Studies & Pieces. Par DEHNHARD TILMANN. After Tilmann Dehnhard's award-winning 'The New Flute' was published, it was soon clear that a demand existed for further study material and concert pieces for flutebeatboxing. 'Flutebeatboxing - Studies and Pieces' is a follow-up to the fundamentals and basic techniques explained and demonstrated in 'The New Flute'. Beginning with easy exercises (bronze level) for mastering the basic, individual beatboxing sounds, these compositions progress through to concert level (Platinum). Together with four concert studies, familiar favourites are included: Summertime, Billie Jean, Black or White and Badinerie by J. S. Bach as well as 'beatbox classics': a collection of well-known melodies which are especially suitable for flute-beatboxing. • Comprehensive practice and performance material for the popular Flute-Beatboxing technique • The cool arrangements of Summertime, Black or White and Billie Jean will help you steal the show • Progressive programme of exercises and etudes from bronze level (easy) to platinum (concert) • This book complements the Fluteboxing chapter in Tilmann Dehnhard's much acclaimed Workbook & DVD 'The New Flute' (available as UE 35320) / Études et exercices / Etude / Flûte Traversière

The primary emphasis of this method book is developing the three essential concepts for learning to play the Flute which are: Learning the names of the notes on the music staffLearning the value of thenotes and how to count themLearning how to finger the notes on the FluteAs new notes are introduced on the lines and spaces of the music staff the note name note value method of counting and fingeringof the note on the Flute is clearly illustrated. Each of the essential music elements is presented clearly and sequentially. Each presentation is followed by several exercises and original melodies that are specifically designedto develop reading ability technique and musicianship. Students will understand and develop each newly learned music concept as they progress from lesson to lesson. Every lesson builds on those that came before giving studentsa chance to practice what they have learned and reinforcing skills that will be used over and over. The unique feature of this flute method book is that the lessons progress in a logical manner conducive to learning to play theFlute.

The first volume of the Complete Flute Method by Giuseppe Gariboldi this edition has been reviewed and edited by Jan Merry. The finger positions articulations and breathing have been added to the method where necessary as well as some helpful advice has been included. This particularly melodic method starts with some theory basics and covers all beginner needs such as scales rhythms and trills among others using some small studies or exercises. Even though most of the Flute now uses the Boëhm method the book has kept the old eight?key Flute tablatures. This volume of Complete FluteMethod is completed by a second volume also available at Alphonse Leduc. Giuseppe Gariboldi (1833-1905) is an Italian flautist and composer who wrote numerous pieces for Flute. Most of his study books are still used to teach the Flute including '20 Little studies Op. 132' or 'Daily exercises Op. 89'.

Absolute Beginners: Flute uses Step-by-step pictures to take you from first day exercises to playing along with a backing track! Absolute beginners has been designed to tell you everything youneed to know from the first time you play your Flute.In one great book you get:A look-and-learn course that uses clear pictures instead of long explanationsPractical advice and tips covering everythingyou need to know to get you playing fast!CD audio tracks to show you how things should sound plus...Full-length accompaniment tracks to play along withAn 'owner's manual' approach to your Flutethat makes learning easier than ever before!

With this book you can learn to play every song from Abba's hit compilation album Gold arranged for Flute. Not only can you learn some of the greatest pop tunes ever written this FlutePlay-Along features accompanying downloads that allow you to hear demonstration tracks as well as playing along to professionally-recorded backing tracks. From the opening track songs like DancingQueen Knowing Me Knowing You Mamma Mia and The Winner Takes It All are transcribed for the pop-loving flautist. The bright tone of the Flute complements the incredible melodies composed by the Swedish popgeniuses. Featuring all 19 tracks from one of the biggest selling albums of all time Abba: Gold is an essential addition to the any flautist's collection.

