Explore the exciting world of “mambo” with this Michael Philip Mossman original commissioned by the Delavan-Darien (WI) H.S. Jazz Ensemble. A variety of moods and meters are used and there is solo space for duelingalto saxes trombone and trumpet. The angular melody and quartal harmonies give this one a distinctive sound ensuring that your players will have a ball.

Jazz Ensemble Library – Grade 4Jazz giant Ray Bryant penned this classic mambo and Michael Philip Mossman provides a dynamic setting for jazz ensemble! Fully notated rhythm section parts guarantee an authentic andconvincing groove while the band focuses on the spicy hot ensemble passages. With solos for trumpet and alto and an ensemble chorus that grows with intensity layer by layer this is one of those charts you'll never get tired ofplaying.

Written for and recorded by Mario Bauza Michael Philip Mossman adds his own unique flare to this Dizzy Gillespie Latin jazz classic. Featured soloists include trumpet (of course) as well as trombone and alto. A great showcase for the entire ensemble!

In the able hands of master arranger Michael Philip Mossman this popular standard from the 1930s takes on new life. Using a mix of cha-cha and mambo styles this marvelous arrangement becomes a solo vehicle for tenor sax alongwith ample space for the full band to shine. Throughout this chart is loaded with impact and attitude!

Arr. Michael Philip Mossman. Par GILLESPIE DIZZY. / Niveau : 4 / Répertoire / Jazz Combo

In Tempo, sur l'album du big band Lumière Yesternow était la deuxième partie d'un arrangement que j'avais écrit sur un thème signé Miles Davis, Tout de suite. J'ai eu par la suite le désir de faire cette partie une pièce autonome. C'est ainsi qu'elle est devenue In Tempo. Elle est presque entièrement écrite. Le conducteur est ainsi pratiquement une partie de piano dont il est difficile de s'éloigner, de même qu'il l'est de juxtaposer plusieurs instruments harmoniques. J'ai employé ici une technique de composition que j'utilise rarement, en tout cas de façon aussi systématique. La trame harmonique consiste en une suite d'accords de trois ou quatre sons à basse étrangère, qui s'enchaînent le plus souvent de façon arbitraire. On ne trouvera donc aucune logique tonale ou modale. Le solo (par Philippe Sellam au saxophone alto sur Yesternow et Flavio Boltro sur In Tempo) est rendu assez ardu par ce système. C'est pourquoi la partie de soliste reproduit purement et simplement le conducteur. Il ne faut surtout pas essayer de coller à chaque accord, mais tâcher de jouer le plus librement possible sur ces fonds un peu complexes. (Laurent Cugny) / Big Band / Partition

Composed as a tribute to jazz great Horace Silver this chart is set in a moderate cha-cha groove and includes marvelous melodic lines and outstanding ensemble writing. Also included is a brief double time section and solo for tenor sax.

Here is a hip-sounding modal ?chacha? that combines the classic Latin rhythm with sophisticated modern jazz sounds. With crafty ensemble lines solos for tenor and trumpet and carefully notated rhythm section parts this will be a great addition toany bands library!

Composé par le maître du jazz latin Ray Baretto ce cha-cha-cha attrayant se tourne autour d?un groove modéré et d?un thème très mélodique. La richesse de l?instrumentation est magnifiquement démontrée de façon équilibrée avec la mise en valeur des registres individuels et de la puissance de l?ensemble en entier. Une section réservée aux solistes est accordée au saxophone alto puis à la trompette et au trombone.

Young Jazz ensemble-Recorded by Bruno Mars this contemporary rock tune is actually a throwback to an earlier time reminiscent of James Brown.Featuring an energetic pulse that never quits along with a catchy melody this chart is destined to become a showstopper! The solo section includes options for alto trumpet or trombone.

With an aura of mystery and a sneaky medium swing style this original from the pen of Michael Mossman features skilled and effective writing for the entire ensemble. The trumpet section is featured at the top and there areflexible options in thesolo section.

Utilizing a unique blend of swing styles at various tempos this marvelous composition can certainly be a focal point of any festival or contest program. The scoring is varied and impeccable and there is flexible space for solosas well as exciting full ensemble passages.

Written in a driving Latin feel this energetic original features biting melodies edgy harmonies and even foot stomps and hand claps. Including a solo for tenor sax and plenty of powerful ensemble writing this is certain to be an exciting addition to your repertoire.