Singbook is an inspirational resource for all singing leaders working with children and young people, and contains 12 songs by some of today's most exciting songwriters. Suitable for established singing leaders seeking new repertoire, and those leading singing groups for the first time. Inspires young people with an exciting and vibrant mix of styles. Celebrates our cultural diversity, combining songs from Gujarati, Chinese and Albanian music with the best of the UK. Each song includes warm-ups, learning strategies and interviews with the songwriters. All vocal parts and lyric sheets are photocopiable. The songs are graded and colour-coded into three levels - Starting, Developing and Challenging. This edition features full Piano scores for those wishing to accompany their singers themselves, or for Piano-based rehearsal. To be used alongside Singbook (Catalogue No. 0571523986) Produced in association with Youth Music and NASUWT / Voix

The Complete Resource for Community Choirs-Community Voiceworks is an unrivalled collection of fun reflective empowering and moving songs in the practical Voiceworks format. With five sections covering a variety of life's key themes there is something for everyone - from classic hits such as 'Sitting on the Dock of the Bay' 'If I had a hammer' 'Walking on Sunshine' and 'Something Inside So Strong' to well-known traditional songs and new works by acclaimed choir leaders. The CD provides recordings of individual parts allowing non-readers to learn aurally and song sheets are photocopiable. A truly inclusive collection for all groups who love singingtogether regardless of experience!43 flexible songs from simple unison to four parts by established writers and arrangers.Ideal for community choirs of all types and school groups of 11+ years.Vast range of repertoire including well-known pop songs traditional songs from around the world contemporary songs protest songs and rounds.Diverse themes including Peace and Reflection Liberty and Freedom and Celebrations.Warm-ups and practical tips on working with amateur singers and the natural voice.Supporting rehearsal plans for each song from the basis of learning by ear.Copiable pages.CD containing MP3s of learning tracks (providing individual vocal parts) and backing tracks for some pieces.Recordings of full performances available to download.

Sing! is a complete programme of effective and efficient Vocal Warm-ups suitable for all styles of singing. Also featuring a download card that gives you access to online audio and spokeninstructions so that your voice will be in the best shape possible for any performance.   Written by an accomplished world-class vocal coach with around 30 years experience working with singers in amultitude of genres and styles Sing! Vocal Warm-ups will explain the science behind the intricacies of the human voice while providing you with 39 exercises to help you warm up your voice as effectively aspossible reducing the risk of frustrating strain or injury.    Whether you're a smooth jazz singer a powerful rock belter or a folk crooner this book will allow you to refine various vocaltechniques encouraging you to learn how to protect your voice and prepare it for making the best possible performance. The convenient book will take you through different regimes getting you to sing well low supported long freely and clearly with each one focusing on a different aspect of your voice and your singing technique. You can use the exercises to plan your own warm-up routine or just work your way though.   Using the audio examples provided on the practical and useful download card you will be encouraged to participate as you might in a live warm-up session. The spoken instructions will guide you through while you'll be ableto sing along to the music or just familiarise yourself with each exercise before you try it out for yourself. The logical layout and authoritative exercises make Sing! an essential tool for singers of anystyle to learn how to properly warm-up.   Written by author Paul Knight who has been a vocal coach for over thirty years each exercise has been expertly-crafted to be a perfect way to warm-up your

A fresh approach-This book sets out to build on the initial aspects of singing at sight in reading both the rhythm and pitch accurately as begun in Sight-Singing 1.Sight-Singing 2 is divided into two parts. Part 1 comprises 95 exercises in either single or 2-part form. These cover methods to secure the line of the pitch sequences singing a lower part ties awareness of chord structure canons chromatic movement modulations and tone rows. A section of 2-part exercises is also included using treble and bass clefs.Part 2 consists of 16 solo pieces which are presented in the treble clef and aim to develop the singer???s ability to pitch independently from their accompaniment. These shortpieces are based on chords intervals the Dorian mode pentatonic scales melodic minor scales chromatic movement and changing time signatures.The aim of this volume is to develop a secure sense of pitch providing a comprehensive range of styles and challenges which will be of value not just to singers but to all dedicated musicians. The skill of being able to ???vocalise??? a melody independently and accurately is a valuable asset for all musicians regardless of vocal ability or instrument played. The ability to ???hear??? a phrase before it is sung or played is especially useful.- 95 solo/2-part exercises- 16 accompanied solos- 1 wide range of challenging styles- valuable both to singers and instrumentalists

La communauté Songbook offre 100 chansons avec des mots, des cordes et des accompagnements piano. English songs, chansons écossais, irlandais chansons, chansons gallois, chants sacrés, chansons festives, chansons de plantation, chansons américains, comptines, tours et captures, chansons de mer et soldat chansons. Un livre essentiel ' poche ' récemment réédité./ Recueil / Voix

Alan Bullard’s bestselling Joining The Dots series now includes this book for Grade 4 that helps to develop sight-reading skills for singers. By working through a vast number of creative exercises and pieces students can prepare for those all-important ABRSM Singing Grade 4 exams. The books can also be used to build confidence in musicianship classes as a resource for choirs or audition preparation. Joining The Dots Singing covers the requirements for ABRSM’s sight-singing tests at Grade 4 and includes: Workouts along with simple songs to buildthe required rhythm and pitch skills for that specific grade Characterful pieces to sight-sing in a range of approachable musical styles Simple improvisation exercises in which students can explore ideas and develop their sense of rhythm and key Songs and rounds to sing with others for additional sight-singing practice or to learn quickly and sing for fun Alan Bullard is a composer and ABRSM examiner. He studied at the Royal College of Music and the University of Nottingham and taught in further and higher education for many years. He has written many songs and choral works and his music is widely performed and appears on a number of recordings.

