular Candyman followed by the Two-Step Candyman. LESSON THREE: 'Raggin' the blues' was a great part of Rev. Davis's repertoire. His Walkin' Dog Blues is a tour de force in a blues in C. All fourteen verses are transcribed here, and we study how this arrangement develops. Buck Rag is a fascinating rag played in the key of C. Single-string runs, counterpoint lines, rhythmic variations and syncopated bass patterns are featured. / Guitare (Fingerpick) / 40 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75