The Wounds was expertly composed by British composer James Whitbourn for SATB chorus Speaker Violin Cello and Organ. This selection include Cello Organ and Violin parts.James' international reputation as a composer began very early on as a programme maker at the BBC.?The Wounds is intended as a devotional work and is best heard in the context of a liturgical event in - orclose to - Passiontide. Each section continues from the previous one without pause to create a seamless whole.? James Whitbourn

Instrumental Accompaniment Set-Instrumentation Includes: Picc 2Fl 2Ob 2Cl 2 Bsn Contra Bsn 4 Hns 2 Tpts 3 Trombones Tuba Violin I & II Viola _x000D_Cello Contra Bass 2hp 3 Timp Organ String Count (12 12 8 6 4)._x000D_Regarding The Harp Brahms Specifically Stated: ' At Least Doubled'_x000D_Also Although The Standard String Set Of Parts Is 12 10 8 6 4 Brahms_x000D_Scoring For Violin Ii Indicates It Should Be Of Equal Strength With_x000D_Violin I. Therefore Two Additional Violin II Parts Are Included.Full Score Available: (Hmb145a)String Supplemental (Hmb145s):8-Violin I 8-Violin II 5 Viola 4 Cello 4 Bass.Can Only Be Sold As A Set String Parts Not Available Separately.

Kantate Zum 23. Sonntag Nach Trinitatis, Bwv 139, 1724. Par BACH JOHANN SEBASTIAN. Bach's chorale cantata with its opening text 'Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen” (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout - this is followed by a lively tenor aria 'Gott ist mein Freund” (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria 'Das Unglück schlägt auf allen Seiten” (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello./ Répertoire / Chœur Mixte et Piano

Violin 1-First Urtext edition based on Georg Philipp Telemann Musical Works.An attractive addition to the repertoire with a view to the Telemann Year 2017.Bilingual Foreword (Ger/Eng).Uncluttered idiomatic Piano reduction.Full score and parts (BA5897) and vocal score (BA5897-90) available for sale.Chorale settings form a central part of Telemann?s ?uvre. His 1754 setting of the church hymn Christus Der Ist Mein Leben based on Melchoir Vulpius? melody from the Hamburg Hymnal is especially well-suited to display his mastery in depicting the words of the chorale. The so-called ?Ausfüllungsbass? (a vocal bass added tothe principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg?s churches.This is the first Urtext edition of this highly successful chorale setting which is based on Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part.

SATB-Anne Herring's Easter Anthem for SATB choir. Vocal score.The hand-written Orchestration contains a Conductors Score and parts for: Flute Oboe Clarinet Trumpet 1 & 2 Trumpet 3 Horn 1 & 2 Horn 3 Trombone 1 & 2 Tuba Percussion (orchestra bells timpani) Rhythm Harp Violin 1 Violin 2 Viola Cello and Bass.

Doug Andrews has composed a beautiful new melody using the beloved Folliot Pierpoint text. His unique writing style that includes a touch of jazz along with a floating violin obbligato and a pensive closing amen makes this astrong addition to any choral library. Violin part included. BonusTrax CD available. Performance Time: Approx. 2:40.

Full Score for Soprano Solo SATB chorus and String Orchestra with an extra Violin part in Love's Echo and a Harp part in Many Waters and Faint With Love.

Uses: General Lent Pentecost Scripture: I Kings 19:11; Psalm 46:10 The still small voice that is the ministry of God's Spirit in our hearts is compassionately presented in this Dengler masterpiece.Folk-like piano arranging and highly emotive part writing frame this tender message with utmost sensitivity. Violin part included. Available separately: SATB SAB SSA LiteTrax CD. Duration: ca. 3:15.

Uses: CommunionScripture: John 21; Luke 14:15; John 11:25-27The winsome lyricism of this sacred song is a perfect companion to the warmth and assurance of the communion gathering. Crafted to be achoral invitation to approach the table of grace with hope the listener is encouraged to be part of the body of Christ. This easily learned anthem is nonetheless profound in its effect. Whether accompanied by the calming pianoand optional violin part or with the worshipful string consort option this anthem will leave a lasting effect.

This new edition of Gabriel Fauré's Requiem presents the work in a chamber edition for the first time. Edited and arranged by David Hill for Violin Cello Harp and Organ this score is compatible with the Novello vocal score of the same work and all other major editions. It aims to convey the original chamber-music qualities of Fauré's original scoring and will enhance performances with keyboard reductions at minimal cost. It will be of great use to chamber and church choirs without the budget or space to perform this understated masterpiece with full orchestra yet who wish to convey the rich colours and textures ofFauré's most famous work. Gabriel Faure: Requiem is scored for Violin Cello Harp Organ and SATB voices (for SATB separate parts not included). In order to perform the work choir members would require NOV072304. 'Here is a visionary publication that will solve many problems. Most important this edition will work with existing versions even down to rehearsal marks.' - Andrew Fletcher Organists' Review

Uses: Lent Holy Week Tenebrae CommunionScripture: Isaiah 53:3There is a sanguine quality to this sacred art song that is profoundly impacting to experience. The harmonic syntax is unconventionaland filled with theatrical word painting offering choirs an opportunity to concentrate on interpretation and tone quality. A soulful violin part adds depth and color. For candlelight communion or Tenebrae services thiscombination of powerful music with a classic Holy Week text is a very thoughtful choice.

This is a new setting of the much loved hymn tune Terra Beata with text by Maltbie D. Babcock. The virtuosic violin part beautifully compliments the arrangement. In a worship setting the piece has general use or whenever celebrating the power and beauty of God's creation.

Uses: General Scripture: Exodus 3:14; Song of Solomon 2:1; Revelation 22:16 This anthem is a heartfelt affirmation of the vastness and the intimacy of our understanding of God. Visiting the names of God the author pens a personal testimony that is set to an attractive folk-like melody. Useful in many types and styles of worship services here's an accessible yet praiseworthy addition to the sacred repertoire. Violin part included.

from Pete's Dragon-From the live action remake of Pete's Dragon this exuberant song by violinist Lindsey Stirling featuring Andrew McMahon in the Wilderness portrays the playful sense of youthful adventure in a song that choirs will enjoy performing. The included violin part is slightly simplified for a student or community player.

An incredible message of mission is proclaimed in this uplifting and engaging song arranged by James Koerts. Includes optional flute and violin parts which will add an fresh element of color and excitement to this outstandingrendition. Available separately: SATB BonusTrax CD. Duration: ca. 3:00.