SKU: BT.AMP-347-400
ISBN 9789043138659. 9x12 inches. English-German-French-Dutch.
Philip Sparke’s Starter Solos is the first volume of a progressive series of books that takes the young wind player from beginner to accomplished musician. Specifically tailored for each instrument, this collection of 20 solos starts with pieces based on only a handful of notes and carefully introduces new musical elements, such as articulation, dynamics and key signatures, in a structured progression to speed the learning process. The books provide invaluable additional material to complement any teaching method.Starter Solos comes with a play-along CD. The advantages of playing either with piano or CD accompaniment are that the beginning player can nowexperience the important aspects of ensemble playing from their earliest lessons, thus developing the essential skills of listening while they play and maintaining strict tempo, which is not always a factor when playing alone. Philip Sparke’s Starter Solos is het eerste deel van een serie boeken met muziek voor jonge blazers. Deze bundel van twintig solo’s begint met stukken die op een handvol noten zijn gebaseerd. Nieuwe muzikale elementen (articulatie, dynamiek,enz.) worden op een doordachte, gestructureerde manier toegevoegd. Dit studiemateriaal vult elke leermethode aan en is steeds toegesneden op het betreffende instrument.Uitgave met cd: De voordelen van het spelen met begeleiding - hetzij op de piano,hetzij op de cd - zijn dat de beginnende speler de belangrijke aspecten van het ensemblespel kan ervaren vanaf de eerste lessen en essentiële vaardigheden kan aanleren: het luisteren tijdens het spelen en het handhaven van een strak tempo. Bij hetalleen spelen komen deze factoren minder aan de orde.Das frühe Lernstadium ist, neben einem guten Lehrer im Unterricht, für jedes Instrument zweifellos das Wichtigste. Von großer Bedeutung ist aber auch motivierendes Lehrmaterial.Für diese zwei Solobücher beriet sich Philip Sparke mit vielen Lehrern, wie man am besten neue Noten einführt und zugleich einen Rahmen schafft, in den sich neue musikalische Elemente in sinnvoller Reihenfolge einfügen lassen. Unterstützt von diesenSoli und Etüden in drei verschiedenen Schwierigkeitsstufen können Instrumentalschüler schnell zu richtigen Musikern heranreifen. Jedes Buch ist genau auf die Bedürfnisse und Anforderungen des einzelnen Instrumentes zugeschnitten. STARTER SOLOS und SKILFUL SOLOS können dank der im Buch und auf der CD enthaltenen Begleitungen auch gut alleine oder mit einem Pianisten einstudiert und aufgeführt werden. Der Vorteil dabei ist, dass Anfänger so nicht nur die wichtigsten Aspekte desEnsemblespiels erfahren sondern auch von Anfang an die Fähigkeit entwickeln, zu hören während sie spielen und das Tempo zu halten.
Inhalt: Follow me •Best Foot Forward •Folk Song •My Homeland •Missing You •Russian Winter •On a Carousel •Rush Hou •A Dynamic Start •Short but Sweet •Ballad •London Bridge •Summer Breezes •Modal Melody •Toon Tune •In a Balloon •Yankee Doodle •SadSong •Count Me In •Ragtime March
SKU: BT.AMP-350-400
ISBN 9789043138680. 9x12 inches. English-German-French-Dutch.
Philip Sparke’s Skilful Solos is the second volume of a progressive series of solo books that takes the young wind player from beginner to accomplished musician. Following on from the first book in the series Starter Solos this collection generally contains longer pieces suitable for the developing young musician. Specifically tailored for each instrument, Skilful Solos introduces the concept of phrasing by suggesting suitable breathing points and takes the player into new keys with extended instrumental ranges, new notes being introduced in a gradual and logical manner.Skilful Solos comes with a play-along CD. The advantages of playing eitherwith piano or CD accompaniment are that the beginning player can now experience the important aspects of ensemble playing from their earliest lessons, thus developing the essential skills of listening while they play and maintaining strict tempo, which is not always achieved when playing alone. Skilful Solos past in het rijtje Starter Studies, Skilful Studies, Super Studies en Starter Solos, een succesvolle reeks van Philip Sparke. Net als de eerdergenoemde uitgaven bevat Skilful Solos waardevol,motiverend speelmateriaal dat de keuze voor een methode aanvult. Nieuwe muzikale elementen komen in een logische volgorde aan de orde - om de ontwikkeling van de complete muzikant te bevorderen. Uitgave met cd: De voordelen van het spelen metbegeleiding - hetzij op de piano, hetzij op de cd - zijn dat de beginnende speler de belangrijke aspecten van het ensemblespel kan ervaren vanaf de eerste lessen en essentiële vaardigheden kan aanleren: het luisteren tijdens het spelen en hethandhaven van een strak tempo. Bij het alleen spelen komen deze factoren minder aan de orde.Das frühe Lernstadium ist, neben einem guten Lehrer im Unterricht, für jedes Instrument zweifellos das Wichtigste. Von großer Bedeutung ist aber auch motivierendes Lehrmaterial.Für diese zwei Solobücher beriet sich Philip Sparke mit vielen Lehrern, wie man am besten neue Noten einführt und zugleich einen Rahmen schafft, in den sich neue musikalische Elemente in sinnvoller Reihenfolge einfügen lassen. Unterstützt von diesenSoli und Etüden in drei verschiedenen Schwierigkeitsstufen können Instrumentalschüler schnell zu richtigen Musikern heranreifen. Jedes Buch ist genau auf die Bedürfnisse und Anforderungen des einzelnen Instrumentes zugeschnitten.STARTER SOLOS und SKILFUL SOLOS können dank der im Buch und auf der CD enthaltenen Begleitungen auch gut alleine oder mit einem Pianisten einstudiert und aufgeführt werden. Der Vorteil dabei ist, dass Anfänger so nicht nur die wichtigsten Aspekte desEnsemblespiels erfahren sondern auch von Anfang an die Fähigkeit entwickeln, zu hören während sie spielen und das Tempo zu halten.
