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Violin and Piano
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Canon by Pachelbel - Violin & Piano and Chord Notation
Canon by Pachelbel - Violin & Piano and Chord Notation
$6.99
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Violin and Piano
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Johann Pachelbel
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Glauco Fernandes
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Glauco Fernandes
Canon by Pachelbel - Violin & Piano
Canon by Pachelbel - Violin & Piano
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Violin and Piano
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Johann Pachelbel
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Glauco Fernandes
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Glauco Fernandes
Rachmaninoff - Etude-Tableau in G minor op. 33 no. 7 arr. for Piano and Violin
Rachmaninoff - Etude-Tableau in G minor op. 33 no. 7 arr. for Piano and Violin
$6.95
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Violin and Piano
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Sergei Rachmaninoff
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Nicole Elyse DiPaolo
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Nicole Elyse DiPaolo
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English horn, Piano (2)
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1 Et 2 Flûtes A Bec Et Guitare (2)
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Choeur SATB et Orchestre (2)
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1 à 3 Violons et Violoncelle Ad Li… (2)
2 Violons Solo, Orchestre A Cordes … (2)
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Flûte Traversière Ou Hautbois (2)
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Mandoline et Violon (2)
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2 Saxophones Alto et Piano ou Orgue (2)
Piano, Clavier ou Orgue (2)
Solistes (AT) Et Choeur Mixte (2)
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2 Parties Voix Aigues (SS) Et Piano… (2)
Instruments en Clé de Fa (2)
Cor et Brass Band (2)
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3 Flûtes A Bec (SSA/SST) (2)
Lyrics & Chords (with Chord Boxes) (2)
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Tenor, Choeur D'Hommes (TTBB) Et Pi… (2)
Petit Ensemble Contemporain (2)
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Autres cordes pincées (2)
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Timpani (2)
Contralto voice, Piano (2)
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French horn (band part) (2)
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2 Parties Voix Aigues, Choeur Mixte… (2)
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Ssa Et Piano (2)
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TROMBONE TUTOR, TROMBONE SOLO (2)
Choeur SA Et Piano (2)
Violoncello, Basso continuo (2)
4 Part Variable Ensemble à Vents a… (2)
Soprano, Alto Et Piano (1)
2 gemischte Chöre (SATB) und Orge… (1)
TBN/TBA/PFA::Trombone, Tuba, Accomp… (1)
4 Clarinettes en Sib et Clarinette … (1)
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2 Instruments Mélodiques Et Guitar… (1)
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SA/PFA::SA, Piano Accompaniment (1)
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Unison et Piano (1)
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MAR::Marimba (1)
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2 Trombones Et Clavier (Piano) (1)
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Voice and Big Band (1)
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Flute and Clarinet (1)
2 Ukulélés (1)
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ENS/VLN::Ensemble d'cole/Violon (1)
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2 Tubas Et Piano (1)
