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Were You There When They Crucified My Lord? [G Major High Voice]
Were You There When They Crucified My Lord? [G Major High Voice]
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Were You There When They Crucified My Lord? [E Flat Major]
Were You There When They Crucified My Lord? [E Flat Major]
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The Essential Collection For the Church Soloist
Voice solo
[Sheet music]
Hope Publishing Company
By Various. Arranged by Lloyd Larson. For Vocal Solo. This edition: Complete. Vo...
(+)
By Various. Arranged by Lloyd Larson. For Vocal Solo. This edition: Complete. Vocal Collection. General, Sacred. Collection. 245 pages. Published by Hope Publishing Company
$79.95 - See more - Buy online
Pre-shipment lead time:
24 hours - In Stock
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Songs of Reflection - High Voice
Voice solo
[Vocal Score]
-
Intermediate
Sacred Music Press
By Dale Wood. For high voice solo. Level: Medium. Sacred vocal. Published by Sac...
(+)
By Dale Wood. For high voice solo. Level: Medium. Sacred vocal. Published by Sacred Music Press. (30/1108S)
$16.95 - See more - Buy online
Pre-shipment lead time:
1 to 2 weeks
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Broadway Presents! Teen Male Vocal Anthology
Voice solo
[Sheet music + CD]
Alfred Publishing
(A Treasury of Songs from Stage and Film, Specially Designed for Teen Singers! I...
(+)
(A Treasury of Songs from Stage and Film, Specially Designed for Teen Singers! Includes Story Synopsis, Song Set-up, Audition Tips and 16-Bar Cut Suggestions). Edited by and compiled Lisa DeSpain. For Voice. Book; CD; Vocal Collection. Broadway. 220 pages. Published by Alfred Music Publishing
$29.99 - See more - Buy online
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1 to 2 weeks
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Broadway Presents! Teen Male Vocal Anthology
Voice solo
[CD]
Alfred Publishing
(A Treasury of Songs from Stage * Film Specially Designed for Teen Singers! Incl...
(+)
(A Treasury of Songs from Stage * Film Specially Designed for Teen Singers! Includes Story Synopsis, Song Set-up, Audition Tips & 16-Bar Cut Suggestions). Edited by Lisa DeSpain. For Voice. Vocal Collection. Broadway. Book. 208 pages. Published by Alfred Music Publishing
$29.99 - See more - Buy online
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24 hours - In Stock
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21st Century Musical Theatre
Voice solo
Hal Leonard
(21st Century Musical Theatre - Men's Edition). Composed by Various. For Vocal. ...
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(21st Century Musical Theatre - Men's Edition). Composed by Various. For Vocal. Vocal Collection. Softcover. 392 pages. Published by Hal Leonard
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Singer's Musical Theatre Anthology - Volume 5
Voice solo
[Sheet music]
Hal Leonard
Baritone/Bass Book. By Various. Vocal Collection. Softcover. 248 pages. Publishe...
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Baritone/Bass Book. By Various. Vocal Collection. Softcover. 248 pages. Published by Hal Leonard.
$24.99 - See more - Buy online
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The Ultimate Gospel Choir Book 1: 2-Part Choir
Voice solo
[Sheet music]
Zebe Publishing
A superb and comprehensive collection of gospels and spirituals for Gospel choir...
(+)
A superb and comprehensive collection of gospels and spirituals for Gospel choirs, containing a selection of classic favourites and rarer treasures in this bright and soulful idiom. The Ultimate Gospel Book Volume 1 contains 30 lively, invigorating songs which are all in delightful settings for Mixed Choir SATB, arranged by Jeff Guillen. CONTENT: Amen, Balm In Gilead, Burden Down, By An By, Certainly, Come And Go, Deep River, Didn t My Lord Deliver Daniel, Down By the Riverside, Free At Last, Goin to Set Down, Good News, The Gospeltrain, He s Got the Whole World, Hold On, I Know the Lord, Joshua Fight the Battle of Jericho, Let Us Break Bread, Lord, Lord, Lord, Rocks on the Mountains, Roll Jordan, Somebody s Knocking, Sometimes I Feel, Steal Away, There s a Meeting, Trampin , Wade In the Water, Walk Together Children, Were You There, When the Stars Begin to Fall.
9.20 GBP - Sold by Musicroom UK
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The Voice in Progress (ANDERSEN DAN)
Voice solo
[Sheet music]
Hal Leonard
Developing the Adolescent Voice. Par ANDERSEN DAN. Emily Crocker writes: Forty y...
