This superb collection of 19 Christmas Piano duets for grades 1-3 includes a mixture of popular Christmas songs and traditional carols making it truly The Best Christmas Piano Duet Book Ever! All songs arearranged by Emma Coulthard. The interplay of the four hands involved in these Christmas tunes creates a rich and enjoyably powerful sound perfect for any form of Christmas concert or just for a rousingsingalong on Christmas Eve. The Christmas classics included here range from the traditionals like Away In A Manger or Jingle Bells to everybody's favourite contemporary songs like Stop The Cavalry Wonderful Christmastime and Jingle Bell Rock. Because these are relatively simplified arrangements even those beginner pianists can select something to play together and impress theiraudience. This Christmas sheet music for Piano duet is perfect for getting into that Yuletide spirit because it brings people together and unites them through the familiarly festive tunes that we all knowand love. A Christmas songbook like this covers all of the songs that are beloved by musicians of all ages and all tastes; the timeless seasonal songs that will sound brilliant when played by four hands onPiano.  For a festive treat this Christmas why not bring together two pianists at around grades 1-3 and have them double the dealing of Yuletide spirit with The Best Christmas Piano Duet BookEver! 

16 songs of the season arranged for beginners by the inimitable Phillip Keveren including: Blue Christmas · Christmas Time Is Here · Here Comes Santa Claus (Right down Santa Claus Lane) · Jingle-Bell Rock · A Marshmallow World · My Favorite Things · White Christmas · and more.

Works For Piano Duet-'Flee the storms.' Reynaldo Hahn (1874-1947) put this motto of classical artists at the heart of his music for piano four hands preferring the balance of proportions to the roar of passions the eclecticism of good taste charm and delicacy. Berceuses falls within the French tradition of children's music such as illustrated by Fauré's Dolly and Ravel's Ma mère l’Oye. These seven pieces evoke with refinement the happiness of a cloudless day the effervescence that reigns on Christmas Eve or the gentle syncopated rocking of a young Creole Selfiana. The Variations puériles sur une mélodie de CarlReinecke manifest a free whimsical vein whereas the Trois préludes sur des airs irlandais drink at the pure sources of folk music borrowing their thematic material from the famous collection Songs of Old Ireland which Stanford had brought out in 1882. Published for the first time from a handwritten score the Variations sur un thème de Charles Levadé end with a wild quadrille that takes the heroes of the celebration to the nearest inn. The Pièce en forme d’aria et Bergerie from 1896 finely polished takes up with the ambiance of the pastorale popular in the 17th century.