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4Part Flexible Band et Opt. Piano (1)
Mezzo-Soprano et Ensemble Mixte (1)
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Guitare ou Luth (1)
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Saxophone Soprano / Ténor, Clarine… (1)
Voix Moyenne et Haute (1)
4 Trombones Et Section Rythmique (1)
2 Clarinettes Et Plus (1)
Guitare Tablatures Country - Solos (1)
Vibraphone, Batterie, Guitare Basse (1)
3 Trombones Et Piano (Clavier) (1)
3 Flûtes à Bec (SAT/SSA/SST/SAA) (1)
Solistes (STB), Choeur Et Orchestre (1)
Solistes, Choeur SATB et Piano (1)
2 Instruments En Mib (Saxophone Alt… (1)
1 Ou 2 Voix Et Piano Violoncelle Ad… (1)
Solistes, Choeur Mixte Et Piano (1)
Mezzo-Soprano, Baryton et Piano (1)
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2 Euphoniums (duet) (1)
Piano, Violon Et Violoncelle (1)
Choeur Ou Voix (1)
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2 Instruments En Do (Clé De Sol) (1)
Soli, Choeur Mixte Et Orgue (1)
Alto, Violon 3 et Ensemble (1)
2 Cornets et Piano (1)
GTR/BGTR/DRUMS::Guitar, Bass Guitar… (1)
Choeur Mixte, Piano Et Instruments … (1)
2 Violons, Violoncelle Et Contrebas… (1)
Tous les Instruments (1)
2 Flûtes A Becs (1)
Choeur De Femmes Et Orgue (1)
Soprano Et Flûte A Bec Alto (1)
Voix, Stikking Instruments, Percuss… (1)
Horn, Cello and Piano (1)
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Trompette (Cornet Ou Baryton ) Et P… (1)
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Choeurs SA (1)
Percussions (Metaux et Bois), Bande (1)
Trompette ou Baryton TC (1)
SOP/HARP/PF DUET::Soprano, Harp, Pi… (1)
Violon ou 2 Violons, Guitare Ad Lib… (1)
Choeur A L'Unisson, Flûte A Bec (F… (1)
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2 Flûtes à Bec (ST/SB/AA/AT/AB) (1)
Saxophones (4) (1)
1 ou 2 Flûtes à Bec Soprano et Ac… (1)
Piano ou Orgue (1)
1 A 3 Accordéons (1)
1 ou 2 Clarinettes (1)
Percussion, Recorder, Voice, Piano … (1)
Voix Et Piano (Guitare, Accordéon) (1)
2 Cornets et 2 Tubas (1)
Mezzo-Soprano et Ensemble, Partitio… (1)
ORCH/SOP::Orchestre, Soprano (1)
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Saxophone Alto et Piano en PDF (1)
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Parties Solo, Narrateurs Et Orchest… (1)
Ensemble flexible à 4 parties (1)
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Violin/Keyboard (1)
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Clarinette et Piano ad lib. (1)
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Cor en Fa et Piano (1)
2 Percussions (1)
Flûte à Bec et Concert Band ou Ha… (1)
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5 Percussionnistes et Orchestre (1)
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2 Parties Mixtes (1)
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Trombone clé de Fa et clé de Sol (1)
Accompagnement Piano (1)
Mezzo-Soprano et Ensemble, Conducte… (1)
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SAM a Cappella (1)
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ENS::Synth I and II, Acoustic Guita… (1)
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PF/PFA::Piano, Piano Accompaniment (1)
Octet (1)
Choeur Mixte Et Orgue (Ou Piano) (1)
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Variété (1)
3 Clarinettes Sib et Clarinette Bas… (1)
Voix et Orchestre ou Piano (1)
Brass Quartet: 4 trumpets (1)
Ensemble de Jazz (Conducteur et par… (1)
Tenor und Baritone und Klavier (1)
2 Trompettes, 2 Trombones, Piano, G… (1)
Chœur d'Enfants et Piano ou Ensemb… (1)
Quatuor De Flûtes (1)
Voix (Moyenne(s)) Et Guitare (1)
SSATB et Orchestre (1)
Soprano, Ténor et Piano (1)
Biography book (1)
CLT/VLN/VLA/VLC::Clarinet, Violin, … (1)
Ensemble Flexible à 7 Parties (1)
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2 Parties Voix Aigues (SA), Cor (Ou… (1)
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Tuba ensemble (1)
2 Saxophones Alto ou 2 Saxophones T… (1)
Choeur D'Hommes (TTBB) Et Piano 4 M… (1)
