SKU: M7.SMP-1108
English.
'There, There' (subtitled 'The Boney King of Nowhere) was recorded on Radiohead's 2003 album Hail to the Thief. James Miley's sublime and highly accessible arrangement re-imagines the melodic, harmonic, and structural components of the original, showcasing tenor saxophone and trumpet improvisations amidst beautiful ensemble scoring. 5-4-4-5.
SKU: M7.SMP-354
Shades opens with a drum solo (brushes on snare) in a medium tempo and swings on from there. There is a trombone, alto saxophone and piano solo in this first movement. There are also drum solos which are interspersed with wonderful ensemble phrases. This chart romps from beginning to end! 5-4-4-3.
SKU: M7.SMP-989
As recorded on Libertango ! Hommage to Astor Piazzolla by the HR Big Band (Germany), this arrangement will surely lift your audiences out of their seats. It features a main soloist of your choice (originally recorded with bandoneon solo) and another solo for tenor saxophone. Various parts are included for different soloists to use. This marvelous arrangement opens with warm sounds in clarinets, muted trombones and flugelhorns behind the beautiful melody stated by the primary soloist. The setting is a medium tango, with a short, exciting swing section near the end of the chart. Once the piece moves into a strong, rock-fusion feel, there is no turning back. You and your band will love this chart. This requires clarinet doubles on the top 3 saxophone parts and bass clarinet on the baritone part. There is also a mallet part (marimba, vibes and xylophone). 5-4-4-5.
SKU: M7.SMP-412
Talk about a Flag-Waver !!! The Maynard Ferguson Band recorded this on their Footpath Cafe CD. The chart asks every player in the band to wail through a very hip and challenging be-bop line in unison. There are ensemble breaks here and there for very dramatic effects, and plenty of blowing space on the rhythm changes. You'll love doing this chart because you can really show off your band. 5-4-4-3.
SKU: M7.SMP-1078
This great chart is recorded (1999) on the Azica CD Swingin' the Blues. Holman grabs this simple Ellington tune and runs with it. The arrangement is yet another amazing example of Bill Holman's extraordinary arranging skills. There is solo space for tenor saxophone and, of course, trumpet. There is no real need for any extra high trumpet playing. The ensemble shout choruses alone are enough reason to put this chart in every jazz band library in the land. You will have a blast with this one. 5-4-4-4.
SKU: M7.SMP-1027
Holman has done a few arrangements of this tune, and this one may well be the best. Bill wrote this chart for the great Woody Herman Orchestra. It is written in a very bright swing tempo, and there is solo space for alto sax, tenor sax and trumpet. This chart has great line writing (no surprise there) and powerful, swinging ensemble shout choruses. Your band will really love playing this one. 5-5-4-3.
SKU: M7.SMP-1131
This is another great Oliver Nelson chart (it swings like crazy!). It starts in 3/4 and then goes to 4/4 and has a wonderful feel and flow as it moves through the different sections. The piece has very limited brass ranges with some optional octave writing in the trumpet 1 part. There is solo space for alto saxophone, trumpet, piano and drums. This big band arrangement was adapted by Bob Curnow from the original small band version as recorded on Oliver Nelson Plays Michelle (Impulse). 5-4-4-4.
SKU: M7.SMP-1187
As recorded by the Maynard Ferguson Orchestra on New Sounds of Maynard Ferguson, This Willie Maiden arrangement takes a great tune and puts it in an up-tempo swing setting. The chart has a bop-like melody performed as a duet by the alto saxophone and trumpet at the beginning, and then moves into the ensemble. There is a solo for alto saxophone, followed by a roaring shout chorus. There is some high trumpet work (a la Maynard), with optional lower notes included. As always, Willie gives us another incredible arrangement sure to be loved by all audiences! 5-4-4-3.
SKU: M7.SMP-1134
This arrangement continues the Radiohead Jazz Project and adds another wonderful talent to the list of outstanding RJP writers. Omar Thomas has arranged this emotional heavy-rock ballad, focusing on the solo voice of the trombone. There is also solo space for piano. There are flute, clarinet and bass clarinet doubles. This piece has limited brass ranges (written B in the trumpet). 5-4-4-4.
