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Richard Strauss Biography
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International artists :
• Clayderman, Richard
• Smallwood, Richard
• Richard, Cliff
Classical composers :
• Strauss, Richard
• Strauss, Johann
• Strauss, Josef
• Strauss, Eduard
• Strauss, Henry
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Richard Strauss Verlag
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One-Page Composer Bios
Biography
Alfred Publishing
(50 Reproducible Biographies of Famous Composers (Teacher's Handbook)). By Jay A...
(+)
(50 Reproducible Biographies of Famous Composers (Teacher's Handbook)). By Jay Althouse. This edition: Teacher's Handbook (100% Reproducible). Classroom/Pre-School; General Music and Classroom Publications; Reproducible. Book. 64 pages
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Goubault, Christian : Richard Strauss
Français
Biography
[Textbook]
Bleu Nuit Editeur
Richard Strauss (1864-1949) fut un compositeur pour le moins déroutant : sa mus...
(+)
Richard Strauss (1864-1949) fut un compositeur pour le moins déroutant : sa musique la plus novatrice (et très en avance sur son temps) correspond à ses premiers grands opéras tels Elektra et Salomé, avant
de revenir à un style bien plus ?classique?, témoin d?une époque pourtant révolue. Aujourd?hui encore, en France, il existe une certaine suspicion envers le compositeur de Till, du Chevalier à la rose, des
Métamorphoses et des Quatre derniers Lieder, partitions maîtresses que l?on admire généralement sans réserve. Car, si le musicien semble indiscutable, l?homme ne l?est pas toujours. Cet ouvrage est un hommage aux inventions du père d?Ainsi parlait Zarathoustra, musique utilisée par Kubrick dans son film 2001 l?Odyssée de l?espace. / Livre /
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De brahms a mahler et strauss - la musique post-romantique germanique (FRANCOIS-SAPPEY B)
Français
Biography
[Book]
Fayard
Par FRANCOIS-SAPPEY B.. Peut-on définir le postromantisme ? Si aucun des compos...
(+)
Par FRANCOIS-SAPPEY B.. Peut-on définir le postromantisme ? Si aucun des compositeurs allemands ne s?en est revendiqué, nombre d?entre eux se ressentent romantiques, bien au-delà de la période couramment reconnue comme l?apogée de ce mouvement. Quant à lui attribuer une aire d?extension, le monde germanique lui a offert dans un XIXe siècle très allongé un terrain produisant de riches récoltes. Parcourant le siècle qui se termine avec la mort de Richard Strauss (1949), Brigitte François-Sappey présente les acteurs principaux de ce qui a fait de Vienne et de Berlin le creuset de toutes les expériences artistiques. Tous les compositeurs marquants y convergent et trouvent dans l?effervescence qui anime ces deux capitales le lieu d?épanouissement de leur talent, où même les créateurs reconnus en rupture (Schoenberg, Berg, Webern, Hindemith ou Weill) ne renient pas l?héritage d?expressivité propre au caractère romantique. Docteur ès lettres, professeur honoraire au Conservatoire national supérieur de musique de Paris, Brigitte François-Sappey est l?auteur d?ouvrages sur Robert Schumann (Fayard, 2000, 2003), Clara Schumann (Papillon, 2002), Felix Mendelssohn (Fayard, 2003, 2008) et de La Musique dans l?Allemagne romantique (Fayard, 2009). / Broché / Livre / Livres
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