Voix, 2 Flûtes A Bec Soprano Et Or… (1)
Piano Ou Piano Duo (1)
Flûte, Hautbois Et Clarinette (1)
Une ou Plusieurs Flûtes à bec Alt… (1)
Unisson Et 2 Parties Voix Aigues (S… (1)
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1-2 Trompettes (1)
Voix d'Hommes (1)
Choeur et ensemble vocal (1)
Choeurs De Femmes (1)
2 Oboes, Piano (1)
Mezzo-Soprano, Violin and Piano (1)
Flûte à Bec et Concert Band/Harmo… (1)
Voix Elevée(s) Et Orchestre A Cord… (1)
GTR(2)/VLA/VLC::Guitare(Duo), Viola… (1)
Guitare Tablatures Résonateur (1)
2 Voix et Piano (1)
Trombones Ou Euphoniums Sib TB (1)
Soprano and Ensemble (1)
Choeur d'Enfants ou de Femmes (SA) … (1)
ML::Melody Line (1)
1 Ou 2 Guitare(s) (1)
Marimba (1)
1-4 Voix avec et sans Accompagnemen… (1)
Soprano, Mezzo-Soprano, Baryton-Bas… (1)
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Choeur Mixte A Cappella (Satb) (1)
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Male Voice (1)
Voix de Femmes (1)
Flûte Ou Hautbois (1)
Saxophone Tenor Et Soprano (1)
Duet Mixted Instruments (1)
Choeur d'Enfants SSAA (1)
Tout Instrument à Clés (1)
5 Solistes, Choeur D'Hommes Et Orch… (1)
Saxophone Alto et Piano ad lib. (1)
Bassoon, Orchestra (1)
1 Ou 2 Saxophone(s) Tenor Et Piano … (1)
Accompagnement Piano Pour Violon (e… (1)
Flûte Et Violoncelle (1)
Orchestre et Instruments Turques (1)
Voix Elevée(s) Et Guitare (1)
Ensemble D'Instruments A Vent (1)
SSA ou TTB (1)
3 Trumpets (trio) (1)
T-shirt (1)
Saxophone Soprano et Orchestre (1)
Choeur et Piano (1)
Choeur Mixte (SA Hommes) (1)
Vocal Score (1)
Jazz Ensemble et Jazz Band (1)
Saxophone (Soprano, Alto, Ténor) (1)
TTB (1)
Violon et Glockenspiel (1)
Voix Basse Et Orgue (1)
Violin, Basso continuo (1)
2 Clarinettes Avec Percussions Ad L… (1)
Alto (1)
Chant Et Piano (Réduction) (1)
String trio (1)
Choeur De Femmes Et Harpe (1)
Choeur A 2 Parties Et Orgue (1)
Choeur SAB (1)
Choeur Mixte Et Percussions (1)
Violon (Traditionnel) (1)
TBN(2)/STR ORCH::Trombone(Duo), Orc… (1)
Chant de Femmes (1)
Flûte Traversière (Ou Flûte A Be… (1)
B FLAT INST/PFA::B Flat Instruments… (1)
Brass Band ou Vents et SATB (1)
Choeur TB A Cappella (1)
STRING ENSEMBLE (1)
2 Ou 3 Clarinettes (1)
Trompette, Trombone, Cordes, Piano,… (1)
Double Chœur Mixte SATB (1)
Choeur Mixte (SATB) Avec Accompagne… (1)
Trombone En Ut (1)
Instruments à Cordes Pincées (1)
Trombone, Baryton B.C., Basson, Tub… (1)
1 A 4 Flûte(s) A Bec Soprano Ou Au… (1)
3 Flûtes A Bec Soprano (1)
Chant Et Guitare Basse (1)
4 Trombones Et Piano (Clavier) (1)
Cor (Tuteurs Et Etudes) (1)
12 Violoncelles (1)
Choeur TBB (1)
Ensemble et Electronique (1)
Quintette de Cuivres (1)
Unisson/2 Voix (1)
1-2 Flûtes Traversières (1)
Violon, Violoncelle Et Basse Contin… (1)
2 Instruments En Mib (1)
GTR(4)::Guitar (Quartet) (1)
Cor Français (1)
Singstimmen und Schlagzeug (1)
Trompette en Sib ou Bugle ou Baryto… (1)
Voix, Piano Et Guitare (1)
Ensemble A 4 Parties (1)
Voix Moyenne(s), 1 Ou 2 Flûte(s) A… (1)
3 Flûtes A Bec Alto (1)
2 Contrebasses (1)
Saxophone Alto et Instruments en Si… (1)
Choeur SSSAAA A Cappella Et Soprano (1)
Solistes, Chœur SATB et Ensemble d… (1)
Flûte Irlandaise (1)
Percussions et Concert Band/Harmoni… (1)
Brass Band et SATB opt. (1)
Choeur A L'Unisson, Piano Et Percus… (1)
Choeur De Femmes (SSA) Et Piano (1)
2 Flûtes Traversières Accompagnem… (1)
Soprano et Cor (1)
5 Saxophones (Soprano, Alto, 2 Teno… (1)
For Soprano, solo Horn and large en… (1)
2 Guitars, Viola and Cello (1)
1 ou 2 Flûtes Traversière (1)
Saxophone Alto ou Ténor et Piano (1)
Flûte Traversière, Hautbois Et Pe… (1)
Chant et Claviers (1)
Saxophone Soprano ou Ténor (1)
Saxophone Alto 2 (1)
Guitare Harpe (1)
Instruments en Do / C (1)
2 Clarinets and Bassoon (1)
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Edward Mollenhauer: The Boy Paganini: Violin: Instrumental Work
Violin and Piano
-
Easy
Barenreiter
Fantasia for Violin and Piano-Born in Erfurt the composer Edward Mollenhauer (1...
