Everything You Need to Organize Your Choral Program-Who knew that when you set out to be a choral conductor that your life would be completely filled with so many other activities and a plethora of roles other than just conductor? One of the main jobs of a choral director is that of a juggler... or a multitasker in the contemporary vernacular! The only way to survive and thrive in this world of music is to keep yourself organised. In The Perfect Choral Workbook: Everything You Need To Organize Your Choral Program by Timothy Seelig you will find the tools to organise your choral program and your career. There are over 40 forms and lists on the CD-Rom with printable PDF and Word files that willassist you with a range of tasks such as making sure you are in the right place possessing the necessary tools and cultivating magic in your music program. This workbook provides the necessary tools to help you tailor the forms to your specific program.

Par GRIFFIN MICHAEL. Bumblebee! Rounds and Warm-ups for Choirs is more than just a wonderful collection of 130 choir exercises including 50 rounds. Michael Griffin, who has taught and consulted throughout the world, shares timeless wisdom to help you get your choir into shape. 'Will prove useful for almost everyone” -Rhinegold Music Teacher Magazine. 'This is a great resource to add to one's library of rehearsal tricks.' - Anacrusis, ACCC, Canada 'Bumblebee contains excellent new ideas and extensions on some of those well-known warm-ups that we all love to use. Backed by clear explanations of the purpose of each, it is a must have, particularly for less experienced choral directors.” - S Turner, PLC, Sydney. 'Vocal physiology, singing pedagogy, and effective vocal examples to practise are excellently combined in Bumble Bee, making it a kind of 'one stop shop' for singing teachers and choir conductors. The vocal work is fun with music examples ranging in difficulty, catering for a variety of vocal contexts. The rounds are invaluable in themselves, offering participants many opportunities to make beautiful music. I even use some of these vocal exercises with my tertiary drama students, as they encourage vocal health and illustrate how the vocal mechanism works. I would highly recommend this resource to anyone who cares about voices and loves to sing well!” - S. Chapman, QLD 'This is really good stuff for all kinds of vocal groups, choirs, conductors. Bravo!!' - Harrie Spronken, Netherlands. 'This is the thinking person's guide to training a choir! Love it.' - Margaret May, Australia. 'It's great to have some fresh warm-ups to add to the repertory. Being short and repetitive by their nature, we need lots of different ones and most of these are new to my choir. The tips for actions and techniques etc. are really useful, and the advice at the back of the book has made me review some of my strategies.' - Philip Duffy, UK./ Méthode / Choeur

A musical celebration of children's rights for narrator choir and ensemble/backing tracks.It's easy to learn once heard not easily forgotten funny yet serious lighthearted yet touching: a parable of our times and for our times.The chorus of 'Jake And The Juveniles' would have a very good chance of winning the annual Doveton Talent Contest if only they could get Jake out of bed in the morning. But even when they do down at the shelter where they rehearse they are met by the demolition men and then the blank face of bureaucracy.Although they are close to despair this is where with his unexpected arrival on the scene the Right Genie comes in very handy. But instrumental though the genie is in pushing for the rights of our hero and the Juveniles he also encourages Jake to look beyond his own immediate problems however important they may seem to a world where children have more pressing needs than his.This Piano and Vocal score comes with chord symbols throughout and includes the full text plus 2 CDs containing demos and backing tracks for rehearsal or performance. Lyric sheets for Jake And The Right Genie are also available as free downloads with this book at www.hybridpublications.com.

The Coming Of Christ was a Mystery Play written by John Masefield in 1927 at the request of the Dean of Canterbury Cathedral based on the Christmas story. Holst's incidental music was composed at the sametime and published separately in 1928. Gustav Holst (1874-1934) was an English composer and teacher. Having studied under Stanford and Parry he became a close friend of Vaughan Williams they would oftencritique each other’s work and influenced composers such as Tippet and Britten. He is best remembered for his Planets suite.