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George Gershwin Guitar
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Summertime (Gershwin) for solo fingerstyle guitar
Summertime (Gershwin) for solo fingerstyle guitar
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George Gershwin
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Daryl Shawn
Embraceable You: Guitar
Embraceable You: Guitar
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George Gershwin and Ira Gershwin
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Embraceable You: Guitar Chords
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International artists :
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Jazz Masters Play Gershwin
Guitar
Classical guitar
Hal Leonard
(Hal Leonard Solo Guitar Library). Composed by George Gershwin (1898-1937). For ...
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(Hal Leonard Solo Guitar Library). Composed by George Gershwin (1898-1937). For Guitar. Guitar Solo. Softcover. 72 pages. Published by Hal Leonard
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Preludes 1-3
Guitar
Chanterelle
Guitar SKU: PR.ECH0704 Composed by George Gershwin. With Standard notatio...
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Guitar
SKU: PR.ECH0704
Composed by George Gershwin. With Standard notation. 8 pages. Chanterelle #ECH0704. Published by Chanterelle (PR.ECH0704).
UPC: 680160676842.
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Prelude II
Guitar
Editions Marc Reift (Swiss import)
Composed by George Gershwin (1898-1937). Arranged by Colette Mourey. Duration 3'...
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Composed by George Gershwin (1898-1937). Arranged by Colette Mourey. Duration 3'15. Published by Editions Marc Reift (MA.EMR-26051).
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Gershwin for Guitar (GERSHWIN GEORGE)
Guitar
Faber Music Limited
12 iconic songs arranged for solo classical guitar. Par GERSHWIN GEORGE. This dy...
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12 iconic songs arranged for solo classical guitar. Par GERSHWIN GEORGE. This dynamic collection brings together 12 of Gershwin?s iconic songs arranged for solo classical guitar by the late John Duarte. Suitable for classical guitar players from intermediate to advanced level, this unmissable compilation is complete with a unique foreword containing insights from the acclaimed guitarist himself. Including online audio of each piece available to download. / Date parution : 2023-03-11/ Recueil / Guitare
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Best Of Ch Gershwin G. (GERSHWIN GEORGE)
Guitar
[Sheet music]
Carisch
Transcriptions For Guitar By G.Marazza. Par GERSHWIN GEORGE. / Répertoire / Gui...
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Transcriptions For Guitar By G.Marazza. Par GERSHWIN GEORGE. / Répertoire / Guitare
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George Gershwin: Jazz Masters Play Gershwin: Guitar Solo: Instrumental Album
Guitar
Hal Leonard
Hal Leonard Solo Guitar Library-Jazz Masters Play Gershwin contains note-for-not...
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Hal Leonard Solo Guitar Library-Jazz Masters Play Gershwin contains note-for-note transcriptions for ten pieces by the American composer George Gershwin arranged for solo Guitar by some of the best-known jazz guitarists of our time including Kenny Burrell Joe Pass Johnny Smith and more. This songbook includes the favourites But Not For Me Embraceable You A Foggy Day I Got Rhythm Someone To Watch Over Me Summertime and more.
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The Classical Guitar Collection
Guitar
Classical guitar
[Sheet music]
-
Intermediate/advanced
Amsco Wise Publications
A selection of George Gershwin's most succesful and best-loved pieces specially ...
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A selection of George Gershwin's most succesful and best-loved pieces specially arranged for Classical Guitar. Presented in standard notation, the volume includes an exclusive CD of demonstration recordings of all 17 pieces. / Guitare Classique
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Dvd Sokolow Gershwin Songbook
Guitare
Grossman's Guitar Workshop
George et Ira Gershwin belles chansons sont des standards de jazz intemporels, e...
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George et Ira Gershwin belles chansons sont des standards de jazz intemporels, et ils paraître beaucoup à la guitare. Dans ce DVD, Fred joue et enseigne six accords complètes de Gershwin, y compris les solos de guitare chord sauvegarde et instrumentale pour chaque morceau. Cette leçon vous aidera jouant certains des airs jazz plus classe jamais écrits ! / Guitare
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Gershwin Collection+Cd (Morgen (GERSHWIN GEORGE)
Guitar
[Sheet music + CD]
Warner Bros.Publications
Arrangeur: H. Morgen. Par GERSHWIN GEORGE. by Howard Morgen. 16 classic Gershwin...
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Arrangeur: H. Morgen. Par GERSHWIN GEORGE. by Howard Morgen. 16 classic Gershwin standards in sophisticated solo guitar arrangements exactly as recorded by Howard Morgen in standard notation and tab./ Répertoire / Guitare
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Barrientos C. - Mambo For Mo - Guitare
Guitar
Classical guitar
Editions Orphee
The composer says: Several musical threads led to my writing this piece of musi...
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The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.
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Barrientos C. - Periwinkle Memories - Guitare
Guitar
Classical guitar
Editions Orphee
The composer says: For years, my fellow guitarists have been asking me to compo...
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The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles?the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won?t kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, ?One man?s remorse is another man?s reminiscence.? Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bes
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Carlos Barbosa-Lima: Carlos Barbosa-Lima Favorite Solos: Tenor Saxophone:
Guitar
Mel Bay
In this outstanding video recital Brazilian concert guitarist Carlos Barbosa-Li...
