Par LIEBMAN DAVID. Each volume of this unique jazz improvisation method includes: State of the art recordings (multi-track digital), recorded in the excellent Bauer Studios, where many of the productions for the record label ECM have been done, and in the Skyline Studios in New York City. Each set contains six complete performances, including opening and closing theme statements, improvised solos and six play-along tracks which feature the rhythm section without soloist. Many performances use the original arrangements from classic jazz recordings (So What, Equinox, A Night In Tunisia, 'Round Midnight, Con Alma, Webb City, Joshua etc.). Because the complete performances were approached as in a professional recording session the play-along versions sound fresh and spontaneous, with much interaction between the rhythm section instruments and the soloists. Piano and bass are clearly separated. Book with helpful commentary and analysis of each recorded performance in English, français and deutsch. Transcribed solos: Each book contains at least one complete solo transcription, many excerpts from other solos (piano and bass solos as well as horn and guitar solos are included) plus appropriate chord/scale information, including modes of the major, harmonic minor, melodic minor and symmetrical scales. Individual instrumental parts in C, B flat, E flat and bass clef: The detachable instrumental parts are extremely practical for both classroom and professional use. Completely notated piano and bass parts: Volume 1, 2, 5, 6, 7 and 8 contain detachable piano (or guitar) and bass parts for all six compositions, volume 3 on 3 tunes (A Night In Tunisia, 'Round Midnight and Embraceable You). Transcribed excerpts from piano and bass accompaniments: Excerpts from piano and bass accompaniments have been selected in order to illustrate the most important techniques for developing accompaniments on these instruments. This includes piano chord voicings, harmonic substitution and embellishment, developing bass lines, interaction with other instruments, etc./ Recueil / Tout Instrument

Jazz Play-Along Vol.34. Niveau intermédiaire et avancé paroles inclus. Il s'agit d'airs de tout le monde a entendu parler et chaque musicien devrait savoir. Les noms des compositeurs et paroliers à lire comme un temple musical. Dix-neuf d'airs de la crème de l'âge d'or de l'écriture en Amérique. Vous trouverez thero grand amour'dans votre collection de jeu-a-long ! Section rythmique comprend Hal Galper, piano - Steve Gilmore, basse - Bill Goodwin, batterie. / Niveau : Débutant à Intermédiaire / Méthode en anglais / Méthode / Tout Instrument

Blues play-along Volume 5-For use with all C B Flat E Flat and Bass Clef instruments the Hal Leonard Blues Play-Along Series is the ultimate jamming tool for all blues musicians.With easy-to-read lead sheets and other split-track choices on the included CD these first-of-a-kind packages will bring your local blues jam right into your house! Each song on the CD includes two tracks: a full-stereo mix and a split-track mix with removable Guitar Bass Piano and Horn parts. The CD is playable on any CD player and is also enhanced so Mac and PC users can adjust the recording to any tempo without changing the pitch!

Lyrics included. These are tunes everyone has heard and every musician should know. The names of the composers and lyricists read like a musical Hall of Fame. Nineteen tunes from the cream of the golden age of songwriting in America. You’ll find there’s “No Greater Love” in your play-a-long collection! Rhythm section includes Hal Galper, piano; Steve Gilmore, bass; Bill Goodwin, drums. Don’t Blame Me - Blue Moon - Laura - On The Trail - Just Friends - Without A Song - Spring Is Here - Star Eyes - Once In A While - Invitation - Over The Rainbow - My Secret Love - Stompin’ At The Savoy - On Green Dolphin Street - You Stepped Out of A Dream - No Greater Love - I Left My Heart In San Francisco - The Shadow of Your Smile