SKU: WD.080689676024

UPC: 080689676024.

This smorgasbord of favorites serves up some sing-able settings fromA trusted arranger Marty Parks.A Designed primarily for senior choirs, Well-Seasoned Praise is also appropriate for small choirs or large choirs with limited rehearsal time.A A Two versions of optional narrationA are included:A one for use prior to each song as a simple spoken set-up in worship when the songs are used separately, or another version for using the songs as a complete musical - perfect as a spring worship concert, a dinner on the grounds homecoming (recipes included!) or other similar events.A A bonus 3-song patriotic musical is also included making this book a resource you'll use time and again!

Features songs perfect for small choirs, senior choirs and large choirs with limited rehearsal time. Includes mini patriotic musical. Perfect for summer camp meeting style events. Features recipes.

SKU: HL.49045978

ISBN 9783795711870.

Georg Kreisler equals scathing, dark black humour on the piano! The Singphoniker have arranged Georg Kreisler's best known songs for all-male ensemble and recorded them on CD. Schott now publishesthe corresponding music edition for mixed choir SATB with piano accompaniment. The topics range from the poisoning of pigeons to thelove of a wonderful woman to a tribute to the triangle. These pleasant arrangements for mixed choir SATB and piano with Kreisler's humorous texts most certainly create an exuberant atmosphere in the concert. All pieces contained in this volume are also available in separate editions. Content text: Tauben vergiften im Park Warum Sie ist ein herrliches Weib Das Triangel Das Tigerfest Please, shoot your hasband.

SKU: HL.49042434

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.