How To Sit On A Rock-New owners of the Native American Flute are often told to go 'sit on a rock' and teach themselves how to play. Through eight lessons introducing the technique and theory of both the outer and inner 'game' of Native AmericanFlute improvisation players of all levels learn to express the music growing inside themselves.The exercises in this volume are presented in fingering diagrams and Nakai TAB-an easy-to-learn derivative of standard musicnotation most commonly used for Native American Flute. Access to online audio included.

Volume 2-French flautist Marcel Moyse (1889-1984) studied at the Paris Conservatoire before becoming a renowned performer on the instrument. He was also responsible for training a brilliant generation of Flute players and his combined experience and expertise created the well-informed compilation 50 Melodic Studies by Demersseman for Flute. With notes in French English German and Japanese Moyse''s studies are accessible and versatile. Focus in the second volume is given to fingering phrasing tempo breath control articulation intervals range and ornamentation among other musical aspects. 50 Melodic Studies forFlute based on studies by flautist Jules Demersseman (1833-1866) is essential to the technical progress of advanced flautists.

With Online Audio- The first of two volumes of the most requested pieces for weddings church services or meditative settings these compositions provide excellent intermediate literature for study in private lessons.Each of these classical masterpieces is excellent for development of tone and vibrato. All works are arranged for flute (or violin) with piano and organ accompaniment. A convenient 16-page pull-out part is included for the flutesoloist. The online audio contains both organ and piano accompaniments for all pieces in the book. Introductions have been added where necessary to establish tempo and allow the soloist to enter with the recorded accompaniment atthe proper time. Includes access to online audio.

A graphic easy-to-understand fingering chart which features chromatic major and minor scale studies. This chart is ideal for beginning flute students learning fingering and scales. The chart contains a large diagram of the fluteand key diagrams for all notes from C to C-sharp with standard clef notation as well. Also includes a brief explanation of dynamic markings. Printed on a sturdy laminated sheet which can be carried easily with a student's lessonmaterials.

Step into the spotlight and play along with the superb backing tracks on the specially recorded CD. Includes sixties hits by Van Morrison The Beach Boys and Louis Armstrong. Ten fantastic arrangements of popular sixtieshits arranged for Flute. The Guest Spot books include a practical playing guide and a CD of backing tracks and accompaniments to play along with. There is a full performance version of the music on the first set of tracks and theFlute part is then omitted from the second set allowing you to play along with the recorded accompaniments.