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Fantasia for Violin and Piano-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics and pizzicato.This showpiece (BA 10691) can be accomplished by young violinists who can play in first to third position and who are nearing completion of theSassmannshaus Early Start on the Violin volume 4.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves.On the Violin (BA 10692) the technical requirements call for first to fifth position. Violinists should have completed volume 4 of Early Start on the Violin in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.
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Frank Bridge: Sonata For Violin and Piano (1904): Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Intermediate
Thames Publishing
Frank Bridge's 1904 Sonata for Violin and Piano. A youthful and admirable first ...
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Frank Bridge's 1904 Sonata for Violin and Piano. A youthful and admirable first attempt at Sonata compostion this piece is not as masterful as his 1932 work but nevertheless displays his skilled working knowledge of the Violin.
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Charles Auguste de Bériot: Scène de Ballet op. 100: Violin: Instrumental Work
Violin and Piano
Barenreiter
Arranged for Violin and Piano-The Belgian Charles Auguste de Bériot (1802-1870)...
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Arranged for Violin and Piano-The Belgian Charles Auguste de Bériot (1802-1870) was not only a violinist but also a teacher and composer. Scène de Ballet perhaps his best-known composition is a favourite with Violin students. One such student was the young Itzhak Perlman who included it in his collection Concertos from my Childhood. The piece captivates with its beautiful melodies and refined rhythms. The EditorKurt Sassmannshaus is a world-famous Violin teacher with a professorship in Cincinnati (Ohio USA). He is also the founder of the Great Wall Music Academy an international summer camp for young string players in China. Hecontinues the family tradition of Early Start on the Violin founded by his father Egon Sassmannshaus and published by Bärenreiter with editions in German and English. The series Bärenreiter's Concert Pieces includes works for solo strings usually the Violin but also Viola and Cello all with Piano accompaniment.
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Oscar Rieding: Marcia Op.44 & Rondo Op.22/3: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Barenreiter
The 'Marcia' and 'Rondo' are often the first concert pieces for a young Violinis...
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The 'Marcia' and 'Rondo' are often the first concert pieces for a young Violinist that are not part of a Violin method. Both works have become favourites in class recitals. They give the young musician an opportunity to express a variety of moods in energetic and elegant performances. The series Bärenreiter’s Concert Pieces continues with further works from the Violin repertoire. The editions contain a solo Violin part and a Piano reduction for the accompanist. The series is edited by Kurt Sassmannshaus the internationally-renowned Violin teacher and co-author of the 'Early Start'Sassmannshaus Violin school tradition. His forewords introduce these little gems and include tips for successful first concerts. The editions form an ideal continuation of the Sassmannshaus Violin school tradition; they can be used in parallel from the third volume onwards or alongside any Violin method. The series will be continued and will introduce the student to more demanding repertoire with an increasing level of difficulty.
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First Book of Classical Violin: Violin: Instrumental Album
Violin and Piano
[Sheet music + Audio access]
-
Easy
Ricordi
100 Progressive Melodies of 3 to 8 Notes with Piano Accompaniment. Level: Beginn...
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100 Progressive Melodies of 3 to 8 Notes with Piano Accompaniment. Level: Beginner The First Book of Classical Violin offers a selection of 100 melodies from classic repertoire, the result of Andrea Cappellari's many years of research and experience in music teaching. Students of any age will be able to perform melodies by classical composers from the very first lessons. All 100 short melodies consist of a minimum of three and a maximum of eight notes. Only basic rhythmic note values are used, from the eighth note to the whole note. The pieces are presented in progressive order of difficulty, and are in the most appropriate keys for the instrument. The simple piano accompaniments encourage ensemble playing at a beginner level and the recorded piano accompaniments are an excellent tool for practicing. A few selected melodies also have a second violin part as part of the recorded accompaniment. The book also includes a separate instrumental pull-out part. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
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Wolfgang Amadeus Mozart: Violin Sonatas - Volume 2: Violin: Instrumental Album
Violin and Piano
G. Henle
(Aurnhammer) Urtextausgabe mit einer bezeichneten und einer unbezeichneten Stre...
