SKU: AP.36-M325991
UPC: 660355168611. English.
Erich Wolfgang Korngold (1897-1957) composed a song in 1915 titled Österreischischer Soldatenabschied (Austrian Soldier's Song of Farewell) for the Austrian War Relief Fund. This work inspired the set of four songs titled Lieder des Abschieds (Abschiedslieder; Songs of Farewell), Op. 14, each contemplating the unwilling separation of loved ones, which was written between 1920 and 1921 for alto and piano. These melancholy works are considered among Korngold's finest songs. Songs: 1. Sterbelied (Requiem); 2. Dies eine kann mein Sehnen nimmer fassen (The one thing my desire can never comprehend); 3. Mond so gehst du wieder auf (Moon once again you rise); 4. Gefasster Abschied (Calm Farewell) - this is based on the earlier Österreischischer Soldatenabschied. This version was first performed on November 5, 1921, in Vienna, the composer on the keyboard. Korngold also conducted the premiere of his orchestral version on January 14, 1923, also in Vienna.
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SKU: BA.BA07787
ISBN 9790006506996. 34 x 28.2 cm inches. Language: German. Text: Härtling, Peter.
For many, the title will awaken memories of the demonstrations against the clearance of the Flörsheim Forest to allow for a new runway at the Frankfurt Airport. Both the poem, which extends beyond this local incident to remind us of the seriousness of our global situation, and the music join together to form an expressive, universally valid call for the conservation of our core values, our future together: “Die Erde jedoch wird sich wehren. Sie wird uns, am Ende, nichts mehr geben als den Staub, in dem wir aufgehn.†(The earth, however, will resist. She will, in the end, not give us any more than dust, into which we will submerge.) It is up to us, to prevent the situation from advancing so far: “Wir, die wir zu ihren Schülern wurden, sollten die Lehre der Bäume verbreiten.†(We, the students, should spread the teachings of the trees.â€
SKU: HL.49017944
ISBN 9790001157209. 9.0x12.0x0.09 inches. German.
In 'Kinderfreuden' Enjott Schneider perfectly manages to set the five - partly absurdly funny - poems by Wilhelm Busch to music. The texts of 'Die Tute', 'Verfruht', 'Kurz und grob', 'Selbstgefallig' and 'Motto' virtually invite the composer to open his bag of tricks. These little pieces will certainly give every singer and his or her accompanist on the piano great pleasure.Schneider studied music and German studies and has been professor of music theory (meanwhile of film composition) in Munich since 1979. His extensive activities as composer, performer, music writer and lecturer have made him a versatile musician whose compositional oeuvre ranges from 'classic' avant-garde to pop music.