Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la flûte à bec.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - quatre volumes.Volume 1 (réf. 5809) : Martin AGRICOLA - ANONYME - Silvestro, dal Fontego GANASSI - Philibert JAMBE DE FER - Marin MERSENNE - Michael PRAETORIUS - Pierre TRICHET - Sebastian VIRDUNG - Aurelio VIRGILIANOVolume 2 (réf. 5810) : Bartelomeo BISMANTOVA - John CARR - John HUDGEBUT - Etienne LOULIE - Humphrey SALTER - Jacob VAN EYCKVolume 3 (réf. 5811) : 4 Anonymes - Sébastien de BROSSARD - Encyclopédie méthodique - Johann Philipp EISEL - Louis-Joseph, le neveu FRANCOEUR - Jean-Pierre FREILLON PONCEIN - François-Alexandre-Pierre de GARSAULT - Jacques-Martin HOTTETERRE-le-Romain - - Jean-Benjamin de LABORDE - Joseph Friederich Bernard Caspar MAJER - Pierre PRELLEUR - Jean-Chrestien SCHICKHARDT - William TANS'UR - Johann-Christoph WEIGELVolume 4 (réf. 5984) : Anonyme (1 à 6) - Filippo BONANNI - - Klaas DOUWES - - Jean-Pierre FREILLON-PONCEIN - - Jacques-Martin HOTTETERRE-LE-ROMAIN - - Sir John HAWKINS - Pablo MINGUET Y YROL - - John SADLER - - Thomas STANESBY - - William Senior TANS'UR - - Joos VERSCHUERE REIJNVAEN - - Johann Gottfried WALTHER - - Daniel WRIGHTTable des matières : Volume 1 : Anonyme : Manuscrit sans titre - (s.d.)Virdung Sebastian : Musica Getutscht - 1511Ganassi dal Fontego Silvestro : Opera intitulata Fontegara - 1535Agricola Martin : Musica instrumentalis Deutsch - 1545Jambe de Fer Philibert : Epitome musical - 1556Virgiliano Aurelio : Il Dolcimelo - 1600 (ca)Praetorius Michael : De Organographia - 1619Mersenne Marin : Harmonie universelle - 1636Trichet Pierre : Traité des instruments - 1640Volume 2 : Van Eyck Jacob : Der Fluyten Lust-hof - 1646Bismontova Bartolomeo : Compendio musicale - 1677Hudgebut John : A vade mecum for the lovers - 1679Salter Humphrey : The genteel companion - 1683Carr John : The delightful companion - 1686Loulié Etienne : Méthode pour apprendre à jouer de la flûte douce - 1694 (ca)Anonyme : The compleat flute-master - 1695Volume 3 : Freillon-Poncein Jean-Pierre : La véritable manière - 1700Brossard Sébastien de : Dictionnaire de musique - 1703Anonyme : The fifth book of the new flute master - 1706Hotteterre-le-Romain Jacques-Martin : Principes de la flûte traversière - 1707Hotteterre-le-Romain Jacques-Martin : L'Art de préluder - 1719Schickhardt Jean-Chrestien : Principes de la flûte - 1720Anonyme : The complete Musik-Master - 1722Weigel Johann-Christoph : Musicum Theatrum - c. 1722Prelleur Pierre : The modern musick master - 1730Majer Joseph Friederich Bernard Caspar : Museum musicum theoretico praticum - 1732Eisel Johann Philipp : Musicus autodidactos - 1738Tans'ur William : A new musical grammar - 1746Anonyme : The compleate tutor for the flute - 1750Garsault François-Alexandre-Pierre de : Notionnaire ou Mémorial raisonné - 1761Francoeur le neveu Louis Joseph : Diapason général de tous les instruments à vent - 1772Anonyme : Compleate instructions for the common flute - 1780Laborde Jean Benjamin de : Essai sur la musique - 1780Encyclopédie méthodique : Edition de Panckouke - 1788Volume 4 : Douwes Klass : Grondig ondersoek van de toonen der musijk - 1699Freillon-Poncein Jean-Pierre : La véritable manière - 1700Hotteterre-le-Romain Jacques-Martin : L'art de préluder sur la flûte traversière - 1707Anonyme : The bird fancyer's delight - c. 1730Walther Johann Gottfried : Musicalisches Lexicon - 1732Stanesby Thomas : A new system of the flute à bec - c. 1732Wright Daniel : The compleat tutor for y flute - c. 1735Anonyme : The compleat tutor for the flute - c. 1750Sadler John : The muses delight - 1754Tans'ur William Senior : The elements of Musick - 1772Minguet Y Yrol Pablo : Reglas, y advertencias generales - 1774Anonyme : The compleat tutor, for the common flute - c. 1775Hawkins Sir John : General history of the science - 1776Bonanni Filippo : Descrizione degl'istromenti - 1776Verschuere Reijnvaen Joos : Catechismus der musijk - 1787Anonyme : New and complete instructions - c. 1790Anonyme : Directions for playing on the flute - s.d.Anonyme : The complete flute master containing - s.d.Téléchargez le catalogue Anne Fuzeau Classique / Flûte A Bec / 1085 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

