SKU: BP.HB570
Written for 3 to 5 octave handbell choir and optional 3 octaves of handchimes. Level 3. Patrick Meyer makes his debut in the Beckenhorst catalog with this upbeat and bouncy original work, suitable for worship or concert use. Set in a lilting six-eight time, the melody moves throughout the ensemble, giving all ringers the chance to shine. The middle section introduces a countermelody in the high treble bells, giving ensembles a chance to work on the balance of parts and musicality. The closing verse returns to the original key for its celebratory conclusion.
SKU: BP.HB517
Arranged for 3-7 octave handbell choir with optional 3-5 octaves of handchimes and optional 1-2 trumpets in B-flat. Level 3. This festive arrangement will start your Easter morning service off with a glorious statement of praise. Ranging from the celebratory to the reflective, this piece captures all the emotions surrounding the day. Add in the optional one or two trumpets for an even greater dose of pomp and joy. Sure to become a favorite of your ringers and congregation alike.
SKU: BP.HB543
UPC: 748769305430.
For 3 to 6 octave handbell choir and optional 2 octaves of handchimes. Rated level 4. Ron Mallory's original piece works well not just in concert, but also as a non-traditional choice for Easter Sunday service, or any other celebratory time during the church year. A driving, syncopated melody -- at first lightly accompanied, then propelled by malleted bells -- gives way to a gentler, reflective middle section with a melody on chimes. The initial idea returns at the end to bring the piece to a final, triumphant conclusion. A fun piece both to ring and hear!
SKU: BP.HB558
For 3 to 6 octave handbell choir and optional 1 or 2 (3) trumpets in B-flat. Level 3+. This forceful selection is the perfect way to kick off Easter Sunday! A bold fanfare gives way to the well-known Easter hymn, underscored by moving triplets. A verse in minor gives way to a final, triumphant verse to herald the resurrection of Christ. Add in the optional one or two trumpets for a larger, more celebratory sound! Trumpet parts are included in the score.
SKU: BP.HB745
Written for 3 to 6 octave handbell choir. Level 3.This original tune full of syncopations and unexpected harmonic twists is the perfect choice for any moment of celebration! Varied textures and moods abound, keeping the piece interesting, while also keeping ringers engaged. A slower middle section allows time for reflection and introspection before a return to the celebratory motif ends the piece in joyful fashion.
SKU: BP.HB410
4-7 octaves - level 4+ - - This advanced original composition starts off with grand, slow chords, but don't let that simplicity fool you -- what begins peacefully becomes an explosion of energy and motion, making liberal use of bass bells malleted on the table. The piece becomes a whirlwind of activity, carrying the listener (and, in some cases, the ringers) along on a spirited, celebratory journey.
SKU: BP.HB637
Arranged for 3 to 5 octave handbell choir. Level 2. Sondra Tucker's joyous arrangement of this Martin Shaw choral classic is accessible for ensembles at almost any level. Full chords and lush harmonies abound, adding to the celebratory air of the piece. The tempo moves along at a good clip, keeping ringers on their toes, but adding to the overall affect.
SKU: BP.HB697
Arranged for 3 to 5 octave handbell choir and o octaves of handchimes. Level 2. Patricia Hurlbutt's festive arrangement of DARWALL'S 148th is as much fun to ring as it is to hear! Joyous arpeggios give way to a chordal treatment of the theme, complete with bold and unexpected harmonies. A key change ushers in a verse underscored by delicate martellatos before a verse on the chimes accompanied by peals and arpeggios in the treble bells. A final exuberant flourish ends the piece on a triumphant note. Perfect for any celebratory moment in concert or worship!
SKU: BP.HB689
Written for 3 to 5 octave handbell choir. Level 3. A joyous, explosive opening figure gives way to a soaring melody underscored by a driving, syncopated bass line. A contrasting section sees the propulsive rhythm slow, allowing for a more expansive feel, before the opening figure returns to round the piece off in joyous, celebratory fashion. An ideal choice for worship or concert.