SKU: SU.29020040
In 3 movements (Funkoso Sabroso, Weird Fishes from the Güaire River in Traffic, Magalenha?) Fun, vibrant, rhytmically active piece for a large flute choir. Scored for 20 individual flutes.Flute Choir Duration: 16' Composed: 2014 Published by: Distributed Composer.
SKU: SU.29020041
In 3 movements (Funkoso Sabroso, Weird Fishes from the Güaire River in Traffic, Magalenha?) Fun, vibrant, rhytmically active piece for a large flute choir. Scored for 20 individual flutes.Flute Choir Duration: 16 Composed: 2014 Published by: Distributed Composer.
SKU: HL.44013279
Peter Kleine Schaars has selected four well-known songs from the film musical The Sound of Music and arranged them into a wonderful medley.Instrumentation: Piccolo, 3 x Flute in C, Alto Flute, Bass Flute.
SKU: BT.DHP-1094838-070
ISBN 9789043133067. 9x12 inches.
Peter Kleine Schaars has selected four well-known songs from the film musical The Sound of Music and arranged them into a wonderful medley.Instrumentation: Piccolo, 3 x Flute in C, Alto Flute, Bass Flute Ein Medley aus vier Titeln aus dem gleichnamigen Musical für die Besetzung: :Piccolo, 3x Flöte in C, Altflöte, Bassflöte. Medley di quattro brani estratti dal musical The Sound of Music.
SKU: SU.90880170
Instrumentation: Flute Choir (picc, 5 fl, 2 afl, bfl, cafl, cbfl) Duration: 7'30 Composed: 2015 Published by: Subito Music Publishing.
SKU: SU.50021640
Copyright 1988. Published by: Seesaw Music.
SKU: RM.JOPL05650
ISBN 9790231056501.
SKU: WN.OR004B
ISBN ISMN 9790570743766.
1.7.16 was commissioned by The Hamilton Flute Band to commemorate the 100th anniversary of the Battle of the Somme, and was premiered in St Columb’s Cathedral, Londonderry on 1st July 2016. This new version for flute choir was written for The Woodbridge Flute Choir, Virginia, USA, in 2024. The piece takes some of its ideas from musical elements already connected to the story, from the signalling bugle calls that might have been used in battle, to hints of one of the March tunes that the band still use today. 794,628 lives were lost in the Battle of the Somme, a chilling statistic. These numbers are also woven into the music, colouring the choices of intervals, harmonies and chords, and building the central themes, including the slow march to the trenches, where the uncomfortable juxtaposition of 7ths and 9ths is used as a motif over the solo flute theme before the screeching whistle signal to go over the top. One of the musical elements central to the piece is the bugle call for Assemble which is used as an enthusiastic call in the opening, then to give unity to the chilling fear of the trenches on the eve of the battle, and finally to lead into the Commemoration of the final section, as those in the Cathedral 100 years later became part of the story as they assembled to commemorate the huge sacrifice made.
