Popular Waltzes In Intermediate-Level Arrangements. Par CORNICK MIKE. Les arrangements de ce recueil sont tirés d'un large éventail de sources et partagent, malgré leur diversité stylistique, la principale marque distinctive de la valse - la mesure à trois temps. Le CD comporte des pistes d'écoute et d'accompagnement pour chacune des pièces, enregistrées au tempo indiqué par la vitesse de métronome en haut de la partition./ Recueil / Piano

Klav. Par STRAUSS JOSEF. Dorfschwalben aus Österreich / Geheime Anziehungskräfte op. 173 / Transactionen op. 184 / Delirien op. 212 / Spärenklänge op. 235 / Aquarellen op. 258 / Mein Lebenslauf ist Lieb' und Lust op. 263/ Répertoire / Piano

Par DANIELSSON PER. Magnifiquement affiché ici de Mel Bay Jazz Piano Wall Chart sont les éléments essentiels du matériau piano jazz. Eléments mélodiques, harmoniques et rythmiques sont présentés et classés à clarifier et à définir certains concepts clés piano jazz. Plusieurs pianistes qui ont été un élément important de l'évolution de piano jazz sont également mentionnés, avec un certain nombre de termes courants de jazz. L'information sur le graphique est bénéfique pour les pianistes de jazz de tous les niveaux. / Niveau : Tous Niveaux / Jazz - Reference / Recueil / Piano

paper cover-The fourteen famous Waltzes edited by Thomas Fielden and Harold Craxton. Detailed performance notes on each piece.

Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Piano Sonata No. 21 C major op. 53 (Waldstein) pour Piano. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Piano / Partition

[Walzer Opus 39 (Vom Komponisten erleichterte Fassung)] / Classique / Editeur : Walter Georgii / Doigtés : Walter Georgi / Partition / Broché / Edition Urtext

Though the autograph has disappeared this posthumously published waltz is a jewel of Chopin’s art effectively combining dramatic passages with outpourings of lyricism. Despite its virtuoso brilliance it neverovertaxes the pianist’s technique. This inexpensive volume is taken from Henle’s complete edition of the waltzes.

[Leichte Klaviermusik 18. und 19. Jahrhundert - Band 2] / Classique / Editeur : Walther Georgii / Doigtés : Hans-Martin / Recueil / Broché / Edition Urtext

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

[Leichte Klavierstücke des klassischen und romantischen Zeitalters - Band 1] / Classique / Editeur : Walther Georgii / Doigtés : Hans-Martin / Recueil / Broché / Edition Urtext

Waltzes-Chopin composed some of the best most well known and virtuosic works in the Piano repertoire which remain as ever refreshing and vital today.Chopin composed seventeen waltzes all of which are included in this Urtextedition offering some of the warmest and most delightful melodies you could ever wish to play. This Urtext edition provides you with an accurate realization of the composer???s original intentions and includes detailed and thorougheditorial markings and suggestions.The appendix includes two more waltzes in E flat the first of which marked Sostenuto in the opinion of some scholars could also be grouped with the mazurkas or nocturnes whilethe second is probably a spurious work. However since the composition cannot be ascribed to any definite composer it has been included in the present volume.

With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 4 combines works of the German Romanticism by Schumann, Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms, the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms' Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces. / Piano

Twenty-Three favourite Pieces in Piano arrangements. Fun-to-play pedagogically sound arrangements include the theme from the 'Raindrop' Prelude 'Minute' Waltz the charming 'Lullaby' and melodic highlights from the most familiar Preludes Mazurkas Waltzes Impromptus and Etudes.