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In this outstanding video recital Brazilian concert guitarist Carlos Barbosa-Lima takes the listener on a musical journey through Brazil The Caribbean North America and the Hawaiian Islands including works byEuropean masters from France and Spain.Maestro Barbosa-Lima displays the stunning musicality arranging skills and refined technique that have drawn applause from sold-out concert halls the worldover.Program: Sons de Carrihoes (Joao Pernambuco); Odeon (Ernesto Nazareth); Sambolero (Luiz Bonfa); Cochichanda (Alfredo Vianna); Aquarela do Brasil (Ary Barroso);Adios (Enric Madriquera); La Comparsa (Ernesto Lecuona); Fantasy of a Hawaiian Lullaby 'Pupu Hinu Hinu' (N. Beamer arr. by Dr. Byron Yasui); St. Louis Blues (W. C. Handy arr. J.Griggs/Barbosa-Lima); Two Ladies: One Old One New (Bobby Scott); La Alborada (Francisco Tarrega); La Mariposa (Francisco Tarrega); Golliwogg's Cakewalk (Claude Debussy); I Got Rhythm(George Gershwin); Las Abejas (Augustin Barrios); Ja-Da (trad. arr. J. Griggs/Barbosa-Lima); and Seis Milongas from Suite Antillana (Ernesto Cordero).Many of these selections were arranged byCarlos Barbosa-Lima and include unusual techniques such as double harmonics and Hawaiian slack-key effects.
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Woody Mann Martin Taylor: World of Fingerstyle Jazz Guitar: Guitar: Instrumental
Guitar
Grossman's Guitar Workshop
Records by Charlie Byrd Lenny Breau George Van Eps Laurindo Almieda and Joe ...
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Records by Charlie Byrd Lenny Breau George Van Eps Laurindo Almieda and Joe Pass have set a very high standard for solo fingerstyle jazz guitar and it is from this vantage point that the solo flights of Taylor Crook Nichols Baker and Mann take wing. Each player has developed a distinctly different approach to interpreting and writing jazz for solo guitar by listening intently to numerous other musicians and composers - pianists horn players bassists and singers as well as many guitarists in jazz blues and other styles. What distinguishes them from more traditional jazz guitarists (who more or less function in a linear voice in an ensemble) is their abilityto play (or imply) all aspects of music - rhythm chords bass and melody - without accompaniment. Their performances not only demonstrate their technical brilliance and imagination they are a testament to the enduring power and beauty of jazz guitar in its current evolution as a major instrumental force in American music.Martin Taylor: Shining Stockings My funny Valentine Just Squeeze Me Tommy Crook: Melody Of Birdland All The Things You Are It Had To Be You Wave Jim Nichols: Can't Take That Away From Me East Of The Sun Taste Of Honey Here's That Rainy Day Duck Baker: Back Home in Indiana Forty Ton Parachute Out Of The Past Seven Point One Woody Mann: Mr. Guitar Uptown Tales Gypsy Girl Cat Burglar
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Dvd African Fingerstyle Guitar John Low
Guitar
Grossman's Guitar Workshop
L'âge d'or de la guitare fingerpicking africaine a eu lieu dans les années 50 ...
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L'âge d'or de la guitare fingerpicking africaine a eu lieu dans les années 50 et les années 60. Les grands joueurs et artistes de cette époque sont entre autre Jean Bosco Mwenda et Losta Abelo du Zaïre et George Mukabi du Kenya.Les guitaristes d'autres régions du monde ont rarement eu la chance d'apprendre leurs chansons et leurs techniques de jeu. Sur ce DVD John Low, qui a vécu, travaillé et étudié avec les musiciens africains, y compris ceux cités ci-dessus, enseigne leurs arrangements. Il y a quelques liens intéressants avec des modèles américains de guitare mais il y a tout autant de différences, y compris des rythmes empruntés à la musique africaine traditionnelle.La technique d'African Fingerstyle est habituellement accompagnée de rythmes joués sur une bouteille. John Low est accompagné sur ce DVD de Frans Maathuis et de Keith Jackman sur des bouteilles. . / Guitare
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Modern Times - The Series
Guitar
Classical guitar
Chanterelle
/ Guitare
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Electric Blues and Rock Guitar: Guitar: Instrumental Tutor
Guitar
Mel Bay
The 1960's and 70's Bk/3 Cds-Electric Blues and Rock Guitar - The 1960s and 70s ...
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The 1960's and 70's Bk/3 Cds-Electric Blues and Rock Guitar - The 1960s and 70s covers all the great post-war blues and early rock musicians with examples from B.B. King Albert King Freddie King T. Bone Walker Eric Clapton Van Halen Ted Nugent Jimmy Page Charlie Christian Wes Montgomery and George Benson. Taught by Fred Sokolow. This series of lessons presents the music from a wide variety of blues greats and is an excellent series to acquaint yourselfwith various blues styles and techniques. For intermediate to advanced students. As part of Stefan Grossman's Guitar Workshop Audio Series not only does this book contain valuable lessons but as an added bonus the three accompanying CDs also contain three full hours of instruction featuring note-by-note phrase-by-phrase instruction. The 56-page booklet is written in both standard notation and tablature.
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Carlo Aonzo: Alden Howard - Live At The Smithsonian Jazz Cafe: Guitar: Recorded
Guitar
Mel Bay
Widely heralded as one of the finest of a new generation of jazz guitarists How...
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Widely heralded as one of the finest of a new generation of jazz guitarists Howard Alden regards the late George Van Eps with whom he recorded four CDs in the 1990s as one of his most important professionalinfluences.Howard's musical depth and instrumental mastery are clearly apparent in this concert recorded at the Smithsonian Jazz Café in Washington D.C. on January 27th 2006.Features: Jon Burr on Bass and Rob Garciaon Drums join Howard on a rich selection of jazz favorites with the beautiful voice of Terrie Richards Alden featured on Gone With the Wind.
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12 Songs For Guitar
Guitare
Classical guitar
Schott
/ Guitare
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