Das Te Deum Deutsch 'Herr Gott Dich loben wir' for 12-part mixed Chorus a cappella (SSMezMezAATTBarBarBB).The Te Deum in the translation of Martin Luther 1529. Heinz Werner Zimmermann (born 11 August 1930 in Freiburg im Breisgau) is a German composer. Zimmermann had his first composition instruction from 1946 to 1948 with Julius Weismann and studied from 1950 to 1954 in Heidelberg with Wolfgang Fortner as well as at the Kirchenmusikalisches Institut Heidelberg (Institute for Church Music) there. After passing his examinations at the Freiburg Conservatory under Harald Genzmer he became Fortner’s successorin Heidelberg. Here he maintained close contacts with the musicologist Thrasyboulos Georgiades whose rhythm and language studies influenced him the most along with his occupation with American spirituals and jazz. From 1963 to 1976 Heinz Werner Zimmermann was director of the Spandauer Kirchenmusikschule (Spandau school of church-music) in Spandau and then from 1975 to 1996 as successor to Kurt Hessenberg as composition teacher at the Frankfurt University of Music and Performing Arts (Brusniak 2001). Zimmermann’s best-known works are his sacred motets with plucked Double Bass his Organ psalms and his 'Prosalieder'. Among his chief works are his Missa profana the sacred oratorio The Bible of Spirituals as well as his Symphonia sacra. Amongst other honors Zimmermann has been awarded the Music Prizes of the cities of Stuttgart and Berlin a Villa Massimo Stipend in 1965/66 and received in 1982 the Johann Sebastian Bach Prize. The American Wittenberg University in Springfield bestowed upon him an honorary doctorate Zimmermann wrote three American theses including one at the Stanford University in California. (Source: Wikipedia)

A selection of studies by Chris Allen written in a modern style- slightly ?off-beat? both rhythmically and harmonically but without abandoning formal structure. Book 2 in this series is suitable for students between Grade 6 onwards.

These studies published by the Associated Board of the Royal Schools of Music provide invaluable practice material for the building of technique and provides much useful note-reading practice within the positions indicated.

12 Studies Of Great Virtuosity After Chopin compiled by the French flautist and composer Marcel Moÿse (1889-1984) contains a set of 12 difficult studies for flautists initially written by F. Chopin. Considered as a maestro Marcel Moyse has composed many Flute methods and exercise books also published by Alphonse Leduc such as 'Mécanisme-Chromatisme' (1927) and 'De la Sonorité' (1934). His methods are widely used and recognised worldwide.

Required Studies for Classical Guitar. All the essential and required studies for classical guitar are collected here in one handsome volume for classical guitar students and instructors. The studies contained herein appear on nearly every syllabus from any respected university classical guitar program. Newly engraved from early editions, with centuries-old errors now corrected and with minimal editorial annotations, this clear, uncluttered, easy-to-read reference book will be used every day for a lifetime of study. A one-stop shopping repertoire book for every classical guitarist. Includes selected studies by Sor (Opp. 6, 29, 31, 35, 44, 60), Giuliani (Opp. 48, 51, 139), Aguado (from his Nuevo Método para Guitarra) and Carulli (Op. 333), as well as complete editions of Carulli's 24 Preludes, op. 114: Giuliani's 120 Studies for Right-Hand Development, op. 1a: Carcassi's 25 Melodic and Progressive Études, op. 60: and Coste's 25 Études de Genre, op. 38. Of special interest to the student is the inclusion of carefully chosen audition and recital pieces from Bach, Milán, Tárrega, and Albéniz.

Par FINE ELAINE. Although the practice of scales is essential to building and maintaining strength, technique, tone, and agility?it is very easy to slip into the habit of playing them automatically, without paying attention to how they sound or even being aware of what scale we are playing. The 29 single-page studies in this book are designed to combat that tendency as they are musically, intellectually, and rhythmically challenging.The first 24 studies proceeded through the circle of fifths and address all minor and relative major keys; the last 5 pieces were individually conceived, i.e., apart from the circle of fifths. Occasional fingerings or position guides are suggested but these are largely left to the student or their teachers. No metronome indications are given so that the etudes can be played at individually comfortable tempos?with or without a metronome, or freely as concert etudes. It is the stepwise motion and octave leaps of the etudes that makes the intervals between pitches easy to hear, even in keys with numerous flats or sharps.Just as in Elaine Fine?s more basic scale etude book, Violin Scale Tales, the names of the etudes herein refer to various animals that have scales, including insects, fish, birds, reptiles, a few species of squirrels with scales on their tails, and the solitary pangolin, the only known mammal whose entire body is covered with scales. Again, the author hopes that in addition to experiencing more enjoyable scale practice, students will be inspired to learn more about these amazing creatures, or even write scale studies of their own. / Date parution : 2022-07-20/ Etude / Violon

First Series Grade 6-12 studies selected by the ABRSM for the improvement of finger dexterity and phrasing. Includes works by Czerny Le Couppey and Stamaty.

Par SAL SALVADOR. This is an excellent technique study text. It is divided into two sections. The first, 'The Art of Single String Soloing,' presents concepts and ideas for improvisation. Chord relationships are explored in each key, phrasing and progressions are discussed and a wealth of single string studies are given. Part two, 'Jazz Single String Studies,' presents a thorough grounding in jazz scales and related technique studies. Written in notation with appropriate chord symbols. The aspiring jazz guitarist will gain a wealth of picking technique and linear improvisational ideas by working through and mastering this text. / Niveau : Intermédiaire / Jazz - Technic / Recueil / Guitare

With very few studies exisiting for the Snare Drum Keiskleiriana 2 fills a very large gap. Deriving from orchestral Snare Drum parts these Delécluse studies have been developed to cover aspects such as technical and rhythmical difficulties. Keiskleiriana 2 is compiled by Jacques Delécluse a French percussionist and composer. For many years Delécluse has been a soloist in the Orchestre de Paris and more recently founded an ensemble of Keyboard percussion instruments which bear his name. As an experienced percussionist himself and with much invaluable experience Delécluse's Keisleiriana 2 for Snare Drum is well-informed and essential to aspiring percussion players.