Rachel Steckler O'Kaine has written out the optional conga and sekere parts to aid your percussionist in creating Afro-Cuban rhythms as easily as possible. Check out the performance notes for specific notation used in the conga part. This is an extremely well-written chart worthy of your highest festival or contest considerations. Great material for better bands.

Bring back the Maynard Ferguson sound with this fast jazz/rock Pendowski original. Mike has provided an optional additional trumpet part to feature a guest soloist or to use with your own resident screamer. A great chart for festival or contest!

The Hal Leonard Jazz Combo Paks are a versatile and inexpensive way to put four fantastic charts in front of your high school or college combo. The flexible instrumentation provides many options for covering the parts; the arrangements are absolutely top notch; and you will never find a better value.Instrumentation:Line 1 (lead or harmony): Alto Sax Trumpet Soprano Sax Clarinet Flute VibesLine 2 (lead or harmony): Alto Sax Bari Sax Trumpet Soprano Sax Clarinet TromboneLine 3: Bari Sax Tenor Sax Trumpet TrombonePak #1 includes: On Green Dolphin Street; Killer Joe; My FunnyValentine; Bernie's Tune. (Note: This pak does not include a CD.)

Straight ahead Bb blues scored for big band with the brass section playing the head against a sax tutti. Solo changes are written in the tenor trumpet and trombone parts with room for additional solos.

POD-Chamber Symphony 'Once One Has Left' by Peter Bruun (2016). Written for Athelas Sinfonietta Copenhagen and conductor Casper Schreiber.

This chart is written in a fast samba setting with flute trumpet and guitar lead on the head. An open drum solo and a hard-driving ending keeps this one smoking all the way. Optional 8va's can lower this to a grade 3.

Alice In Wonderland is a score in three main sections inspired by a short film of the same name from 1903 by Hepworth and Stow. For Flute Clarinet Violin Cello and Piano. Composed and published 2015. Duration: 9' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex with funding support from The RVW Trust and Arts Council England. Premiere: Rowland Sutherland (Flute) Fiona Cross (Clarinet) Katie Stillman (Violin) Michael Atkinson (Cello) Richard Casey (Piano) University of Sussex 24th September 2015.

Nat King Cole's 50s classic is beautifully scored here by 'Tooth and features solo bone and tenor against a rich harmonic background. Very reasonable ranges with no changes needed. Highly recommended!

Hot-hot-hot may be the best way to describe Ken's new arrangement of this old jazz classic. Written in a driving three the piece starts off with bass alone and gradually adds the rest of the band. A great groove with a wonderful opportunity for your tenor to shine.

This piece was inspired by a photograph of jazz clubs on New York’s 52nd Street in the late 1940s. It has the sound and feel of some of the great standards of that era and incorporates elements of the classic big band style with bebop. Tenor sax has a written solo and changes. Along with the performance applications there are plenty of teaching opportunities in this one. (2:15)

Score and Parts-Alan Hovhaness' The Flowering Peach suite from Clifford Odets' musical retelling of the legend of Noah's Ark which opened on Broadway on December 28 1954.This suite from the incidental musicfor the play occasionally quotes complete movements from the actual stage production. In other places it presents a logical expansion of the music which in its shortened form fitted into specifically-timed scenes within theplay.Instrumentation: Alto Saxophone Clarinet Vibraphone Tam-Tam Timpani Piano and Harp.

Featuring a Basie-style piano part that's written out on the opening chorus this blues settles into a very nice groove with the saxes featured much of the time. None of the parts are overly demanding and the ranges are very comfortable. An excellent blues recipe!

Check out this tasty setting of an old standard. It features an alto solo on the intro then settles into a nice bossa groove. The solo section is double time for an added kick with the bones playing the familiar melody in the background. Great writing!

Consider this great Frank Mantooth original for your contest or festival repertoire. The opening trumpet/bone chorale is an excellent intro before the up-tempo samba beat takes over. Frank features a small combo of tenor trumpet and bone on the head which should give you plenty of options for your solo section. Powerful block scoring sets up your drummer for some hot fills throughout. This pro-sounding chart has very reasonable range demands. A festival winner!