(G-C-D-Em). Par . Impress yourself and your friends by playing this second volume of fifty more great songs with only four chords! Songs include: Body like a Back Road (Sam Hunt) ? Closer (The Chainsmokers feat. Halsey) ? Despacito (Luis Fonsi

Brazil has produced some of the most vibrant and exciting guitar music in the instrument's history. In this lesson Rick Udler discusses and demonstrates styles techniques and rhythms of Brazil's great players. This is a uniqueopportunity for guitarists to delve into the beautiful sounds of this musical land. Rick begins by going over chords that are commonly used by Brazilian guitarists. He then teaches the accompaniment to singer/songwriterGilberto Gil's beautiful composition 'A Paz' to illustrate the use of chords with open strings. A step-by-step analysis of Bossa Nova accompaniment in the João Gilberto style follows along with suggestions on how to develop abetter feel for this sophisticated syncopated groove. The solo guitar rendition of the Antonio Carlos Jobim/Newton Mendonça classic 'One Note Samba' will be a welcome addition to many players repertoires with it'srhythmic drive and rich harmony. Samba rhythms are then explored with examples that are sure to enhance one's groove and arsenal of techniques. Rick also gives examples of inner string movement which will prove invaluable to thoselooking for ways to generate more excitement and authenticity in their comping. A sambified version of 'Happy Birthday' demonstrates how to apply these techniques to a familiar tune and make it sound fresh.And to provide an evengreater challenge for all players Rick gives a detailed analysis of his tour de force solo guitar piece 'Amigo Paulo' composed as an homage to his friend guitar legend Paulinho Nogueira (1927-2003). This tune with it's choroinfluences incorporates many of the techniques Rick learned directly from the master and is sure to provide much musical food for thought for players who are looking for innovative new colours and textures to add to their playing.

This collection presents for the first time the complete Mazurkas of Frederic Chopin arranged for solo Classical Guitar. The Mazurka is the only form the composer embraced throughout his lifetime. Thedistinctive and personal pieces are unimaginably varied and colorful ranging from brief and vigorous dances to deep and complex extended works. Always achingly melodic and featuring surprising harmonies not evident in his othercompositions the Mazurkas are a true monument to Chopin's genius. These new arrangements were prepared with rigorous fidelity to the originals while never sacrificing true playability. Careful attention to every detail ofexecution combined with thorough notes on each piece and the folk dance tradition that inspired them to make this unique offering truly user-friendly. Musically beautiful idiomatic and accessible this monumental collection is abreathtaking addition to the guitar repertoire. Written in standard notation only. Includes access to online audio.

Don't Ever Let Nobody Drag Your Spirit Down-Eric Bibb was raised in the folk tradition the son of the folk singer Leon Bibb. Bibb?s uncle was the world-famous jazz pianist and composer John Lewis part of the Modern Jazz Quartet. Bibb was raised in a music-filled household as family friends in the 1950s and 1960s included Pete Seeger Odetta Bob Dylan and the late Paul Robeson who was named Eric?s godfather. Bibb got his first steel guitar at age seven and he got some advice from Dylan that he never forgot to ?keep it simple forget all that fancy stuff.? When he was 16 his father asked him to play guitar in the house band for his TV talent show Someone New.In 1970 Eric left New York City forParis where he met with guitarist Mickey Baker. There he began to focus on blues guitar and after moving to Stockholm he became enamored with prewar blues. A breakout performance at the 1996 London Blues Festival catapulted Eric to a higher level of visibility. Since then he has toured the world performing at concert halls and major festivals. He has toured with Robert Cray Keb Mo Corey Harris and even opened shows for Ray Charles.Eric earned a Grammy nomination for his collaboration (with Taj Mahal and others) on the children?s record SHAKIN? A TAILFEATHER. His album PAINTING SIGNS was recognized by New Age Voice as a Finalist for Best Folk Album of 2001. He joined Maria Muldaur and Rory Block to record the gospelflavored SISTERS & BROTHERS and then released FRIENDS a collection of duets with Taj Mahal Odetta and others. He has been nominated for many W.C. Handy Awards in a variety of categories. Eric?s rich and sensitive vocals and lyrics provide a perfect balance to his fine fingerpicking technique. Purveying a beautifully realized and deftly accomplished soulful folk-blues Eric has no problem blending various genres effortlessly melding a traditional rootsy American style with a subtle contemporary sensibility.

Limp Bizkit Behind Blue Eyes Colbie Caillat Bubbly Pink Dear Mr. President Norah Jones Don't Know Why The Bangles - Atomic Kitten Eternal Flame The Police Every Little Thing She Does Is Magic Ronan Keating Father And Son Uncle Kracker Follow Me Sting Fragile Jeff Buckley Hallelujah Plain White T'S Hey There Delilah James Brown I Feel Good John Lennon Imagine Israel Kamakawiwo'ole Over The Rainbow Billy Joel She's Got A Way Robbie Williams