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(Aurnhammer) Urtextausgabe mit einer bezeichneten und einer unbezeichneten Streicherstimme-This is the second volume of Mozart’s Complete Sonatas for Piano and Violin and contains fully revised versions of his six sonatas for Piano and Violin K.296 and K.376-80 also known as the Aurnhammer SonatasOp.2.This authoritative Henle Urtext edition has been carefully edited by Wolf-Dieter Seiffert with fingerings by Walther Lampe and Karl Rohrig and provides you with the most accurate realisation of thecomposer’s original intentions with thoroughly comprehensive and detailed editorial markings and suggestions.
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Wolfgang Amadeus Mozart: Violin Sonatas - Volume 1: Violin: Instrumental Work
Violin and Piano
G. Henle
(Kurfürstin) Urtextausgabe mit einer bezeichneten und einer unbezeichneten Stre...
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(Kurfürstin) Urtextausgabe mit einer bezeichneten und einer unbezeichneten Streicherstimme-This is the first volume of Mozart’s Complete Sonatas for Piano and Violin and contains fully revised versions of his six sonatas for Piano and Violin K.301-306 also known as the Kurfustin Sonatas Op.1. This authoritative Henle Urtext edition has been carefully edited by Wolf-Dieter Seiffert with fingerings by Walther Lampe and Karl Rohrig and provides you with the most accurate realisation of the composer’soriginal intentions with thoroughly comprehensive and detailed editorial markings and suggestions.
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Ravel Maurice - Tzigane - Violon and Piano
Violin and Piano
Barenreiter
Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ra...
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Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D?Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer?s earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition; one of the available sources, consulted for the first time, was a copy of ?Tzigane? from the estate of Jelly D?Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D?Aranyi?s fingering
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Maurice Ravel: Tzigane: Violin: Instrumental Work
Violin and Piano
Barenreiter
Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hung...
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Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering
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Red Hot Violin. Grades 5-6: Violin: Instrumental Album
Violin and Piano
[Sheet music]
-
Intermediate
Faber Music Limited
Red Hot Violin is an exciting new series of graded performance repertoire with ...
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Red Hot Violin is an exciting new series of graded performance repertoire with a difference featuring sizzling arrangements of contemporary show-stoppers for intermediate violin with piano. With pieces in a wide variety of styles violinists of all ages will enjoy showing off these sparkling takes on popular favourites. They’re perfect for inspiring students as a refreshing change from exam repertoire and would go down a storm at any concert or recital. Arranger and composer Rachel Jennings has been playing the violin since the age of six studying with Susan Sheppard and Jean Harvey and theory with Jonathan Rathbone. She runs a private teachingstudio in Nottingham.The A Team; Canarios; Cotton-Eyed Joe; Dream A Little Dream Of Me; I Wanna Be Like You; If Only I Had A Brain; One Day Like This; Sleigh Ride; Summer Nights.
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Pam Wedgwood: Jazzin' About: Violin: Instrumental Album
Violin and Piano
Faber Music Limited
Fun Pieces for Violin-Jazzin' About is a vibrant collection of original pieces i...
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Fun Pieces for Violin-Jazzin' About is a vibrant collection of original pieces in a range of contemporary styles composed by Pam Wedgwood for Violin with Piano Accompaniment. These pieces are between grades 3 and 5 in standard and feature cool syncopation funky riffs and smooth stylish tunes. So take a break from the classics and get into the groove as you cruise from blues to rock to jazz.The solo violin part is also included on a separate insert.
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Mario Castelnuovo-Tedesco: Chant Hébraïque For Violin And Piano. Sheet Music for Violin Piano Accompaniment
Violin and Piano
[Sheet music]
Leduc, Alphonse
Born into a family that had lived in Florence since the expulsion of the Jews fr...
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Born into a family that had lived in Florence since the expulsion of the Jews from Spain in 1492 Mario Castelnuovo-Tedesco (1895-1968) entertained only a distant relationship with the music he heard at synagogue: a Renaissance church held more appeal for the Florentine artist than the Oriental décor of his forefathers’ place of worship. It was only when he discovered Schelemo a rhapsody for cello and orchestra written in 1916 by Ernest Bloch that he began to understand what “Jewish music” could be. It would take until the death of his maternal grandfather and the discovery of a collection of prayers set to music among his papers for the youngCastelnuovo-Tedesco to begin to explore Jewish music. In 1928 two years after publishing the Dances of King David he wrote this Vocalise-Étude for medium voice and piano at the request of vocal teacher Amédée-Landély Hettich who wanted to include it in the Répertoire moderne de Vocalises-Études published by Leduc. The piece became so popular that it led to several adaptations and the composer asked his close friend Gioacchino Maglioni (1891-1966) to transcribe it for violin and piano. Divided into three sections the work opens with a poignant lamento that grieves the tragic fate of the Jewish people. Countering what he felt to be a tendency of Jewish music to transform into a “Wailing Wall” Castelnuovo-Tedesco follows the lamento with a folk dance whose brisk “lively and stubborn” movement has great panache. The third section returns to the initial poignant theme before briefly reiterating the dance motif allowing the piece to conclude on a hopeful note.
