Arcangelo Corelli (1653 - 1713) was an Italian violinist and composer. He was one of the earliest pioneers of the modern Violin and helped define its capabilities for generations after. He only published 6 opuses in his lifetime but they are arguably the most influential collection of baroque music that survives today. His Opus 5 was a collection of 12 Violin Sonatas the only Sonatas he published. They were written for the composer’s own use and performed by him many times showcasing the Violin technique he had developed over his career. Adagio and Allegro are the last two movements in Corelli’s Sonata No.1 in DMajor. Originally written for Violin and Harpsichord they are published here for Violin and Piano.

Idéale pour les musiciens pratiquant Violon et ayant un niveau proche de Cycle 1, cette pièce se classe dans la catégorie Classique sous la référence MEND03026.Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Adagio non troppo, extrait des Lieder ohne Worte de Mendelssohn-Bartholdy Felix. / Violon / niveau : Cycle 1 / Partition

Brahms's Concerto for Violin and Orchestra Op.77 begins unusually with a gentle Allegro ma non troppo in 3/4 time which becomes more virtuosic as it progresses. This is followed by a whimsical Adagio which begins with wind solos. The final movement opens with the soloist playing a fast fanfare-like theme in thirds with minimal accompaniment. The orchestra burst in after eight bars to answer the violin and the movement becomes a joyful yet frantic Finale.Available here for Solo Violin and Piano accompaniment/orchestral reduction is a Great Performer's Edition of Brahms’ Violin Concerto in D Op.77 as edited by the great Yehudi Menuhin.

Performed by Mario Hossen, violin Accompaniment: Plovdiv Chamber Orchestra Conductor: Nayden Todorov Mozart's third violin concerto, KV216, sometimes called the 'Strassburg' for a 'Strassburger' tune in its Rondo, is scored for a rather simple, chamber-sized orchestra. The Adagio of this concerto must be the most sublime movement in any of his violin concerti and one of the most beautiful and quintessentially Mozartian in his entire oeuvre. Perhaps the most memorable of his five violin concerti, it is quintessential Mozart and an indispensable addition to any serious violinist's repertoire. Includes a printed music score with informative liner note, and demonstration and backing tracks line. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Violon / Hal Leonard

Ecrit en 1823, cette magique 'double' concerto a été composé en trois mouvements formulaire (Allegro-Adagio-Allegro molto) et représente un appariement concerto inhabituelle. Il est pur Mendelssohn à son meilleur! Le mouvement central Adagio est un merveilleux 'Chanson sans paroles.' Caractéristiques nombreux passages solo pour chaque soliste, du plus bel effet. À ne pas manquer!Comprend une édition performances autorité de la partition pour violon, édité par Mario Hossen et nouvellement gravés et imprimés sur papier ivoire de haute qualité. / Violon

for violin and piano-Vladimir Pogoyev's transcriptions for violin and piano of two episodes from Alexander Glasunov's ballet 'Raymonda' are among the most famous 'Raymonda' arrangements. The composer Pogoyev (1872-1941) belonged to the circle ofmusicians around the publisher M.P. Belaieff and was personally acquainted with Glasunov. The brilliant transcriptions of the 'Grand Adagio' and of the 'Waltz' are intended for concert performances but can also be used in musiclessons.

Collection for Violin - Werke für Violine - Raccolta per violino-Ce volume présente une sélection de pièces originales et de transcriptions d?époque qui n?avaient jamais fait l?objet d?une recollection en cahier. Ces transcriptions publiées par Durand en 1928 devinrent un véritable succès éditorial qui sevérifia lors des concerts des violonistes amateurs ou professionnels qui programmèrent aisément ces oeuvres-là. Leur variété et leur couleur - qui sans jamais renier Ravel et l?esprit de l?oeuvre dont certaines sont issues demeurent éminemmentviolonistiques - témoignent de la vitalité de la musique francaise du premier vingtième siècle et de son incontestable succès.Sommaire: Pavane pour une Infante défunte ? Menuet (extrait de la Sonatine pour piano) ? Pavane de la Belle au Bois dormant (extrait de: Ma Mère l?Oye) ? Kaddish (no. 1 des: Deux Mélodies Hébraiques) ? Rigaudon (extrait du: Tombeau de Couperin)? Berceuse sur le nom de Gabriel Fauré ? Five O?Clock (fox-trot daprès: L?Enfant et les Sortileges) ? Pastourelle (daprès: L?Enfant et les Sortileges) ? Boléro ? Adagio (extrait du: Concerto pour piano et orchestre).

Music Minus One Violin-In 1798 Beethoven commenced the writing of the biggest project in his first decade in Vienna a set of six String Quartets which would become his opus 18. The F major though listed as No. 1 was the second composed. It is an impressive piece and its beautiful D-minor adagio was inspired by the burial-vault scene in Shakespeare's Romeo and Juliet. The Fourth Quartet in C minor is a fascinating piece which incorporates a gypsy theme into its final movement. Beautiful writing from the latter part of Beethoven's early period. Includes a complete high-quality printed music score and a compact disc containing stereo accompaniments minus you the first violinist.Accompaniment: The Classic String Quartet

Violin Sonata No. 1 in D Major, Op.12, No. 1 (dedicated to Antonio Salieri) I: Allegro con brio II: Tema con variazioni. Andante con moto III: Rondo. Allegro Violin Sonata No. 2 in A Major, Op.12, No. 2 (dedicated to Antonio Salieri) I: Allegro vivace II: Andante, più toso Allegretto, III: Allegro piacevole Violin Sonata No. 3 in E-flat Major, Op. 12., No. 3 (dedicated to Antonio Salieri) I: Allegro con spirito II: Adagio con molt´ espressione III: Rondo. Allegro molto Violin Sonata No. 4 in A Minor, Op.23 (dedicated to Count Moritz von Fries) I: Presto II: Andante scherzoso, più Allegretto III: Allegretto molto Violin Sonata No. 5 in F Major (Spring), Op. 24 (dedicated to Count Moritz von Fries) I: Allegro II: Adagio molto espressivo III: Scherzo. Allegro Molto IV: Rondo. Allegro ma non troppo Violin Sonata No. 6 in A Major, Op. 30, No. 1 (dedicated to Tsar Alexander I of Russia) I: Allegro II: Adagio molto espressivo III: Allegretto con Variazioni Violin Sonata No. 7 in C Minor, Op. 30, No. 2 (dedicated to Tsar Alexander I of Russia) I: Allegro con brio II: Adagio cantabile III: Scherzo. Allegro IV: Finale. Allegro Violin Sonata No. 8 in G Major, Op. 30, No. 3 (dedicated to Tsar Alexander I of Russia) I: Allegro assai II: Tempo di Minuetto III: Allegro vivace Violin Sonata No. 9 in A Minor (Kreutzer), Op. 47 (dedicated to Rodolphe Kreutzer) I: Adagio sostenuto-Presto II: Andante con Variazioni III: Finale. Presto Violin Sonata No. 10 in G Major, Op. 96 (dedicated to Archduke Rudolph) I: Allegro moderato II: Adagio espressivo III: Scherzo. Allegro IV: Poco Allegretto

Par RODE PIERRE. with original fingering and bowing by the composer -additional markings and practical comments by Friedemann Eichhorn / Gertsch, Norbert / Répertoire / Violon Solo