SKU: M7.SMP-356
English.
As the title implies, this chart does not rest for a moment. It moves from one tempo to another, doubling up and then doubling in tempo again. Needless to say, Stop/Go is an exciting excursion into the very hip mind of Bill Holman. The chart requires soprano saxophone on the lead part. Holman's humor comes to the fore in this fascinating arrangement. 5-4-4-3.
SKU: M7.SMP-355
On the Corner is a moderate tempoed blues ..... a swinging, down-home type of chart, full of terrific ensemble phrases which will knock you out! Trombone and tenor saxophone solos are featured. This chart will bring the house down! 5-4-4-3.
SKU: M7.SMP-1241
As recorded by the Oliver Nelson Orchestra, 'Berlin Bei Nacht' is the 4th movement of the Impressions of Berlin suite. Set in an up-tempo fashion, this Oliver Nelson's 1971 forward-thinking original starts out with an in-your-face swing unison line played by the saxophones and the trumpets, with the trombones and rhythm section providing the undercurrent. It then moves into a half-time Latin feel before settling into a funk/rock blues solo section (trumpet, or as you choose). This exciting and unique arrangement will be a favorite for your band and audiences alike! 5-4-4-3 (opt. 5th trombone).
SKU: M7.SMP-1240
As recorded by the Oliver Nelson Orchestra, 'Ku-Damm' is the 1st movement of the Impressions of Berlin suite. Based on the blues, as so much of Oliver's music was, this bright swing (waltz feel) starts with an aggressive line for woodwind doubles and adds to its intensity with the entrance of the trumpets a short while later. There is solo space for alto saxophone, trombone, and piano. This lively, moving composition is sure to bring an exciting contrast to any program! 5-4-4-3 (opt. 5th trombone).
SKU: M7.SMP-1239
As recorded by the Oliver Nelson Orchestra, 'Heidi' is the 3rd movement of the Impressions of Berlin suite. A gorgeous solo feature for alto saxophone throughout, this piece builds from a quiet beginning to a very powerful point (a 'Bolero' type of tension as the piece develops) before it diminishes to a quiet ending. This 'edited' version is in a lower key, has a shorter solo section and simpler brass ranges, making it more playable for both the soloist and the ensemble while still maintaining the integrity of Oliver's beautiful ballad. 5-4-4-3.
SKU: M7.SMP-354
Shades opens with a drum solo (brushes on snare) in a medium tempo and swings on from there. There is a trombone, alto saxophone and piano solo in this first movement. There are also drum solos which are interspersed with wonderful ensemble phrases. This chart romps from beginning to end! 5-4-4-3.
