SKU: HL.48184574
UPC: 888680853983. 9.0x12.0x0.252 inches.
Marie-Therese Chailley: Technique de l'Alto Vol.1 (Viola solo).
SKU: BR.OB-5509-19
The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.
ISBN 9790004338483. 9 x 12 inches.
The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.
SKU: BA.BA04661-79
ISBN 9790006452545. 32.5 x 25.5 cm inches. Key: B-flat major.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.
SKU: BA.BA10972-79
ISBN 9790006542611. 32.5 x 25.5 cm inches. Key: C major.
SKU: CA.5483813
ISBN 9790007226367. Key: B flat major. Language: Latin.
The Requiem in B flat major is Johann Michael Haydn's second setting of the liturgical text of the Mass of the dead (another Requiem, MH 599, has since been identified as the work of Father Georg Pasterwiz) and it is also his last work, his Opus ultimum. On commission from Empress Maria Theresia he began the composition in 1805, but due to a serious illness he made only slow progress with the work. Like W. A. Mozart, he could not complete this Requiem. In 1839 Father Gunther Kronecker, Benedictine Father in the monastery of Kremsmunster in Upper Austria, completed the torso in the spirit and style of Haydn. During his student days in Vienna Father Gunther belonged to the circle of friends who were associated with Franz Schubert. Score and part available separately - see item CA.5483800.
SKU: FG.55011-252-0
ISBN 9790550112520.
This viola tutor based on the Colourstrings method is ideally suited for small viola players. The four colourful symbols represent the fours strings of the instrument and the visual stimuli makes learning easy and fun. This is a new and expanded edition (2019), which is better suited for teachers teaching also the violin. This new Viola ABC Book A is modelled after the Violin Book A, making classes with violins and violas easier to teach. There are specific viola pages as well.
SKU: HL.48024733
UPC: 888680956585.
SKU: FH.VAS2
ISBN 978-1-55440-572-5.
This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. Two volumes of Etudes (Preparatory-4 and 5-8) include selections that focus on technique for the left hand, right hand, and tone development at every level of study. Chosen as much for their musicality as their pedagogical benefits, these Etudes raise the study of technique to a new level of enjoyment.Legato Pieces in a Slower Tempo:Ode to Joy - Beethoven, Ludwig van arr. Mark MrozinskiAu clair de la lune (Underneath the Moonlight) - Traditional French song arr. Akiko and Forrest KinneyChorus of Soldiers, Townspeople, Matadors, Elephants, and Other Miscellaneous Opera Characters - Birston, HaroldCome to the Sea (Vieni sul mar) - Italian folk song arr. Christine Donkin)Streets of Laredo - American folk song arr. Forrest KinneyLand of the Silver Birch - Canadian folk song arr. Nancy TelferRed River Valley - American folk song arr. Christine DonkinEnergetic Pieces in a Faster Tempo:Dizzy Lizzy Lightweight - Attwood, Ben and Carol LumsdenSailor Song - Traditional sea shanty arr. Jason GrayTen Toads - Milne, ElissaPepperoni Pizza Pie - Hewitt-Jones, Anita and Caroline LumsdenA Lively Tune - Carse, AdamHark, What's Coming In from Out There? (Horch, was kommt von draussen rein?) - German folk song arr. Christine DonkinSomeone's in the Kitchen with Dinah - American folk song arr. Forrest KinneySaint Paul's Steeple - English folk song arr. Jason GrayThe Sounds So Glorious (Das klinget so herrlich) - Mozart, Wolfgang Amadeus arr. Christine Donkin.
SKU: HL.49019919
ISBN 9790001195324. UPC: 840126938838. 9.0x12.0x0.085 inches.
The title goes back to the illustrated book 'Kamfu mir helfen?' by Dirk Schmidt & Barbara Schmidt. The charming story inspired the composer to write music which, according to tradition, is based on the seventh and second intervals, using the common string techniques such as scale, arpeggio, double stop and trill.Naske is one of the most successful female composers in the field of children's theatre. This is why there is a lot of theatricality combined with humour and irony in this virtuoso solo piece, which is also rewarding for viola and violoncello.
SKU: SP.TS557
ISBN 9781585609178.
Due to the success of our Instrumental Fingering Posters, we thought it would be helpful to create a smaller version that could be tucked comfortably into any method book as a reference guide. Unbeknownst to us after days of research, we were left with countless questions, much confusion, and a slew of poorly crafted images from contradicting publications. That being said, we realized that there weren't truly any trustworthy resources in print and decided to address the void. We consulted experts in every category asking questions until both we and they and we were satisfied. Finally, a guide to fingering for beginners that even the experienced players will find beneficial. Santorella's Basic Fingering Charts are essential for anyone that picks up an instrument. Initially intended for beginners but after understanding the importance of false fingerings or more appropriately called, alternate fingerings their necessity is vital for playing certain musical passages on a particular instrument. In addition, after observing the difficulties that students had in identifying key signatures, we decided to include the Circle of Fifths diagram and every major scale in two octaves in every key including their enharmonic counterparts. After all was said in done, we now know, we now have the best educational products available for fingering in the industry. Our Basic Fingering Charts are perfect for private students, classroom study, or simply for a quick and easy reference guide while practicing at home. These graphic reference guides for assorted brass, reeds, woodwinds, and orchestral strings are specifically available for Clarinet, Bass Clarinet, Trumpet, Flute, Piccolo, Recorder, Baritone Horn, Trombone, Bass Trombone, Alto Sax, Soprano Sax, Tenor Sax, Baritone Sax, French Horn, Euphonium, Tuba, Oboe, Bassoon, Violin, Viola, Cello, and Bass. Every chart displays the entire range of each instrument by clearly depicting the fingering for each note including all their enharmonic substitutions. Each chart includes a diagram identifying the levers, valves, keys, slides, frets and more of each and every instrument. Learn where, when, and why to place your fingers. Now is the time to truly start playing with assured confidence.
SKU: CA.5506313
ISBN 9790007242091. Language: English/German. Text: Eschenburg, J. J. / Loy, Felix.
First critical edition. The oratorio Judas Maccabaeus is one of George Frideric Handel's most popular choral works. It was performed over fifty times during the composer's lifetime and was one of his first works to be performed in Germany (1772). The frequent performances given by Handel himself resulted in a particularly large number of reworkings, reflecting local conditions. This new edition therefore offers the work in two performable versions: firstly, the version of the first performance in 1747, and the one from the last oratorio season during Handel's lifetime (1758/59). This makes available all the choruses and arias which Handel ever wrote for Judas Maccabaeus. Reflecting the latest Handel research, the edition is based for the first time throughout on Handel's conductor's score, thereby eradicating not only long-perpetuated mistakes, but also providing clarity about which pieces were actually performed by Handel. By contrast with the Chrysander edition obligatory until now, the aria Father of heav'n which introduces Part III is included here in its original, longer version. Score and part available separately - see item CA.5506300.
