SKU: AP.35616
UPC: 038081398129. English. Traditional French Carol.
This festive Christmas favorite is easy to assemble with lots of layers and effective counterlines. It could be used as a processional. Add the optional flute and percussion parts for a special touch. School or church.
SKU: HL.1072762
UPC: 196288097150. 6.75x10.5x0.036 inches.
Teaching opportunities abound in this irresistible setting of a traditional American folk tune. The modal melody is in pentatonic, easy ostinato-like countermelodies make the part-singing a snap, and there is even a fun body percussion section. Perform it with live fiddle or with the digital audio for a sensational concert showcase!
SKU: HL.390137
ISBN 9781705156551. UPC: 196288027553. 6.75x10.5x0.034 inches.
When the Saints Go Marching In is one of jazz music's most beloved songs. This easy arrangement with a driving Dixieland swing provides a first introduction to jazz music.
SKU: LO.45-1633H
ISBN 9780787761318.
A treasury of eight traditional Christmas carols in easy-to-learn arrangements presented in a budget-stretching reproducible format. This collection features a rich mix of styles, tempi, and usages in two-to-three-minute titles, easily combined for longer durations. Careful attention has been made to Part III to ensure comfortable ranges and simple voice-leading. Full performance/accompaniment CD is also available.
SKU: HP.8953C
UPC: 763628989538.
Eight traditional titles for occasions throughout the year by Various Writers Here is the 9th volume in our successful series of accessible voicings of best-sellers for traditional worship. All of these titles are proven winners from the top arrangers of the day, set for SAB voices. There are selections for Christmas, Thanksgiving, Holy Week, Communion, and general occasions throughout the year.
SKU: UT.DM-10
ISBN 9790215309555. 9 x 12 inches.
The ensemble music, implemented from the very first instrument courses, allows the student to become better acquainted with 'technical' elements such as rhythm, bowing and intonation. These small pieces for violins only can be prepared within the class, without the need to add external elements.The first 20 pieces require the same level of study for each component of the ensemble; nos. from no. 21 to no. 24 involve a more experienced violinist alongside one who plays only empty strings; from no. 25 to no. 32 there are pages of various kinds.Duets and trios mostly follow a traditional language: only some of them introduce a sparing use of dissonance. In any case, the score printing helps the control - visual also - of the other parts.