Recorded on the Grammy-nominated CD “I Am Three” by the Mingus Big Band this composition was originally written by Mingus for a 1959 television drama. Arranged here for the Mingus Big Band by the late great JohnStubblefield the chart opens with a bluesy piano introduction followed by an accelerando that kicks into a high-energy shuffle groove. Solos are included for tenor sax trombone trumpet and piano. A sizzling ensemble shout andgroup improvisation bring it all to an exciting finish!

This up-tempo swinger has become the signature tune for the Mingus Big Band. It opens with a free-wheeling baritone sax solo and features raucous ensemble passages and group improvisations. You won't find this chart on any easy-listening radio stations!

Perfectly capturing the mood and style of earlier “Bond” themes Adele has worked her magic with the hit Skyfall. John Berry's easy version features a brief alto solo then solid scoring for the entire ensemble with the melody traded between the saxes and trumpets. Sure to be an audience favorite.

Par GERSHWIN GEORGE / TAYLOR MARK (Arr.). This clever tune by George Gershwin has long been a favorite with jazz musicians. Mark\'s upbeat swing setting is a true showcase for the entire ensemble, with inventive tutti ensemble passages interspersed with brief solos for trumpet, tenor sax, trombone, and alto sax. The Little Big Band Series features arrangements that are: Scored for 6 horns (3 saxes, 2 trumpets, trombone) plus rhythm section; Include additional optional parts for alto, tenor and trombone; Perfect for smaller programs, or additional ensemble opportunities./ Répertoire / Big Band

As Recorded By Bob Brookmeyer And The New Art Orchestra. Par MULLIGAN GERRY. Celebration, a 4-movement suite, was written for and premiered by Gerry Mulligan at the Schleswig-Holstein Musik Festival in Lübeck, Germany in 1994. Recorded by Bob Brookmeyer and the New Art Orchestra on New Works (Challenge CHR 70066), featuring Scott Robinson, baritone sax. 'The good will and beautiful playing of the musicians can not be described in words... just music. They have my eternal gratitude for making my life and music shine.' Bob Brookmeyer Bob Brookmeyer (b. 1929) began writing music at age 14 and also began playing the valve trombone, arriving in NY in 1952. After joining Stan Getz in 1953, he replaced Chet Baker in the Gerry Mulligan Quartet, remaining with Mulligan for nine years, writing much of the music for the Concert Jazz Band. With Thad Jones-Mel Lewis, he wrote ABC Blues, Willow Weep For Me and St. Louis Blues, all seminal additions to the big band literature. After returning from California in 1978, he became Musical Director of the Mel Lewis Jazz Orchestra and wrote some of the finest music for that band including American Express, Ding Dong Ding, First Love Song, Hello and Goodbye, and Skylark. In the 1980s he wrote for both Jazz and Classical Orchestras and in 1994 formed the New Art Orchestra, an 18-piece ensemble of mainly European musicians. They have recorded two CDs for the Challenge label and commenced touring in 2001. A book on Composition is in the works and a DVD on Band Teaching is also planned. During the past decade, Brookmeyer has composed a diverse collection of jazz material, chamber music, and large orchestral works./ Répertoire / Big Band

Par VAN HEUSEN JAMES. Arranged in a comfortable medium swing style and featuring easy rhythms and ranges, this popular standard fits nicely in the easy level of the Little Big Band Series. Nice scoring for the entire ensemble, and no solos are required. / Date parution : 2022-11-29/ Répertoire / Big Band

The haunting and distinctive Blackbird (from the Beatles' White album) is adapted here in a moderate samba style for the little big band format. Trumpet and alto sax are featured on the melody and for solos. / Partitions classique / Ensemble et orchestre / Ensemble vents / HAL LEONARD

Par HART BRUCE. This well-known television theme has long been a favorite with jazz artists. Mike Tomaro's moderate swing version features a nice blend of scoring between the saxes, brass, and full ensemble in an appealing arrangement. Solo space is provided for any player. (Grade 4) / Date parution : 2021-12-09/ Répertoire / Big Band

Based On A Version By Clare Fischer. Par FISCHER CLARE. This is an orchestration of Clare Fischer's version found on the recording Latin Pattern. The piano introduction is Clare's from the recording Alone Together. The piano then starts the latin groove setting of this traditional German song. There is an open solo over a vamp that keeps building and leads to a very exciting ensemble passage. The theme is then restated and the coda brings it home./ Répertoire / Big Band

This well-known television theme has long been a favorite with jazz artists. Mike Tomaro's moderate swing version features a nice blend of scoring between the saxes, brass, and full ensemble in an appealing arrangement. Solo space is provided for any player. (Grade 4) / Partitions classique / Ensemble et orchestre / Ensemble vents / HAL LEONARD

Par DEFAYE JEAN-MICHEL. 10'00 / Niveau : Cycle 3 / Orchestre / Répertoire / Big Band

Big Band-Version des weltbekannten Mambo Nr. 8 von Mambo-König Perez Prado (1916-1989). Arrangement: Franz Gerstbrein. Partitur und Stimmen. Besetzung: Partitur Altsax 1+2 Tenorsax 1+2 Baritonsax Trompete 1-4 Posaune 1-4 Gitarre Klavier Bass Schlagzeug.