Inhalt: Nice to See You Again •Pony and Trap •Summer Siesta •Spring (Vivaldi) •A Victorian Ballad •Trumpet Tune •Promenade •Greensleeves •Could You Repeat That? •Alladale Aria •Scales of Justice •Largo from Winter (Vivaldi) •Waltz with Variations •Atthe Circus - Adagio (Mozart) - Marche Militaire (Schubert) - Thinking of You - Fives and Threes - Daydream - Rhode Island Rag
SKU: BR.EB-7430
ISBN 9790004173947. 9 x 12 inches.
Thanks to the increasing concern for historically accurate interpretations of early music, the viola da gamba once again belongs to the more frequently played Instruments. This new edition makes the work accessible again to its original solo Instrument.
SKU: BT.DHP-1175829-401
ISBN 9789043153034. English-German-French-Dutch.
To the beat of the Habanera rhythm, our young cellists will travel to the land of multi-coloured hats. Composer Pascal Proust has many years of experience as a musician and music teacher. His work includes several hundred compositions for the most diverse instrumentations. He wrote Red Sombrero for cellists with an ability of approximately 3 4 years’ experience. He paid special attention to an easy-to-follow, attractive musical style. Red Sombrero is an ideal performance or competition work for young musicians.Op het ritme van de Habanera, reizen onze jonge cellisten naar het land van de kleurrijke hoeden. De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef Red Sombrero voor cellisten die ongeveer drie tot vier jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is Red Sombrero een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.In einem Habanera-Rhythmus unternehmen die jungen Cellisten eine Reise ins Land der bunten Hüte. Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen, sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Red Sombrero für Cellisten mit ungefähr 3 4 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich Red Sombrero ideal als Vortrags- und Wettbewerbsstück für junge Musiker.Sur un rythme de Habanera, nos jeunes violoncellistes feront un voyage au pays des chapeaux multicolores .... Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique - son catalogue d’œuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Red Sombrero pour violoncellistes ayant environ 3 4 années de pratique, dans un style musical accessible et coloré. De ce fait, Red Sombrero est la pièce idéale pour tout examen ou audition de jeunes musiciens.
SKU: BT.DHP-1175823-401
ISBN 9789043152938. English-German-French-Dutch.
A small, playful piece that revives the famous Twinkle, twinkle, little star in a dance version (a short tango). Composer Pascal Proust has many years of experience as a musician and music teacher. His work includes several hundred compositions for the most diverse instrumentations. He wrote El violonchelo del niño for cellists with an ability of approximately one year’s experience. He paid special attention to an easy-to-follow, attractive musical style. El violonchelo del niño is an ideal performance or competition work for young musicians.Een kort, vrolijk werkje waarin Twinkel, Twinkel, little star is verwerkt als een dansbaar nummer (een korte tango). De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef El violonchelo del niño voor cellisten die ongeveer een jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is El violonchelo del niño een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.Ein kurzes spielerisches Stück, in dem das bekannte LiedAh! vous dirais-je, maman in einer tänzerischen Version (ein kleiner Tango) verwendet wird. Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen, sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb El violonchelo del niño für Cellisten mit ungefähr 1 Jahr Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich El violonchelo del niño ideal als Vortrags- und Wettbewerbsstück für junge Musiker.Une petite pièce ludique reprenant le célèbre Ah! vous dirai-je, maman dans une version dansante (un petit tango). Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique - son catalogue d’œuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit El violonchelo del niño pour violoncellistes ayant environ une année de pratique, dans un style musical accessible et coloré. De ce fait, El violonchelo del niño est la pièce idéale pour tout examen ou audition de jeunes musiciens.
