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Chamber Orchestra
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Syzygy | Ethereal Chamber Orchestra
Syzygy | Ethereal Chamber Orchestra
$3.00
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Chamber Orchestra
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Fiona Cork
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Fiona Cork
Speak to Your Mountain And Move it [chamber orchestra (2222.2200.timp.strings)]
Speak to Your Mountain And Move it [chamber orchestra (2222.2200.timp.strings)]
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Chamber Orchestra
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Juan MarÃa Solare
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Juan Maria Solare
ALES STENAR, suite for violin and chamber orchestra - Score Only
ALES STENAR, suite for violin and chamber orchestra - Score Only
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Chamber Orchestra
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Stefano Olcese
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Stefano Olcese
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Michel Van Der Aa: Here Trilogy (2001-2003)
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Full Score. By Michel Van Der Aa. Boosey and Hawkes Scores and Books. 64 pages. ...
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$59.95 - See more - Buy online
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By Joseph M. Martin. Chamber Orchestra. Harold Flammer Easter. Set of parts. Pub...
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For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed o...
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For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed on their Scottish tour in March 2010.In Seven Pierrot Miniatures I took the Commedia dell’arte character Pierrot as my primary sourceof inspiration. Other more tenuous links to Schoenberg’s Pierrot Lunaire also served as a starting point in forming the general shape of the work. The piece is cast in seven short movements whereas the Schoenberg comprises threesets of seven movements. Although there is no part for voice I have taken seven poems by Albert Giraud (none of them set in Pierrot Lunaire) as points of departure:1. The Clouds2. Decor3. Absinthe4.Suicide5. The Church6. Sunset7. The HarpEach movement takes its impetus from the corresponding poem but in the piece as a whole I wanted to explore the extreme contrasts of the multi-faceted character ofPierrot in a musical setting. There is an almost mirror-like quality to the form of the piece and a sense of ending where it has begun: movements 1 3 5 and 7 are closely linked both in terms of their musical material and asense of melancholy dream-like quality and longing. Movements 2 and 6 are also strongly connected with allusions to the more mischievous violent side of Pierrot. Movement 4 serves as a sort-of pivotal point within the work juxtaposing a surreal shimmering calm with brutal outbursts. There is never any direct repetition yet there is a strong sense of material returning and mutating as the workunfolds.InstrumentationFlute doubling piccoloClarinet in Bb doubling Bass Clarinet in BbViolin doubling ViolaCelloPiano
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kammersymphonie Op, 9 (SCHOENBERG ARNOLD)
Chamber Orchestra
[Study Score / Miniature]
Universal Edition
Par SCHOENBERG ARNOLD. Here the fourths, springing from an entirely different ex...
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Par SCHOENBERG ARNOLD. Here the fourths, springing from an entirely different expressive urge, shape themselves into a defi nite horn theme, spread themselves out architectonically over the whole piece, and place their stamp on everything that happens. Thus it turns out that they do not appear here merely as melody or as a purely impressionistic chord effect; their character permeates the total harmonic structure, and they are chords like all others.' (Arnold Schoenberg, Theory of Harmony, 1911) The Chamber Symphony Op.9 heralded a breakthrough in Schoenberg's compositional style. While the work did not go hand in hand with the complete destruction of the old tonal system it does show an extension in chordal and melodic constructions. It's focus on the interval of the fourth rather than the third is stated right at the start with the horn fanfare and this leads into the use of the whole tone scale soon after. These two elements open up a new sound space which he would explore further in the works to follow. Certainly not a work to be missing from any library where contemporary music is one of the main focuses./ Répertoire / Ensemble de Musique de Chambre
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Rheinberger: Kammermusik 1 (Gesamtausgabe, Bd. 29) (RHEINBERGER JOSEF GABRIEL)
Chamber Orchestra
[Sheet music]
Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. Rheinberger’s string quartets, his string quint...
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Par RHEINBERGER JOSEF GABRIEL. Rheinberger’s string quartets, his string quintet and his nonet for winds and strings were often performed and were very successful works during his lifetime. Their density, but also the delicateness of the scherzo movements are in the tradition of Schumann and Mendelssohn and these traits are combined with Rheinberger’s sense for the clear, defined structure of the movements and solid contrapuntal writing. The octet for winds and strings is published here for the first time and the nonet, which is actually a reworking of this octet that Rheinberger undertook some twenty years later, is also published in this volume. Rheinberger made major changes from the original octet and headded two new movements to the nonet. Both works show especially the interest and pleasure which he derived from the variety in the differentiation of colors in ensemble playing. The Thema mit Veränderungen op. 93, which until now has been known as a work for string quartet, is published here with the double bass part which Rheinberger later added./ Répertoire / Ensemble de Chambre
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At 80, Plus for Alvin Lucier (WOLFF CHRISTIAN)
Chamber Orchestra
[Score]
Peters
Par WOLFF CHRISTIAN. Composed, as the title suggests, for the 80th birthday of A...
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Par WOLFF CHRISTIAN. Composed, as the title suggests, for the 80th birthday of Alvin Lucier on May 14, 2011, At 80, Plus for Alvin Lucier by Christian Wolff is largely open in form and can be performed by any players, with variable duration. The performing score, published here as a facsimile of the autograph manuscript, consists of 14 short phrases to be performed in any sequence, followed by a 15th concluding phrase. In addition, all but one of the phrases may be performed in any clef or any transposition. / Date parution : 2022-09-07/ Répertoire / Ensemble de Chambre
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Cranford Suite (For Small Orchestra) (Score) (DAVIS CARL)
Chamber Orchestra
[Sheet music]
Faber Music Limited
Par DAVIS CARL. Musique de rechereche de la BBC de romans classiques de Mme Gask...