Cette Méthode de Luth Baroque peut vous donner les bases techniques et musicales nécessaires à l’obtention d’une structure assez solide et complète du jeu du luth baroque. Et c’est là tout l’enjeu et le défi de l’écriture de cet ouvrage : donner, au plus grand nombre de passionnés, l’opportunité de s’exprimer à travers le luth baroque, et ce, indépendamment de leur niveau d’apprentissage. Notre livre est destiné non seulement à celui qui n’a jamais joué d’un instrument de musique, mais aussi au guitariste avisé qui veut s’initier aux mystères du luth baroque ! Mode d’emploi Notre Méthode de Luth Baroque est divisée en trois parties. La première partie, plutôt théorique, aidera à mieux comprendre la façon de jouer la musique écrite pour le luth baroque. Nous avons jugé indispensable d’avoir des connaissances élémentaires de solfège occidental mais aussi de la tablature (forme de notation musicale spécifique au luth). Ces connaissances, insuffisantes si étudiées de manière isolée, ont été enrichies d’un lexique des pièces instrumentales ainsi que de biographies de la plupart des compositeurs de musique pour luth baroque à 11 et 13 chœurs. En deuxième partie, nous avons dédié tout un chapitre à l’étude de la technique et de la production sonore du luth. Riche en photos et détails de toutes les étapes techniques que nous devrons franchir, ce chapitre est, sans aucun doute, le plus important de toute notre Méthode pour bien comprendre l’univers sonore du luth baroque ! Ensuite, nous vous proposons 21 exercices, tous d’un niveau élémentaire, mais progressifs, accompagnés de plusieurs pièces de musique. Vous allez d’abord jouer des mélodies pour ensuite ajouter les basses, et seulement après commencer à jouer les ornements. En troisième partie, nous avons choisi près de 250 pièces pour luth baroque à 11 et 13 chœurs. Ces pièces, divisées en trois niveaux, sont d’un degré de difficulté qui s’échelonne du niveau « débutant », « moyen » à « avancé ». Nous avons, tout comme à l’époque baroque, séparé ces pièces selon leurs tonalités et leur nom. Aussi, nous n’avons choisi que très peu de tonalités différentes, afin que le luthiste débutant puisse travailler l’essentiel de son instrument, au lieu de perdre son temps à essayer de s’accorder tout le temps et de jouer des morceaux bien trop complexes pour son niveau. Il n’y a pas de mauvaise musique mais, parfois, il y a de mauvais musiciens ! Faire de la musique n’est simplement pas jouer des notes et réaliser quelques acrobaties, souvent sans intérêt. Un musicien « mûr » se plaît le plus souvent à jouer une simple mélodie et à jouir des merveilles sonores de son instrument ! Nous espérons que cette méthode pourra aider ceux qui n’ont pas accès à un professeur (même si nous leur conseillons d’aller en voir un le plus régulièrement possible), mais aussi tous les professeurs n’ayant pas suffisamment de matériel pour faire travailler, d’une manière systématique, leurs élèves. Bon courage à tous ! Miguel Yisrael - formerly Miguel Serdoura, now carrying the surname of his mother - was born in Lisbon, where he began his musical and artistic career, earning his Diploma in Classical Guitar in 1994. In 1995, he moved to Paris, where he studied the lute with Claire Antonini in the Early Music Department of the Conservatoire Supérieur de Paris - CNR. He also took part in several master classes in his discipline, with Rolf Lislevand and other prestigious artists. From 1999 to 2004, he completed his musical education at the Schola Cantorum Basiliensis in Basel, Switzerland with the grand maestro Hopkinson Smith. As a soloist, Miguel Yisrael has given recitals in France, Portugal, United-Kingdom, Germany, Belgium, Switzerland, China and USA. In 2000, he took part in a television documentary devoted to the lutenist Hopkinson Smith, broadcast by Arte, Mezzo, Classica, RTBF and TSR. He currently lives and teaches baroque and renaissance lute in Paris, where he gives frequent concerts/lectures in the framework of the “Musicien au Musée” program of the Musée de la Musique - Cité de la Musique in Paris. Miguel Yisrael performs on lutes built by Cezar Mateus, Princeton, USA, and with strings from Mimmo Peruffo, Vicenza, Italy. He recorded his first solo CD for the Dutch Label Brilliant Classics in 2008.

Twelve beautiful solos based on favorite hymns and sacred melodies. Selections are appropriate for use throughout the church year and are easy to moderate in difficulty. Keyboard accompaniment is part of the main book with theFlute part as a downloadable PDF available online.

The GCSE Performance Pieces series provides exciting contemporary repertoire levelled specifically for GCSE performance examinations accompanied by expert commentary to help your students prepare and achieve their potential with material they really want to play. Each book has been compiled by an experienced instrumental teacher/examiner and overseen by our Series Editor Andrew Coxon who is a senior GCSE examiner and an experienced classroom teacher. The songs have been carefully chosen to provide students with the best opportunity to show off their instrument and skills with a broad range of artists and styles to choose from. This book forFlute: is suitable for all exam boards contains ten songs with a range of difficulty appropriate for GCSE level is accompanied by a CD of professionally recorded backing tracks It includes songs by: Adele The Beatles The Mission Impossible theme Gershwin David Bowie Christina Perri Miles Davis Gerry Rafferty Pixie Lott Duke Ellington A YouTube playlist has been created containing all the songs in the book along with additional suggested listening such as interesting cover versions or other songs for cultural context allowing the student to explore ideas for their own interpretation.