SKU: BR.EB-10802
The first definitive author's version - In Cooperation with G. Henle Verlag
ISBN 9790201808024. 9.5 x 12 inches.
In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings).
SKU: BR.EB-9391
ISBN 9790004188651. 9 x 12 inches.
Jean Sibelius composed far less music for the cello than for the violin. Malinconia (op. 20) - published in 1911 but composed in 1900 under the title Fantasia - remained his only opus-numbered work exclusively for cello and piano. The Fantasia for cello and piano, an early stage of Malinconia , was premiered at a soiree in the Solemnity Hall of the University of Helsinki on 12 March 1900 and was given positive press reviews: The work, which mainly drew attention with its logical and clear structure, begins with a powerful and substantial cello solo, to which the piano responds with a glimmering series of arpeggiated chords. At the end where the instruments unite in a harmonious, deeply emotional song, the harmonic impression they create is very bright and lovely. The autograph manuscript of Fantasia shows that Sibelius omitted a larger passage of music between the present bars 24 and 25 and that he made further revisions to the work, either before the publishing process or in the proofs he read in April 1911 for Breitkopf.
SKU: BR.EB-9406
ISBN 9790004188804. 9 x 12 inches.
Raff's Cello Sonata op. 183 appeared in print in late 1873; at a time when Raff's success was at its zenith with Symphonies Nos. 3 and 5 as well as many chamber works. Little is known about the circumstances of its genesis and possible performances. Since Raff did not dedicate this sonata to any distinguished artist, unlike most of his other chamber works, it apparently lacked a drawing card for distribution. While Raff composed several well-known works for violin and piano, the present cello sonata is one of his few outstanding works for cello and piano. Incidentally, in the first edition, the score is headed for piano and cello, as was quite often the case in the 19th century, for instance also with Brahms's sonatas. This is also evident in the music: Cello and piano are equal partners that develop the musical material and are challenged both technically and artistically. This current edition contains an Urtext cello part as well as a part with markings by Claus Kanngiesser. In collaboration with the Joachim-Raff-Archiv Lachen (CH)With a preface by Severin Kolb. Contains 2 cello parts.
SKU: BR.EB-32083
With supplementary violoncello part marked by Maria Kliegel
ISBN 9790004186299. 9 x 12 inches.
There are many composers about whom it is believed, today, that they composed conservatively, or against the taste of their time. The question is also raised, today, which extract of this large amount of effective and high-quality music, unknown for the most part, should receive our attention; which of it is worth rediscovering or re-editing. Camillo Schumann is one of the most important representatives of these composers, but his works are still largely unknown today. He was born on 10 March 1872 in Konigstein, Saxony. His musical language combines the sound world of Brahms with the grand, late-romantic Liszt School. He wrote piano parts of incredible power and virtuosity, approaching the sounds of Rachmaninoff. His wonderfully individual melodic language makes these works a valuable testimony to a composer who never had his due recognition. The cello sonatas Opp. 59 (EB 32082) and 99 (EB 32083) are the first of three works for this combination. Op. 59 was composed around 1905/06, Op. 99 followed in 1932. Nothing is known so far of the circumstances of the composition of this work, including for whom it was composed. However, it is quite evident that Schumann wrote it, like most of his works, primarily for his own concerts and befriended musicians. The extensive entries in the piano part bear witness to a considerably practical approach. Crossed-out bars, notes added or crossed out in chords as well as a number of revisions of other kinds are more the rule than the exception. The composer's own fingerings written in the piano part also underline this assumption. The present edition contains two solo-parts each. One clean Urtext-part free of any additions from the editor and a second one with bowing marks and fingerings by Maria Kliegel who recorded both sonatas for the first time with the label Naxos. Both sonatas show evident resemblance to the works of this combination by Johannes Brahms and are therefore a must have for ambitious cellists.With supplementary violoncello part marked by Maria Kliegel.
SKU: HL.50487683
ISBN 9790080136225. 9.0x12.0x0.124 inches. French. Claude Debussy; Zoltan Kocsis; Miklos Perenyi.
Debussy's Small Suite written for piano duet in 1889 is being published by Editio Musica Budapest in a transcription for cello and piano for the first time. A guarantee for the quality of the transcription is the name of the two outstanding artists Zoltan Kocsis and Miklos Perenyi who make us forget the difficulty of the task and exploit the full capabilities of their respective instruments, enchanting thereby the audience.
SKU: BR.EB-5566
ISBN 9790004164433. 9 x 12 inches.
