SKU: WD.080689651175
UPC: 080689651175.
In America, created by Joel Lindsey and arranged by Daniel Semsen, is the new patriotic celebration of the freedom we enjoy as Americans, and the rich spiritual heritage that is ours. Being able to call ourselves Americans is a privilege that we must cherish, an honor we must carry, and a gift we should never take for granted. We must always remember the sacrifice and service of all those who gave so much, real life heroes who made living in freedom in this great land possible—a nation where we can celebrate our liberty and worship our God freely. Filled with songs of perseverance, allegiance, gratitude and commitment, In America will light fires of patriotism and thankfulness in every listener through songs with familiar, timeless lyrics and new, compelling songs from Joel Lindsey. From We Are the Free, a song dedicated to the brave soldiers who fight to make us free, to the scripture-inspired lyrics of America on It’s Knees, and the powerful medley of Battle Hymn of the Republic with My Country, ’Tis of Thee and America, the Beautiful, In America reminds us of what makes this country so beautiful and what keeps us standing… brave individuals who are willing to fight for and protect our freedom, the sovereignty, glory and truth of our God, and our liberty to worship Him wholeheartedly in this country that we call home.
SKU: HL.48025402
UPC: 196288201038.
Short motet commissioned by St DominicÂ’s Sixth Form College, Harrow-on-the-Hill, UK, to celebrate its 40th anniversary. MacMillan chose a text which is entirely appropriate to young people about to be let loose on the world to fulfil their potential: 'Be who God meant you to be and you will set the world on fire'. But where another composer might have made this a fanfare MacMillan writes with the gentleness of sincerity. The music is very straightforward and in wanting a solo soprano line he outlines all the ways this can be achieved: soloist, group of sopranos, or all the sopranos if the altos can be split into two. The choir repeats the mantra text above throughout the motet, while the soprano solo line is given the prayer which follows. Only at the very end do they all join together in the words 'Jesus, love, Jesus, love' with a lovely E major ending.
SKU: CA.5136105
ISBN 9790007110918. Key: E flat major. Language: Latin.
Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score available separately - see item CA.5136100.
SKU: OU.9780193431638
ISBN 9780193431638. 10 x 7 inches.
For SATB (with divisions) unaccompanied.
SKU: CA.5136111
ISBN 9790007224998. Key: E flat major. Language: Latin.
Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score and part available separately - see item CA.5136100.
SKU: CA.5136119
ISBN 9790007145712. Key: E flat major. Language: Latin.
Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score and parts available separately - see item CA.5136100.
SKU: CA.5136114
ISBN 9790007225025. Key: E flat major. Language: Latin.
SKU: CA.5136112
ISBN 9790007225001. Key: E flat major. Language: Latin.
SKU: CA.5136109
ISBN 9790007224981. Key: E flat major. Language: Latin.
SKU: CA.5136103
ISBN 9790007110826. Key: E flat major. Language: Latin.
SKU: CA.1036919
ISBN 9790007190569. Key: F major. Language: German/English.
The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and parts available separately - see item CA.1036900.
SKU: ST.EM7
ISBN 9790220218507.
CONTENTS A silly Sylvan (SSAAT) Ah cannot sighs, nor tears? (SSAAA (or T) B) Ah, cruel Amarillis (SST (or A)) All pleasure is of this condition (SSAT (or A) B) As fair as mourn (SAA (or T)) As matches beauty (S (or A) S (or A) TB) Change me, O heavAns (SSA (or T) B (or T)) Come shepherd swains (SSA (or T)) Despite thus unto myself (SSA (or T) A (or T) T (or B) B) Down in a valley (SSATB) Draw on sweet night (SSAA (or T) TB) Flourish ye hillocks (SST) Fly not so swift, my dear (SA (or S) A (or T) B (or T)) Happy streams whose trembling fall (SST (or A) T) Happy, oh happy he (SA (or S) A (or T) B) Hard destinies are love and beauty (SSATB) I live, and yet me thinks (S(or A) S(or A) T) I love, alas, yet am not loved (SSA (or T) B) Long have I made these hills (SSAATB) Love not me for comely grace (SAA (or T) T) O what shall I do? (SST (or A)) O wretched man (SSAT (or A) T (or B) B) Oft have I vowed (SSATB) So light is love (SSA (or T)) Softly, O softly, drop my eyes (SSAATB) Stay, Corydon, thou swain (SSATTB) Sweet honey sucking bees (SSAAB) There is a jewel (Risposta) (SST) There where I saw (SSATB) Weep, weep mine eyes (SSA (or T) TB) When Cloris heard of her Amyntas (S (or A) S (or A) A (or T) T) Where most my thoughts (SSA (or T) A (or T) T (or B) B) Ye that do live in pleasures (SSAA (or T) B) Yet, sweet take heed (SSAAB).
SKU: JK.00874
Helaman 5:9, 12, Mosiah 16:13, Alma 34:37, 1 Thessalonians 1:3, Doctrine and Covenants 20:79-80.
Arranged for mixed chorus (SATB) and piano or organ. As we remember Christ, we can be made whole.Composer: K. Newell Dayley Lyricist: K. Newell Dayley Difficulty: Medium-easy / medium-easy acc. Performance time: 3:10References: Helaman 5:9, 12, Mosiah 16:13, Alma 34:37, 1 Thessalonians 1:3, Doctrine and Covenants 20:79-80.
SKU: HL.14008369
SKU: WD.080689613234
UPC: 080689613234.
From the Gospel Collection Great God Great Praise, arranged and orchestrated by Bradley Knight, comes Worth. There is no other sound quite like an exuberant Gospel Choir, and this anthem is perfect for capturing that quintessential sound. Worth reminds us that Christ believes we were worth dying for, so we could be free and made whole.