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Developing the Adolescent Voice. Par ANDERSEN DAN. Emily Crocker writes: Forty years ago, most vocal methods were aimed at high school students and up. Dan Andersens\'s materials and methods remedy this situation and offer an excellent curriculum for the young voice, giving you the opportunity to reap the benefits of his forty years of successfully working with adolescent singers. There are 50 vocal warm up exercises and recorded piano accompaniments included with the purchase of the book.Chapters include 1) Building the Adolescent Voice--Why we Warm up; 2) Preparing the Adolescent Voice--How we warm up; 3) Knowing the Adolescent Voice--Girls Changing voice
40.70 EUR - Sold by LMI-partitions
(Seller in french langage)
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Rock + Cd - Voice
Voice solo
[Sheet music + CD]
Alfred Publishing
ABOUT ALFRED'S ULTIMATE VOCAL SING-ALONG SERIES Alfred's Ultimate Sing-Along...
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ABOUT ALFRED'S ULTIMATE VOCAL SING-ALONG SERIES Alfred's Ultimate Sing-Along books give you everything you need to sing with your favorite songs. Each songbook has the lyrics, music notation, and chords to eight great hits, with lyrics-only pages included. There are two versions of every song on the CD: a full-performance track with an amazing sound-alike recording, and a professional accompaniment track so you can sing along. When you use the CD in your Mac or Windows-based computer, the TNT (Tone 'N' Tempo) Changer lets you easily change the key and temp to individualize the playback for just your voice and style. Titles (and artists): Wake Me Up When September Ends (Green Day) * Dr. Feelgood (Motley Crue) * Jump (Van Halen) * Photograph (Nickelback) * I Don't Want to Miss a Thing (Aerosmith) * Werewolves of London (Warren Zevon) * Blitzkreig Bop (Ramones) * Just What I Needed (The Cars).
19.50 EUR - Sold by Woodbrass
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The Art of Singing on Stage and in the Studio: Reference Books
Voice solo
Hal Leonard
Understanding the Psychology Relationships and Technology in Recording and Liv...
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Understanding the Psychology Relationships and Technology in Recording and Live Performance-To be a great singer talent and technique are obviously important as are having excellent songs and being able to move an audience. But there's more to it than that including two critical skills that are rarely if ever addressed in vocal training: managing the technology on stage and in the studio and interacting with the people who run it. No matter how fantastic your voice is or how much money is behind you if you don't know how to work with performing and recording technology you're in for a tough ride. Countless phenomenal singers stagnate professionally and even leave the business because they can't figure out how to deliver when using studio headphones and stagemonitors or how to communicate their needs to producers and engineers. And many less-capable singers get ahead because they can. The Art of Singing on Stage and in the Studio is the only book that comprehensively addresses these critical issues in an easy-to-read accessible style. Starting with a discussion of the evolution of technology and the voice in our culture it also explores the root causes of anxiety-related performance issues and more importantly how to overcome them. Singers performers producers and engineers will all come away from this book more knowledgeable about the origins of their fields empowered in the tools of their trade and clearer on how to best communicate with one another.
15.99 GBP - Sold by Musicroom UK
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Banished (MC NEFF STEPHEN)
Voice solo
[Sheet music]
Peters
Par MC NEFF STEPHEN. My research for Banished began with a small group of studen...
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Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix
407.20 EUR - Sold by LMI-partitions
(Seller in french langage)
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Singing for Musical Theatre Songbook Grade 4: Vocal: Vocal Tutor
Voice solo
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Intermediate
ABRSM Publishing
Singing for Musical Theatre Songbook Grade 4. This Songbook series features a we...
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Singing for Musical Theatre Songbook Grade 4. This Songbook series features a wealth of material from ABRSM?s Singing for Musical Theatre syllabus. The Grade 4 songbook contains 12 songs. Including classics such as ?Matchmaker? from Fiddler on the Roof to favourites ?The World Above? from The Little Mermaid, and ?Electricity? from Billy Elliot, this collection has also been carefully selected to encourage safe singing and to provide a route for changing voices. With four songs from each of Lists A, B and C, this unique choice of repertoire is an essential collection for those preparing for ABRSM exams, including for the new Performance Grades, and will inspire everyone who loves to sing.
12.99 GBP - Sold by Musicroom UK
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