For all levels, instrumentalists & vocalists. Hear David Liebman solo over every scale listed in the Scale Syllabus. He solos on two versions of each scale: the first is slow and simple, and the second is more complex and fast. Stereo separation allows you to practice and improvise too! David is on one channel and Jamey is on the other. An excellent list of piano voicings are included. Rhythm Section: David Liebman (Soprano Sax); Jamey Aebersold (p) Includes: # Major # Minor # Dom. 7 # Lydian # Harmonic Major & Minor # Augmented # Lydian Augmented # SUS 4 # Hindu # Blues # Whole Tone # Major & Minor Pentatonic # Dim. Whole Tone # Diminished # and 21 More!

Jazz Play-Along Vol.30A. Conçu de niveau intermédiaire pour tous les joueurs de la section rythmique et les enseignants. Ecoutez il vous serait tout élargissaient Jazz quartet d'enregistrement comme ils jouent la mélodie et de sortie, le solo, la comp. et le commerce de 4 s ''. Puis, à l'aide de la séparation stéréo spéciale, supprimer le choix d'instrumenour et ' s'asseoir dans '! Un outil formidable pour les enseignants comme il permet isolement et une étude attentive du rôle de chaque instrument, ainsi comme définitives chapitres par Jamey et les musiciens sur l'enregistrement - Dan Haerle, piano - Todd Coolman, Basse - Jack Petersenar - Ed Soph, batterie. Inclus sont piano et voicings de guitare, des lignes de basse transcrits et basse ligne construction et l'information de tambour exceptionnelle. Il y a aussi des solos de transcrits par Haerle, Petersen et Coolman. Alors qu'il n'y a qu'un seul livre, le dossier disponible en deux formats... Volume 30 bis est pour claviéristes et/ou des guitaristes. Volume 30 b est de bassistes et/ou de tambours. Vous devez spécifier celui que vous voulez, 30 bis ou 30 b. Chansons sont de niveau intermédiaire et ont été écrites par Haerle... / Niveau : Intermédiaire / Méthode en anglais / Méthode / Clavier et Guitare

Adapted by Corey Christiansen Spiral Book and 2 CDs! Why should horn players have all of the fun? Now, the number one selling Jazz Improvisation book in the world has a whole new look! Introducing a new version of Jamey's world famous Volume 1 - How To Play Jazz And Improvise, completely revised and specifically tailored for guitarists by jazz great Corey Christiansen! This edition is perfectly aligned with the original classic Sixth Edition that introduced tens of thousands of musicians to essential jazz fundamentals such as scale/chord relationships, articulation, note choices, etc. In this special version, however, the text has been carefully edited and rewritten to speak specifically to guitarists. Even non-reading players will benefit, because we've also included TAB and FRAMES for each of the musical examples. The piano track from the original CD has been replaced by Corey on guitar, and many of the chords and voicings are explained and notated in the book. The play-a-long/demonstration CD includes special stereo separation, allowing the guitar on each track to be eliminated so that the student can play along with bassist Rufus Reid and drummer Jonathan Higgins. A second CD includes the same play-a-long tracks as the first CD, but at slower practice tempos. This high-quality book is spiral bound, designed to lie flat for ease of use. A complete package! Includes: Scales/Chords Developing Creativity Improv Fundamentals 12 Blues Scales Bebop Scales Pentatonic Scales Time and Feel Melodic Development II/V7s Related Scales and Modes Practical Exercises Patterns and Licks Dominant 7th Tree of Scale Choices Nomenclature Chromaticism Scale Syllabus and more! NOTE FROM JAMEY When I first heard So What on the Kind of Blue record I didn?t think anything was happening because I was used to hearing changes flying by and this seemed so tame by comparison. I quickly fell in love with Kind of Blue and of course we at IU started experimenting with modal tunes and trying to keep our place in those many 8 bar phrases that seemed at times to make me feel like I was in the middle of a desert and couldn?t see for the life of me the beginning of the next 8 bar phrase.

Jazz Play Along Volume 7-Eight classic jazz originals written by Miles Davis. This is a unique way to learn eight of the most popular songs of the Fifties. These tunes are considered jazz classics because most all jazz musicians around the world have learned them. And the reason so many jazz musicians have learned them is because they are all such interesting vehicles for improvising and interesting chord changes altered bridges and logical melodies that have been quoted in many compositions throughout the music world. Gain an insight into early Miles and gain an understanding of the transitional bop to post-bop period.