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Franz Joseph Haydn: Violin Concerto In G: Violin: Instrumental Work
Violin and Piano
G. Henle
Violin Concerto In G major is considered to be the earliest of Joseph Haydn?s Vi...
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Violin Concerto In G major is considered to be the earliest of Joseph Haydn?s Violin concertos and was apparently written before he was taken into the service of the Esterházy family. It was firstpublished a century after the Austrian composer?s death in 1909 and was little known before. The concerto is lovely and ingratiating to the ear consisting of 3 movements (Allegro moderato Adagio andAllegro) with a total performance time of under 20 minutes. The unmatched intimacy and loveliness of the uniquely beautiful Adagio and the high spirited final movement with its charming Bagpipe imitation will putplayers and audiences alike in the best of moods from the outset. This Urtext edition provides you with a clear and accurate representation of the composer's original intentions. The Orchestra part is reduced to a Pianoaccompaniment and two copies of the Violin score which is identical to that of the Haydn-Gesamtausgabe are enclosed as separate inserts. A preface in German English and French by editor Günter Thomas is included as well.
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Diverse: Celtic Play-Along Violin: Violin: Play-Along
Violin and Piano
[Sheet music + CD]
Universal Edition
Play-Alongs Bekannter Stücke Aus Irland Schottland Wales Dem Cornwall und De...
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Play-Alongs Bekannter Stücke Aus Irland Schottland Wales Dem Cornwall und Der Bretagne-Martin Tourish is an accordionist composer and musicologist from Co. Donegal now based in Dublin. Celtic music is in his blood for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. ?World Music Celtic? presents material from the Irish Scottish Welsh Cornish and Breton traditions. It makes no great technical demands on the players but Tourish points out that notation of this music is often ?skeletal? hence it is important to gain a knowledge of theindividual traditions in question and naturally he offers plenty of information on performance practice. The collection spans three centuries from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings festivals and the very communities whence this music comes. ?World Music Celtic? is available in four formats each with complete recordings and backing tracks on CD: as solo versions for violin flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C Bb or Eb) piano guitar bass and bodhrán.
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Let's play with scales (IWAN EWA)
Violin and Piano
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par IWAN EWA. Scrabble or Macao - these aren't that hard games yet. But how to p...
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Par IWAN EWA. Scrabble or Macao - these aren't that hard games yet. But how to play scales on the violin? It turns out that the rules are simple. First, you have to learn the song, because it gives you tips on how to play a new scale. Now even a minor scale full of flats will not be scary anymore! A song can be sung and played. The next step is to practice the melody and play it with the accompaniment of a piano. Is it hard? Check it out for yourself! / Date parution : 2022-11-08/ Etude / Violon et Piano
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Max Reger: Klarinettensonate Opus 107: Violin: Instrumental Work
Violin and Piano
G. Henle
Clarinet Sonata op. 107-When Reger submitted his Clarinet Sonata op. 107 for pri...
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Clarinet Sonata op. 107-When Reger submitted his Clarinet Sonata op. 107 for printing he remarked: 'You immediately notice that the work was originally for clarinet (viola) but that it can also be played by violin and piano.' He wrote the violin parthimself adjusting it to suit the needs of the violin. Even before the first performance of the original for clarinet he had tried out the work with a violinist. 'Should the critics claim once again that it is incomprehensible -then these gentlemen are simply first class asses. The work sounds very good is intimate chamber music and not difficult to play together.' There is nothing more to be said.
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Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Z...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Joaquín Turina: El Poema De Una Sanluquena: Violin: Instrumental Work
Español
Violin and Piano
[Sheet music]
Unión Musical Ediciones
In the relatively sparse Spanish repertoire for Piano and Violin El Poema De Un...
