PRELUDES 1. Prelude in D Minor 2. Prelude in E-flat Major 3. Prelude in G Major 4. Prelude in G Minor 5. Prelude in A Major 6. Prelude in A Minor 7. Prelude in D Minor TOCCATAS 1. Toccata in C Major 2. Toccata in D Minor 3. Toccata in D Major 4. Toccata in C Major 5. Toccata in C Major 6. Toccata in D Minor 7. Toccata in F Major 8. Toccata in G Minor 9. Toccata in C Major 10. Toccata in C Minor 11. Toccata in G Minor 12. Toccata in E Minor 13. Toccata in F Major 14. Toccata in G Minor 15. Toccata in G Minor FANTASIAS and RICERCARES Fantasia in E-flat Major Fantasia in G Minor Ricercare in F-sharp Minor Ricercare in C Major Ricercare in C Minor PRELUDE and FUGUE / TOCCATA and FUGUE / FUGUES Prelude and Fugue in E Minor Toccata and Fugue in B-flat Major 1. Fugue in C Major 2. Fugue in C Major 3. Fugue in C Major 4. Fugue in C Major 5. Fugue in C Major 6. Fugue in C Major 7. Fugue in C Major 8. Fugue in C Major 9. Fugue in C Major 10. Fugue in C Minor 11. Fugue in D Major 12. Fugue in F Major 13. Fugue in G Major 14. Fugue in C Major 15. Fugue in G Minor 16. Fugue in A Minor 17. Fugue in A Minor 18. Fugue in D Minor 19. Fugue in G Major CHORALE SETTINGS 1. Ach Gott vom Himmel, sieh darein (1st setting) 2. Ach Gott vom Himmel, sieh darein (2nd setting) 3. Ach Herr, mich armen Sünder (1st setting) 4. Ach Herr, mich armen Sünder (2nd setting) [Ach lieben Christen, seid getrost] 5. Ac wie elend ist unsre Zeit 6. Allein Gott in der Höh' sei Ehr' (1st setting) 7. Allein Gott in der Höh' sei Ehr' (2nd setting) 8. Allein zu dir, Herr Jesu Christ 9. An Wasserflüssen Babylon (1st setting) 10. An Wasserflüssen Babylon (2nd setting) 11. Auf meinen lieben Gott [Aus tiefer Not schrei' ich zu dir] 12. Christe, der du bist Tag and Licht 13. Christ lag in Todesbanden 14. Christ unser Herr zum Jordan kam 15. Da Jesus an dem Kreuze stund 16. Der Herr ist mein getreuer Hirt (1st setting) 17. Der Herr ist mein getreuer Hirt (2nd setting) 18. Der Tag, der ist so freudenr 19. Dies sind die heil'gen zehn Gebot' 20. Durch Adams Fall ist ganz verderbt (1st setting) 21. Durch Adams Fall ist gan verderbt (2nd setting) 22. Durch Adams Fall its ganz verderbt (3rd setting) [Ein Christ soll nicht der Meinung sein] 23. Ein' feste Burg ist unser Gott 24. Erbarm dich mein, o Herre Gott 25. Erhalt uns, Herr, bei deinem Wort [Es ist gewisslich an der Zeit] 26. Es spricht der Unweisen Mund whol (1st setting) 27. Es spricht der Unweisen Mudn whol (2nd setting) 28. Es woll' uns Gott genädig sein (1st setting) 29. Es woll' uns Gott genädig sein (2nd setting) 30. Gelobet seist du, Jesu Christ 31. Gott der Vater whon' uns bei 32. Gott hat das Evangelium 33. Gott Vater, der du deine Sonn' 34. Herr Christ, der ein'ge Gottessohn 35. Herr Gott, dich loben alle wir [Herr Jesu Christ, ich weiss gar wohl] [Herr Jersu, Gnadensonne] 36. Ich hab' mein' Sach' Gott heimgestellt 37. Ich ruf' zu dir, Herr Jesu Christ (1st setting) 38. Ich ruf zu dir, Herr Jesu Christ (2nd setting) [Ich weiss ein Blümlein] 39. In dich hab' ich gehoffet, Herr 40. Jesus Christus unser Heiland, der den Tod (1st setting) 41. Jesus Christus unser Heiland, der den Tod (2nd setting) 42. Jesus Christus unser Heiland, der von uns Bicinium (Two-Part Setting) 43. Komm Gott Schöpfer, heiliger Geist 44. Komm heiliger Geist, Herre Gott 45. Komm her zu mir, spricht Gottes Sohn 46. Lob sei Gott in des Himmels Thron 47. Mag ich Unglück nicht widerstahn 48. Meine Seele erhebt den Herren (Magnificat peregrini toni) 49. Nun freut euch, lieben Christen g'mein 50. Nun komm der Heiden Heiland 51. Nun lasst uns Gott dem Herren 52. Nun lob mein' Seel' den Herren 53. O Lamm Gottes unschuldig 54. O Mensch, bewein' dein' Sünde gross 55. Vater unser im Himmelreich (1st setting) 56. Vater unser im Himmelreich (2nd setting) 57. Vom Himmel hoch, da komm' ich her (1st setting) 58. Vom Himmel hoch, da komm' ich her (2nd setting) [Wach auf, mein Herz, und singe] 59. Warum betrübst du dich, mein Herz (1st setting) 60. Warum betrübst du dich, mein Herz (2nd setting) 61. Was mein Gott will, das gescheh' allzeit (1st setting) 62. Was mein Gott will, das gescheh' allzeit (2nd setting) 63. Wenn mein Stündlein vorhanden ist 64. Wennn wir in höchsten Nöten sein 65. Wie schön leuchtet der Morgenstern 66. Wir glauben all' an einen Gott 67. Wo Gott der Herr nicht bei uns hält (1st setting) 68. Wo Gott der Herr nicht bei uns hält (2nd set 69. Wo Gott der Herr nicht bei uns hält (3rd setting) 70. Wo Gott zum Haus nicht giebt sein' Gunst (1st setting) 71. Wo Gott zum Haus nicht giebt sein' Gunst (2nd setting) 72. Treuer Gott, ich muss dir klagen (Variations 1-4)