Jazz Play-Along Vol.12-Nine all-time classics! This set includes some of the most famous jazz standards in the world from ballads to swing. Every jobbing musician should know these tunes. The ballads are rich and lush while the swing tunes are crisp and light. Each tune ?feels? great! An inspiring way to practice. Makes a great gift for any musician who wants to learn standards or who plays just for the fun of it! Everyone should learn these songs. Duke Ellington has probably single-handedly influenced more music and musicians than any other jazz musician.

Intermediate/Advanced. If you have been working on playing scales, chords, and harmony in general, this set is the next step towards getting your ears and fingers coordinated. This set is a continuation of Volume 3, but in much more depth. Features 23 CD tracks and most go through all 12 keys! Rhythm Section: Jamey Aebersold (p); John Clayton (b); Mike Hyman (d) Suggested Prerequisite: Volume 3 - The ii/V7/I Progression

his classic 282 page spiral-bound book with a wealth of patterns licks and ideas has been popular among jazz players for a long time. Page after page of material. Often referred to as a 'jazz' version of Slominski's classic book 'The Thesaurus of S

Jazz Play-Along Vol.94. Cet ensemble est pour tous ceux qui recherchent une bonne collection de Bop favoris, classiques du Jazz et des normes bien connus - très bien ce que vous pouvez rencontrer sur un concert typique. La section rythmique All-Star est un des meilleurs dans l'entreprise. Cet ensemble a un ohottest les articles de rythme jamais enregistré pour une Aebersold play-a-long - vous devriez * pas * Miss It! James Williams, piano - Christian McBride, basse - Jeff 'Tain' Watts, batterie. / Rép International / Recueil / Tout Instrument

C Edition. Par NIEHAUS. Intermediate level. These hip, swinging etudes in the swing/bop style are a great source for blues and bebop licks and fun to play! Lennie wrote these specifically to be played with the tracks from Jamey's Vol. 42 'Blues In All Keys. ' There is one complete solo (etude) for each of the 12 keys and 12 tracks. This book of solos is also great jazz sight reading material, since it contains all of the most-used jazz rhythms and syncopation you'll ever encounter. Perfect for Learning your way around The Blues - even in the tough keys! Students and teachers alike will enjoy playing these musical, lyrical jazz solos with or without the exhilarating accompaniment of the Vol. 42Play-A-Long. The CD incudes complete performances of each solo by Lennie with a piano, bass, drum rhythm section (from the Volume 42 'Blues In All Keys' Play-a-long)so that you can absorb and internalize proper jazz sound and feel. / Niveau : Débutant à Intermédiaire / Méthode en anglais / Méthode / Instruments en Do

New! 9 demo/play-a-long tracks. Essential companion : volume 24. The culmination of Jamey’s 25 years as one of the world’s leading jazz exponents. Volume 1 has unlocked the mysteries of jazz improvisation for a whole generation of musicians who previously had nowhere to turn for competent rhythm sections and accurate instruction. Now, Volume 1 has all new, updated information presented in a new manner that is both easy to understand and inspiring for all musicians wishing to explore the secrets of jazz improvisation. Includes chapters on scales/chords, developing creativity, improv fundamentals, 12 Blues Scales, Bebop scales, pentatonic scales and usage, time and feeling, melodic development, II/V7s, related scales and modes, practical exercises/patterns and licks, Dominant 7th tree of scale choices, nomenclature, chromaticism, scale syllabus, and more. This complete improvisation set, along with Volume 24, MAJOR AND MINOR, can greatly open your ears and improve your playing. Music is fun and this set is the first step to enjoying it. Each of the 10 recorded tracks feels great and is fun to play with. Recorded tracks include Blues in Bb and F, Dorian minor tracks, four-measure cadences, cycle of dominants, 24-measure song, II/V7 in all keys. Book includes transposed parts for all instruments. Support média : Compact disc Langue : en anglais

Jazz Play-Along Vol.85. Par LAVERNE ANDY. Andy Laverne : piano - Rufus Reid : basse - Steve Davis : batterie Andy LaVerne est un musicien très respecté très en demande partout dans le globe comme auteur des ouvrages comme le ' Manuel de Substitutions Chord 'et 75 de Volume de la série Aebersold, ' compte à rebours à pas de géant. ' Il apporte ici vous dix classique sta et un original réécrite pour tenir compte de sa propre approche de substitution harmonique et se sentir. Vous vous retrouvez redécouvrir les formes et mélodie de ces chansons importants tout en étant inspiré pour créer vos propres reharmonizations ! Un grand ensemble de rendre familier tunes encore fraîches. Andy LaVerne, Piano - Rufus Reid, basse - Steve Davis, batterie / Rép International / Recueil / Tout Instrument