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Par DAVIS CARL. Musique de rechereche de la BBC de romans classiques de Mme Gaskell Cranford, arrangée pour petit orchestre./ Répertoire / Orchestre de Chambre
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Bent Sørensen: Phantasmagoria: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
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Intermediate/advanced
Wilhelm Hansen
Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen ...
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Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen in 2007. First performance by Trio con Brio 12 Aug 2007 in Roskilde Denmark.Programme note:My Piano Trio “Phantasmagoria” is in five movements. It all began with the fifth movement which originally was a tiny piece for cello and piano. After re-composing this little piece for piano trio I worked composed backwards – The fourth movement – third movement - and I finally got to the beginning of the piece. It all begins with the violin – solo – heavily muted but aggressive and gradually the cello andthe piano enter as shadows of the violin. The first movement ends in a dark shadow of an aria from my opera “Under the Sky”. All five movements are full of shadows of all kinds. Shadows of fragments and traces of movements appear in other movements. Music voices instruments appear behind each other as a play of shadows. “Shadow play” was the first title on my mind but a shadow play can be more physical – the shadow can come alive – alive behind the shadows. Phantasmagoria is a shadow play in darkness where contours of persons and music voices and instruments - create adventures behind each other. “Phantasmagoria” was commissioned by Franz Schubert Society Denmark and dedicated to Trio con Brio Copenhagen. (Bent Sørensen)
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Per Nørgård: Delta: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
Delta for Saxofon Cello og Piano (2005). Programme note: Some of my works are c...
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Delta for Saxofon Cello og Piano (2005). Programme note: Some of my works are created in several stages where an earlier work or movement are reborn or recomposed as part of a new work. For instance “Suite for Martin” (1967) for saxophone amplified accordion and prepared piano - used in a Danish documentary film “Kongens Enghave” - was rearranged by me in 2004 in a new instrumentation for saxophone cello and piano and named MELANCOLIA (duration 12 minutes) which became the third movement (with the title MALINCONIA) in an enlarged version from 2005 with the title DELTA (duration around 20minutes). A delta is be nature moving outwards or rather downwards downstream.This movement is characteristic for all three works mentioned. EUFONIA. In the first movement of DELTA the music changes from the light hearted and harmonious towards a darker sound.In the second movement NOSTALGIA this darker colour is intensified dominating the whole movement. MALINCONIA the third and last movement completes the direction downwards – during six shorter sections – going towards a black edged pessimism (and a “black sound”). Per Nørgård (2005)
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Platée et Io (RAMEAU JEAN-PHILIPPE)
Chamber Orchestra
[Score]
Barenreiter
Symphonies. Par RAMEAU JEAN-PHILIPPE. This edition unites all the purely instrum...
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Symphonies. Par RAMEAU JEAN-PHILIPPE. This edition unites all the purely instrumental and dance numbers from one of Rameau?s most popular operas, along with those from his last one-act opéra-ballet ?Io?, which was left unfinished at the time of his death. ?Platée? is the setting of a libretto by Jacques Autreau that Rameau arranged to be adapted for his own purposes, especially with regard to comic effects. In grotesque form, it shows Jupiter curing his wife Juno of her jealousy by feigning a marriage of love with the ugly swamp nymph Platée. Faced with such a ludicrous rival, Juno is forced to admit that her suspicions were unfounded. The opera was premièred in Versailles in 1745 for the wedding of the Dauphin Louis and Maria Theresia of Spain. The performance was a fiasco, however, for the coarse comedy and bizarre characters were deemed inappropriate by the wedding audience. It was not until 1749 in Paris that ?Platée? achieved its breakthrough, becoming Rameau?s greatest triumph to date. Another version with an altered text was performed from 1754 on. The plot of the fragmentary ?Io? deals with the amorous relations between the nymph Io and Jupiter in the guise of the shepherd Hylas, who becomes a rival of Apollo, disguised as Philemon. Now the inventive and richly varied orchestral numbers from this cruelly comical bonfire of the vanities can be presented in concert with greater flexibility. / Date parution : 2022-04-05/ Répertoire / Ensemble de Chambre
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Canons classiques: Vocal Tutor
Chamber Orchestra
EMB (Editio Musica Budapest)
'...The present collection has been conceived right from the outset so as to for...
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'...The present collection has been conceived right from the outset so as to form an organic component of and a supplement to the teaching of solfeggio. The original text and their relevant translations have been omitted with the intention that the pedagogical aim namely that which is achieved through solmization could be proprely emphasized. There is hardly any need to recommend these pieces for cultivation. Luckily enough solfeggio has become so wide-spread and in particular singing canons has gained such popularity that its praise would suggest an irony of the same kind as Erasmus' eulogy of foolishness. Nevertheless it cannot be left unsaid how immensely this domaincontributes to raising the musical standards of the greatest number of people possibile.' (Antal Molnár)
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Concerts Royaux (COUPERIN FRANCOIS)
Chamber Orchestra
[Score and Parts]
Barenreiter
Par COUPERIN FRANCOIS. Couperin Concerts royaux 1722 (Score
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Jim Stephenson: there are no words: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Stephenson Music
Chamber Ensemble - Set
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Music For Here Basson Alto Et Vlc Partition Et Parties
Chamber Orchestra
Salabert
/ Musique De Chambre
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Peter Bruun: Where A Summer Suddenly Arises: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
Danish text by Inger ChristensenFor soprano flute and guitar
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Präludium Und Choral Op. 63/2
Chamber Orchestra
Doblinger
Ob 2Vl Va Vc (Kb) / Musique De Chambre
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Präludium Und Choral Op. 63/2
Chamber Orchestra
Doblinger
Ob 2Vl Va Vc (Kb) / Musique De Chambre
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