This series of national organ music collections showcases music from England France Germany and Italy. Each book contains 50 representative pieces especially suitable for Service use. The collections are compiled by ColinMawby.Alla Marcia in C - AdamsAlla Marcia in B flat - AdamsAndante Pastorale - AdamsPrelude - AdamsAdagio - BennettAndantino - BestHanover - BestO praise the Lord - Best‘Vers’ in G major -Blow‘Vers’ in G minor - Blow‘Vers’ in C major - BlowCarillon - BrewerAllegro Comodo - BridgeAllegro Marziale - BridgeVoluntary - CosynVoluntary in A minor - CroftVoluntary in D major -CroftVoluntary in D minor - CroftCantique - ElgarA Short Prelude in Four Parts - GibbonsA Trumpet Minuet - HollinsPrelude in G - HopkinsPrelude in E flat - HopkinsPrelude in A - HopkinsMinuetPurcellTrumpet Tune in D - PurcellTrumpet Tune in C - PurcellVoluntary in C - PurcellVoluntary on the Old 100th Pt.1 - PurcellVoluntary on the Old 100th Pt.2 - PurcellAndante Grazioso - SmartEveningPrayer - SmartAdagio - StainerAndante - StainerVoluntary in A minor - StanleyVoluntary in E minor - StanleyVoluntary in G - StanleyVoluntary in G minor - StanleyCaithness - StewartPrelude in E minor- WalmisleyVoluntary in A minor - WeelkesSecond Voluntary in A Minor - WeelkesVoluntary in C - WesleyVoluntary in C minor - WesleyVoluntary in F major - WesleyVoluntary in E minor - WesleyVoluntary in D- WesleyLargo - WesleyPassacaglia - WestVoluntary - WestRomanza in A minor - Wolstenholme

Glazunov’s compositions are often noted for their distinctive emotionality and underlying heroic mood. This also applies to the known organ works of this Russian master all of which bear the characteristic traits of the Russian symphonic style: epic breadth and monumentality as well as a close proximity to folk music all combined with supreme contrapuntal skill.This Urtext edition contains not only the well-known Prelude and Fugue in D major Op.93 (1906) Prelude and Fugue in D minor Op.98 (1914) and Fantasy Op.110 (1935) but also the Prelude and Fugue in D minor Op.62 (1899) an expressive piano piece presented here in a revised transcription for symphonicorgan by B. L. Sabaneyev (1909).- New Urtext edition of the complete organ works plus a historic transcription- Detailed Foreword (Russ/Ger/Eng) and a Critical Commentary (Eng)

Description Widely regarded as the culmination of French romanticism on the organ, Widor's symphonies include some of the most frequently performed and recorded works in the modern organ repertoire. Most of these symphonies - so called to emphasise the orchestral wealth of timbres offered by the new French organs - were written specifically to exploit the capacities of the modern Cavaille-Coll organ, especially the rich-toned five-keyboard instrument at St-Sulpice in Paris. Presented here in two inexpensive (this being the first), well-made volumes they offer a splendid resource for organists and all music lovers. Songlist Adagio Allegro Allegro Cantabile Allegro Vivace Andante (Sonata G.1) [Torelli, Giuseppe] Andante Cantabile Andantino Quasi Allegretto Finale Fugue Intermezzo Op.1 No.2 [Borodin, Aljeksandr Porfirjevic] Marche Pontificale Marcia Meditation Minuetto Pastorale [Pace] Prelude Scherzo [Goldschmidt, Berthold] Symphony No. 1 In C Minor, Op. 13, No. 1: Symphony No. 2 In D Major Op. 13, No. 2: Symphony No. 3 In E Minor, Op. 13, No. 3: Symphony No. 4 In F Minor, Op. 13, No. 4: Symphony No. 5 In F Minor, Op. 42, No. 1: Toccata

Parmi les élèves de JS Bach, Johann Ludwig Krebs a ??pris une position clé. Etant l'un des plus talentueux des étudiants de Bach, Krebs était déjà considéré comme un compositeur et organiste extraordinaire avec virtuosité dans sa propre vie. En étudiant son oeuvre complète d'organes, on se sent ses grandes compétences comme organiste qui se manifestent dans un doigté virtuose et technique de la pédale. En tant que compositeur, Krebs nous apparaît comme un artiste dans une parfaite maîtrise des règles du contrepoint. Mis à part imitant parfaitement son Bach enseignant, Krebs a ??également tourné vers les nouvelles tendances galantes et sensible de son temps. Il s'est ainsi révélé être réceptifs aux nouveaux mouvements musicaux qui se posent dans ses jours, qui jouent un rôle particulier dans ses compositions. / Orgue / 108 pages / niveau : Facile / Intermédiaire / Partition

Toccata and Fugue in D minor (565), Prelude and Fugue in D major (532), Prelude and Fugue in F minor (534), Prelude and 'St Anne' Fugue in E flat (552). Edited by Sir Frederick Bridge and James Higgs. / Orgue

When Brahms Mendelssohn and Schumann composed for the organ all three turned for inspiration to the musical style of the late Baroque period. Includes 11 'Choral Preludes' by Brahms three 'Preludes And Fugues' by Mendelssohn six 'Fugues' by Schumann and other works by the composers.

Un recueil de composition de J.S. Bach pour organistes d'église. / Orgue / Partition