This book is the second volume of arrangements for the Celtic harp by MonikaMandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, followsPlayford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a 'snapshot in time'. Her workemphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, Scot Cap (Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), Jenny Pluck Pears, Remember Me My Deir, Enfield Common, The Sword Dance, and Drive the Cold Winter Away. This book is the second volume of arrangements for the Celtic Harp by Monika Mandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type ofmusic is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic Harp. Thereby, Mandelartz points out that her arrangementsconstitute a 'snapshot in time'. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, ScotCap(Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), JennyPluckPears, Remember Me My Deir, Enfield Common, The Sword Dance and Drive the Cold Winter Away./ Recueil / Harpe

15 Solos for Harp Volume 1 encompasses diverse songs and tunes from the British Isles commonly described as 'Celtic Music'. This type of music is often associated with the English publisher JohnPlayford. In the 17th century he published The English Dancing Master which contains traditional music as well as tunes of his day (up to the Renaissance).Author Monika Mandelartz a specialist in historicalperformance practice follows Playford's tradition by arranging parts of the collection for Celtic harp. Thereby Mandelartz points out that her arrangements constitute a 'snapshot in time'. Her work emphasizes the ideathat lively music always allows for change and variation - it must in order to survive. The book includes tunes such as The Duke of Lorraine's March Nonesuch Black and Grey Virgin Queen I Will Give My Love an Apple The Scots Rant Duke of Grafton's March Kettle Drum Nobody's Jig Spanish Jig Sidh Beag Agus Sidh Mor She Rose and Let Me In and Oranges and Lemons.

Evoke the traditional sounds of the Celtic lands with these instrumental arrangements of songs for solo Celtic harp. These 25 tunes are Manx Welsh Irish Scottish Cornish Hebridean and Bretton including pieces by TurloughO'Carolan and Robert Burns. Notes at the end of the book give insights into the meanings of the texts of the songs aiding interpretation and inviting you to experience the ambience of the Celtic lands through their music. Lyricsfor selected songs are given in the notes in English.