It is considered a milestone in the repertoire for bass clarinet: Othmar Schoeck's Sonata op. 41, composed in 1927/28 for the Swiss music patron and amateur clarinetist Werner Reinhart. In the tension area between late Romanticism and currents of New Music of the 1920s, Schoeck created a work of fascinating colorfulness, which even has jazz elements flashing up in the finale. This classic work is one of the most exciting, boldest instrumental works by the important song and opera composer. CD: Renate Rusche (bass clarinet), Werner Hagen (piano) Sc 63072.
SKU: BT.EMBZ13622
Debussy's Small Suite written for piano duet in 1889 is being published by Editio Musica Budapest in a transcription for cello and piano for the first time. A guarantee for the quality of the transcription is the name of the two outstanding artists Zoltán Kocsis and Miklós Perényi who make us forget the difficulty of the task and exploit the full capabilities of their respective instruments, enchanting thereby the audience.
SKU: HL.49045660
ISBN 9790001192187. UPC: 841886019911. 9.0x12.0x0.056 inches.
The famous Golliwogg's Cakewalk is the final piece from Debussy's cycle Childrens Corner which consists of 6 miniatures for piano, written for his daughter in the years 1906-1908. The style corresponds to that of ragtime, a dance which was in vogue around the turn of the century. In the middle section, he parodies several times the beginning of the opera Tristan and Isolde by Richard Wagner with whom Debussy had a rather ambiguous relationship. The present arrangement now allows musicians to play the popular movement in a version for melodic instrument with accompaniment.
SKU: BR.EB-9426
ISBN 9790004189030. 9 x 12 inches.
Joachim Raff's celebrated first cello concerto is only gradually being rediscovered today. This is astounding, taking into account both the quality of the composition as well as its enthusiastic reception in the past. All renowned cellists of the time performed the work, but the history of op. 193 is still more closely linked to Friedrich Grutzmacher, its commissioner, co-editor, and soloist in its world premiere, than to any other musician. Grutzmachers wish for a concerto to free us poor cellists from our situation that is becoming truly unbearable and driving us to the utmost discontent was certainly fulfilled by Raff.The extensive preface of this first Urtext-Edition documents the close collaboration between composer and interpreter, as well as performance practice of the time. The corresponding piano reduction includes not only an Urtext-solo part, but also a part with the markings by the Zurich cellist Jonas Kreienbuhl. In collaboration with the Joachim-Raff-Archiv Lachen (CH).
SKU: BR.EB-32078
ISBN 9790004186633. 9 x 12 inches.
Friedrich Schneider is known today above all for his extensive oeuvre in the area of the oratorio. No less important, however, in addition to his symphonic work, is his group of works for piano and/or chamber music. His cello sonata in F major, with all four movements large in scale, was probably composed in 1831 for the daughter of the Cologne music patron, Dr. Erich Heinrich Verkenius. With its expressiveness, monumental structure, and post-Beethovenian sensuality, this sonata already seriously anticipates Romanticism. Our edition offers two solo parts: an unmarked original text as well as a version with fingerings and bowings by the Leipzig based cellist Jurnjakob Timm.
SKU: BR.EB-32072
For Sonata No. 1 in D major Op. 6 please click here.
ISBN 9790004186619. 9 x 12 inches.
Eduard Franck's two Violoncello Sonatas opp. 6 and 42 were published in 1843 and 1882, respectively, thus, almost 40 years apart. Although no authentic manuscripts sources are extant, the sonatas were likely composed fairly close to the years of their publication. That for decades Eduard Franck was reluctant to publish some of his works is well known; this then led him, only a few years before his death, to pour out a cornucopia of new compositions, some of them composed decades earlier. With this new edition of the two sonatas we are offering an important addition to the field of romantic cello sonatas.
SKU: BR.EB-8298
ISBN 9790004176139. 9 x 12 inches.
The cello sonata stands between a conservative return to classical forms and the full development of Mendelssohnian characteristics in the late work, which ultimately led to the abandonment of the sonata form. Violoncello part arranged by Michael Denhoff.
SKU: BR.EB-6707
World premiere: Saarbrucken, December 18, 1972
ISBN 9790004169100. 9 x 12 inches.
World premiere: Saarbrucken, December 18, 1972.
SKU: BR.EB-6438
ISBN 9790004167076. 9 x 12 inches.
SKU: BR.EB-8332
ISBN 9790004176405. 9 x 12 inches.
SKU: HL.49019267
ISBN 9790001180689. UPC: 841886018143. 9.0x12.0x0.074 inches. Edited with fingerings and bowings by Fritz Zumkley.
Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limitsof what was considered to be technically playable in his time. Even today, these works have maintained their importance throughout the methodological progress in literature. Apart from the concertos, Goltermann also composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Stylistically wholly rooted in the Romantic spirit of their time, the pieces are relatively short and of medium difficulty as regards the technical demands. It is not least due to their melodic and harmonic catchiness that they enjoy a lasting popularity both in music lessons and in domestic concerts.
