24 Classical Songs for Young Women Age 1 to Mid-Teen Low Voice-24 Classical Songs for Young Women Age 10 to Mid-Teen Low Voice. Joan Frey Boytim a nationally recognized expert on teaching the young voice has compiled this collection especially for young women singers. The 24 songs - exellent literature for the young classical singer - have been chosen not only for the vocal ability of pre-teens and young teens but also for the tastes and sensibilities of this age group. All songs are in English. Contents: An April Girl (Fairlamb) Boats of Mine (Miller) Care Flies from the Lad That Is Merry (Arne) Daddy's Sweetheart (Lehmann) Does He Love Me or Love Me Not' (Sterling) The Fairy Pipers (Brewer) Four and Twenty Snowflakes(Stickles) Heigh-Ho! The Sunshine (Phillips) Her Dream (Waller) Ho! Mr. Piper (Curran) Kitty of Coleraine (Irish) The Leaves and the Wind (Leoni) The Linnet's Secret (Rowley) Little Maid of Arcadee (Sullivan) The Minuet (Mosenthal) Molly Malone (Irish) My Daffodils (Berwald) Nursery Rhymes (Curran) The Secret (Speaks) 'Tis Spring (Ware) To My First Love (Löhr) Violets (Woodman) The Wind (Spross) You'd Better Ask Me (Löhr).

Tiefe Stimme / Low Voice-Continuing the new Urtext edition of Schubert?s Lieder editor Walther Dürr now presents Volume 6 for Low Voice. While volumes 1 to 4 of this series contain mostly Lieder that Schubert had published during his lifetime volume 5ff. contain the remaining songs which are presented basically chronologically in the order of their Deutsch catalogue number.The Lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With ?Nachtgesang? (D 119) and ?Trost in Tränen? (D120) Schubert turns to the?Strophenlied? in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Geothe. Schubert during this period an assistant teacher at his father?s school orientated himself towards the so-called ?Berliner Liederschule? particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.- Based on the Urtext of the ?New Schubert Edition?- Newly engraved clearly presented musical layout- Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger)- Includes English translations of lieder texts by Richard Wigmore