The bass recorder brings a deep rich timbre to the recorder ensemble. Nevertheless when beginning with the bass recorder even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a 'hands-on' tutor which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tone quality rhythm andtechnical demands. The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects: o the bass recorder - construction instrument types historical background o technical foundations of bass recorder playing posture fingering sound and articulation o practise and rehearsal techniques intonation in ensemble playing o stylistically diverse ensemble repertoire ranging from medieval to contemporary music The Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line which can be used to play along with. Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher. Learning the bass recorder whilst playing in an ensemble continues in this 3rd volume of Workshop Bassblockflöte. Greater emphasis is placed on the techniques of refining sound quality 2 and 3 part arrangements and playing not only the bass voice but also the middle or even the melodic line. The enclosed CD recorded by the editors Irmhild Beutler

Arrangeur: Richard Duckett. The 'Team' series is suitable for use with both individuals or as a group tutor encouraging students to try ensemble playing from the very early stages. All of the books in the series are fully integrated allowing students using 'Team Recorder' to play in ensembles with students using 'Team Woodwind', 'Team brass', 'Team Percussion' and 'Team Strings'. Team Recorder is a flexible and adaptable course ideal for beginner recorder players. The tutor can be tailored to suit the specific needs of each student. Each piece is carefully graded to ensure a logical progression at a sensible pace and students are introduced to a wide variety of musical styles throughout the book.Imaginative piano accompaniments have been provided as well as some untuned percussion accompaniments to add variety in performance. Introduces simple-part playing through the use of rounds, ensemble parts for treble recorder and there are a number of duets that can be expanded into classroom, orchestra or wind band performances with the use of supplementary parts. This volume includes audio downloads of backing tracks designed to add a third dimension to practice sessions or performance when an accompanist is not available. The 'Team' series is suitable for use with both individuals or as a group tutor encouraging students to try ensemble playing from the very early stages. All of the books in the series are fully integrated allowing students using 'Team Recorder' to play in ensembles with students using 'Team Woodwind', 'Team brass', 'Team Percussion' and 'Team Strings'. Team Recorder is a flexible and adaptable course ideal for beginner recorder players. The tutor can be tailored to suit the specific needs of each student. Each piece is carefully graded to ensure a logical progression at a sensible pace and students are introduced to a wide variety of musical styles throughout the book.Imaginative piano accompaniments have been provided as well as some untuned percussion accompaniments to add variety in performance. Introduces simple-part playing through the use of rounds, ensemble parts for treble recorder and there are a number of duets that can be expanded into classroom, orchestra or wind band performances with the use of supplementary parts. This volume includes audio downloads of backing tracks designed to add a third dimension to practice sessions or performance when an accompanist is not available. / Niveau : Facile / Recueil / Flûte à Bec

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in eight formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet, saxophone, recorder or trumpet (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. In addition to the alto recorder part, this edition also contains a part for soprano or tenor recorder. / Niveau : Facile à Intermédiaire / Recueil / Flûte à Bec Alto

Frans Vester’s famous collections for the flute from the 17th to the 20th century are quite unique. For this volume studies most suited to the treble recorder have been selected and adapted and will complement existing recorder studies.For treble (Alto) recorder. Easy to intermediate level.