Alan Bullard’s bestselling Joining The Dots series now includes this book for Grade 1 that helps to develop sight-reading skills for singers. By working through a vast number of creative exercises and pieces students can prepare for those all-important ABRSM Singing Grade 1 exams. The books can also be used to build confidence in musicianship classes as a resource for choirs or audition preparation. Joining The Dots Singing covers the requirements for ABRSM’s sight-singing tests at Grade 1 and includes: Workouts along with simple songs to buildthe required rhythm and pitch skills for that specific grade Characterful pieces to sight-sing in a range of approachable musical styles Simple improvisation exercises in which students can explore ideas and develop their sense of rhythm and key Songs and rounds to sing with others for additional sight-singing practice or to learn quickly and sing for fun Alan Bullard is a composer and ABRSM examiner. He studied at the Royal College of Music and the University of Nottingham and taught in further and higher education for many years. He has written many songs and choral works and his music is widely performed and appears on a number of recordings.

Kenneth Simpson. This collection is divided into ten sections: music - learning music - times and seasons - Christmas - greetings - gusto - drollery - getting around - birds and beasts - and miscellanea. Most of the items are musically straightforward and of moderate compass. / Voix

Alan Bullard’s bestselling Joining The Dots series now includes this book for Grade 2 that helps to develop sight-reading skills for singers. By working through a vast number of creative exercises and pieces students can prepare for those all-important ABRSM Singing Grade 2 exams. The books can also be used to build confidence in musicianship classes as a resource for choirs or audition preparation.   Joining The Dots Singing covers the requirements for ABRSM’s sight-singing tests at Grade 2 and includes:   Workoutsalong with simple songs to build the required rhythm and pitch skills for that specific grade Characterful pieces to sight-sing in a range of approachable musical styles Simple improvisation exercises in which students can explore ideas and develop their sense of rhythm and key Songs and rounds to sing with others for additional sight-singing practice or to learn quickly and sing for fun   Alan Bullard is a composer and ABRSM examiner. He studied at the Royal College of Music and the University of Nottingham and taught in further and higher education for many years. He has written many songs and choral works and his music is widely performed and appears on a number of recordings.

Music Minus One Vocal-All that's missing are your vocals! The music in this book includes the lyrics vocal lines and piano accompaniments for ten favorites. The online audio tracks contain demos for listening and separate professionally-recorded full-band backing tracks so you can sing along. Songs include The Bare Necessities ? Friend like Me ? Gaston ? Go the Distance ? Les Poissons ? Proud of Your Boy ? Santa Fe ? Strangers like Me ? You've Got a Friend in Me and Zip-A-Dee-Doo-Dah.The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files includePLAYBACK a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.

20 of the best Grades 4-5 Songs selected by the major Examination Boards-The Best Of Singing Grades 4-5 (Low Voice) celebrates the wealth of exciting repertoire featured on the current ABRSM and Trinity College London singing syllabuses.As well as carefully selected range of classical contemporary and folk songs these books bring together some of the greatest jazz standards and Broadway hits ever written all edited to the highest standard and complete with accompanying CD.

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

Collection for Young Voices Singer Edition 10-Pak-From Illumination Entertainment comes an animated comedy about finding the music that lives inside all of us. Sing tells the story of Buster Moon an eternally optimistic koala who puts on the world's greatest singing competition to save his crumbling theater and the five contestants that emerge for their chance to shine. The arrangements in this collection have been carefully adapted for young unison voices with optional harmonies for added fun and are sure to be an unforgettable musical experience for singers and audiences alike! This value-packed collection of songs and professionally-produced recordings are perfect for group singing in the classroom choir or community. Songsinclude: Don't You Worry 'Bout a Thing Faith Hallelujah I'm Still Standing Set It All Free. Suggested for grades 4-8.

Die 20 schönsten Weihnachtslieder zum Mitsingen und Mitspielen-Twenty of the finest Christmas carols for singing and playing along.Christmas time is the season for singing and music making above all others. And now nobody need sing alone any longer. This book contains the best-loved Christmas carols with recordings on the CD in two versions: once with voices and once just with the accompaniment for you to sing along to. There are also chord symbols above the music so that you can play along to the songs too.

Ever wonder how to put together the vocal parts in bluegrass 3 part harmony singing? In this very intimate lesson, Jenny Lester puts her band mates through the paces of finding their harmony parts. They very generously comply in an honest, open-hearted session that takes you right into what could easily be one of their private vocal practice sessions. Soon you will be practicing lead, tenor and baritone singing, each on it's own and then with the other 2 parts through this instructional DVD. In this lesson, Jenny takes two songs (Friends Like You and The River, Mother Nature and Me) and touches on the following techniques for good harmony singing - --finding a good harmony note by learning how to find the root, 3rd and 5th of the chord you are singing over --basic harmony theory for singers --octaves --tips on when and when not to use vibrato --blending and tone --harmony singing with men and women --singing consonants with a group --the tenor and baritone parts that make basic bluegrass harmony --closing off with harmonies to Will The Circle Be Unbroken --and more / Voix / Dvd - Format: 7,5 X 5,25