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In the relatively sparse Spanish repertoire for Piano and Violin El Poema De Una Sanluqueña is considered by many a key work of 20th century Spanish chamber music. Turina was a frequent visitor to the seaside town of Sanlúcar in his youth and his love for the town shines through in these four movements. The work Is dedicated to the ?muchachas? the girls of Sanlúcar who it is said ?don?t get married? because the boys of Sanlúcar marry outsiders. Turina wrote the work for ?those beautiful Andalusian girls living in a sad and never-ending dream.? Unlike earlier works of Turina this one was not descriptive but rather suggestive of an emotional state. The piece requires thegreatest technical expertise of both Violinist and pianist as well as sensitivity and humour. Joaquin Turina is often contrasted with Albéniz and Granados those two proponents of a Spanish national style. Turina strove to write music of a European standard in the conventional major forms. In his work it is possible to hear the influence of Turina?s years studying in Paris as well as his native Spain combined with the composer?s own unique Voice.
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Edvard Grieg: Sonata in G major op. 13: Violin: Score and Part
Violin and Piano
G. Henle
Of Grieg?s three Violin sonatas the great C-minor Sonata op. 45 is the best kno...
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Of Grieg?s three Violin sonatas the great C-minor Sonata op. 45 is the best known today. And unjustly so because the two early sonatas are captivating in their joy to play and their fresh youthful tone. And what is more they can also be played by advanced students due to their somewhat lesser technical demands. Written in 1867 the G-major Violin Sonata op. 13 palpably draws on Grieg?s enthusiasm for Norwegian folk music; the lively outer movements in particular take as their model the traditional ?jumping dance.? Aside from the second print edition of 1887 revised by Grieg himself the autograph manuscript in Stockholm wasalso consulted for this edition thus offering an optimally ascertained musical text.
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Violin Concerto 'Concentric Paths'
Violin and Piano
[Sheet music]
Faber Music Limited
Par ADES THOMAS. Thomas Adès?s Violin Concerto ?Concentric Paths?, written in 2...
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Par ADES THOMAS. Thomas Adès?s Violin Concerto ?Concentric Paths?, written in 2005, is one of the most important additions to the violin concerto repertoire since Ligeti?s. Cast in three contrasting movements ? each linked by a preoccupation with circling musical figures ? the concerto, subtitled ?Concentric Paths? now occupies a place in standard repertoire. Two lithe, rhythmically driven movements ? Rings and Rounds ? bookend Paths, an intensely emotional and gritty exploration of passacaglia-like sequences, which peaks in a lyrical outpouring of exceptional beauty. ?In just 20 minutes, this three-movement piece does something magical. The way it swirls ethereally in the first movement, exerts a tragic and vice-like grip in the chaconne-like second part and finally propels you into the uninhibited flight of the finale is like being spun into an infinite space.? The Guardian (Tom Service) / Date parution : 2023-07-31/ Répertoire / Violon et Piano
37.45 EUR - Sold by LMI-partitions
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HEIFETZ PLAY GERSHWIN VOL (GERSHWIN GEORGE)
Violin and Piano
[Sheet music]
Carl Fischer
Par GERSHWIN GEORGE. Jascha Heifetz (1901-1987) and George Gershwin (1898-1937),...
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Par GERSHWIN GEORGE. Jascha Heifetz (1901-1987) and George Gershwin (1898-1937), two of the best known figures in American music, were good friends and often played together. Heifetz had urged Gershwin to write a violin concerto for him, but unfortunately Gershwin died before the project got off the ground. These transcriptions by Heifetz are the next best thing. The five excerpts from Porgy and Bess?« and the Three Preludes are well known and Heifetz often played them as encores, but the substantial concert excerpt from An American in ParisTM has never been published before and may not have been performed by Heifetz in public at all. The infectious rhythms and gorgeous tunes of thisAmerican classic are brilliantly served by Heifetz as transcriber, and the Porgy excerpts (which include 'Bess, You Is My Woman Now,' 'Summertime' and 'My Man's Gone Now') sizzle with virtuoso pizzazz in these wonderful arrangements. This edition is a must-have for lovers of the violin and the music of Gershwin! / Date parution : 2022-11-04/ Recueil / Violon et Piano
56.55 EUR - Sold by LMI-partitions
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Pop Romance (SCHMITZ MANFRED)
Violin and Piano
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Intermediate
AMA Verlag
Par SCHMITZ MANFRED. Have fun learning through the combination of classical play...
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Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Niveau : Intermédiaire / Contemporary - Solos / Recueil / Violon et Piano
32.50 EUR - Sold by LMI-partitions
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3-10 days - In Stock Supplier
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