A Collection of 35 canzonettas and songs (12 English Canzonettas 2 Songs and 21 German Songs) by Joseph Haydn for Voice and Piano.

Liederzyklus. Par KOKKONEN JOONAS. Langue: Finnish, German, Format: DIN A4/ Répertoire / Voix Elevées et Piano

12 of Britten's distinctive folksong arrangements chosen specifically for student singers. Includes The Ash Grove; Early One Morning; Greensleeves; O Waly Waly; Sail on sail on; The Salley Gardens; Sweet Polly Oliver and There's none to soothe.Includes historical notes and CD with performances and Piano accompaniments for all the pieces.

21 art songs, plus 4 arias in the High Voice volume, or 3 arias in the Medium/Low Voice volume. Art song contents for both High and Medium/Low Voice: Dirge in Woods ? Old Poel ? Pastorale ? Poet\'s Song ? Vocalise ? Four Early Songs; Night ? A Summer Vacation ? My Heart Is in the East ? Alone ? Twelve Poems of Emily Dickinson (complete; original keys retained for both High and Medium/Low). Arias in the High Voice edition: Laurie\'s Song (The Tender Land) ? Martin\'s Song (The Tender Land) ? The sun is coming up (The Tender Land) ? Queenie\'s Song (The Second Hurricane) ? Arias in the Medium/Low edition: Ma\'s Song (The Tender Land) ? Fat\'s Song (The Second Hurricane) ? Gyp\'s Song (The Second Hurricane).
A Summer Vacation
Alone
Dear March, come in!
Dirge in Woods
Going to Heaven!
Heart, we will forget him
I felt a funeral in my brain
I\'ve heard an organ talk sometimes
Laurie\'s Song from The Tender Land
Martin\'s Song from The Tender Land
My Heart Is in the East
Nature, the gentlest mother
Night
Old Poem
Pastorale
Poet\'s Song
Queenie\'s Song from The Second Hurricane
Sleep is supposed to be
The Chariot
The sun is coming up from The Tender Land
The world feels dusty
There came a wind like a bugle
Vocalise
When they come back
Why do they shut me out of Heaven?
/ Partitions classique / Vocale - chorale / Voix solo - piano / BOOSEY

Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch?s Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. The firsteleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg?s ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104 /Lied aus der Ferne D 107 (1st version) / Lied aus der Ferne D

Concone Lutgen Sieber Vaccai-With over 150 vocalises this collection will be very useful for many teachers and students of singing. Includes CONCONE: Fifty Lessons for Voice Op. 9 - LÃœTGEN: The Art of Vocal Velocity - SIEBER: 36 Eight-Measure Vocalisesfor Soprano Op. 92 - SIEBER: 36 Eight-Measure Vocalises for Tenor Op. 95 - VACCAI: Practical Method of Italian Singing.

50 Songs by 29 Composers-This comprehensive collection is the best one-volume source available on the topic with a mix of familiar recital standards and intriguing material awaiting discovery. Includes composers from c. 1900 into the 21st century. Somesongs make their first published appearance in American Art Song: Gian Carlo Menotti's moving “The Old Man's Song ” Michael Tilson Thomas' inspired “Grace ” dedicated to Leonard Bernstein and AaronJay Kernis' “A Good Boy ” as well a boogie-woogie art song by the editor “Blue Monday.” The same songs appear in High Voice and Medium/Low Voice.

Hohe Stimme / High Voice-Walther Dürr one of the most distinguished Schubert-scientists publishes an addition to the new Urtext-edition of Schubert-songs in high middle and low range.

Lyrics and Ballads of Thomas Hardy-Winter Words Op.52 by Benjamin Britten is a settings collection of poems by Thomas Hardy. The book includes the poems in their original form and Britten's settings for each one written for High Voice and Piano accompaniment.

In F-Dream O' Day Jill is a delightful song from German's Tom Jones for Voice with Piano Accompaniment. This version is for High Voice in F.

Singing in English-The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual and not filled with off-putting diagrams this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language. In each volume of the series works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length starting with the words ('Text' - including a literal translation as appropriate) moving to general advice about how the song might be approached ('Notes') and thenaddressing the technical difficulties the music presents ('Skills'). Expressed in clear language Mary King's approach is direct practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.Singing in English: Even for native speakers the English language presents singers with particular difficulties. How do you manage diphthongs for example? How do you make consonants clear without spoiling the vocal line? How do you make sense of the story-telling in a strophic folksong? These issues and more are covered in this book which contains songs with texts in the English language from Britain and elsewhere.