20 pièces pour Flûte à bec alto et Piano - avec CD. Peter Bowman and Kathryn Bennetts present the fourth and final volume in the Renaissance Recorder Anthology. Standard Renaissance works are included alongside lesser known works for treble (alto) recorder and piano (keyboard). The pieces are all of an intermediate to advanced level of difficulty (UKGrade 7-8 UK). Detailed information on the composers, dance forms and pieces is also included. / Niveau : Intermédiaire à Avancé / Recueil / Flûte à Bec

Bassblockflöte lernen im Ensemble für 3-5 Blockflöten (SA(A)TB) und CD-The bass recorder brings a deep rich timbre to the recorder ensemble. Nevertheless when beginning with the bass recorder even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a “hands-on” tutor which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tonequality rhythm and technical demands.The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects:• the bass recorder – construction instrument types historical background• technical foundations of bass recorder playing posture fingering sound and articulation• practise and rehearsal techniques intonation in ensemble playing• stylistically diverse ensemble repertoire ranging from medieval to contemporary musicThe Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line which can be used to play along with.Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher. Comtents: Paix Jakob: Ungaresca Petruschka (Volkslied aus

This volume has been specially designed to be taken by Recorder players who have been learning for a few terms. Built into it are all the sort of skills they will be developing at this stage such as a sense of pitch and rhythm controlled and even playing accuracy and quality of tone.

Pieces for Solo Recorder Volume 2 – Eleven original concert works edited by John Turner. Contents: Sonatina – Hans Gal Piobaireachd – David Johnson Soliloquy – Francis Baines Three Insect Pieces – Michael Ball Melisma – Denis Apivor Little Suite – Arnold Cooke Sonatina – Alan Ridout Dance Heptad – John Gardner Three Canzonas – Douglas Lilburn Sonatina Pastorale – Thomas Pitfield Before Dawn on Thursday – Duncan Druce

A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.Three volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons. â?¢ Discover the adventure of learning the recorderâ?¢ Make real progress through games: breathingâ?¢ A mixture of lively new and traditional tunesâ?¢ Three supplementary tune books each with a sheet of stickersâ?¢ Teacher's commentaryâ?¢ Join Dotty-do-a-lot and her friends in the exciting world of music Fun and Games with the Recorder is a comprehensive recorder tutor covering all stagesfrom the first notes of the beginner up to the point of professional instruction for budding performers. Although the recorder is often the instrument with which children will make their first musical discoveries it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes providing a carefully planned pathway between first playful contact with the instrument and professional recorder playing.The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing sound production and the development of rhythmic security.In the Tutor books we speak directly to the child and provide carefully planned precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessible to both the parent/teacher and the child.Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B A G E1 C2 and D2 leaving sufficient time and space for the development of

A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman. Three Volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons. ? Discover the adventure of learning the recorder? Make real progress through games: breathing? A mixture of lively new and traditional tunes? Three supplementary tune books each with a sheet of stickers? Teacher's commentary? Join Dotty-do-a-lot and her friends in the exciting world of music Fun and Games with the Recorder is a comprehensiverecorder tutor covering all stages from the first notes of the beginner up to the point of professional instruction for budding performers. Although the recorder is often the instrument with which children will make their first musical discoveries it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes providing a carefully planned pathway between first playful contact with the instrument and professional recorder playing.The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing sound production and the development of rhythmic security.In the Tutor books we speak directly to the child and provide carefully planned precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessible to both the parent/teacher and the child.Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B A g E1 C2 and D2 leaving sufficient time

This book was conceived to provide the player with tunes well within the comfort range of the recorder and written in manageable keys. The beautiful melodies and spirited dance tunes in this book was carefully selected from theO'Neill and Roche volumes both for their playability and to reflect the spirit of the people of Celtic lands. Guitar chords included.

By popular request these songs and pieces from the 5 volume English edition (by Margaret Murray) of Carl Orff and Gunild Keetman???s ???Schulwerk??? are now available in CD format. Singers and speakers are from a variety of English Welsh and German schools with professional musicians playing instruments. The Schulwerk idea is one that transplants well founded as it is on the basic elements of language music and dance with which children are encouraged to play and improvise imaginatively so that through the use of simple forms they will be able to make their own music. The material is not restricted to Britain but also includes songs from Canada and the United States. Theinstrumental ensemble is directed by Carl Orff and Hermann Regner. All possible instrumental resources suited to this elemental style of music making have been used. The barred percussion instruments that carry Orff???s name such as Glockenspiels Xylophones and Metallophones are used as well as simple small percussion instruments and the larger ones found in the conventional orchestra. The older forms of wind instruments are favoured such as Recorders Sorduns and Crumhorns. Brass instruments such as Trumpets and Trombones are also used. The Guitar Cello and Double Bass have an important role and where available the older forms of string instruments such as the Viol or Viola da Gamba blend well into the ensemble.