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Digital results
Antonio Vivaldi
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La Primavera (The Spring) by Vivaldi - Brass Quartet with Chord Notations
La Primavera (The Spring) by Vivaldi - Brass Quartet with Chord Notations
$13.99
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Brass Quartet: 2 trumpets, horn, trombone
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Antonio Vivaldi
#
Glauco Fernandes
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Glauco Fernandes
La Primavera (The Spring) by Vivaldi - Woodwind Quintet with Piano
La Primavera (The Spring) by Vivaldi - Woodwind Quintet with Piano
$19.99
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Antonio Vivaldi
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Glauco Fernandes
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Glauco Fernandes
La Primavera (The Spring) by Vivaldi - Brass Quintet with Piano
La Primavera (The Spring) by Vivaldi - Brass Quintet with Piano
$19.99
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Antonio Vivaldi
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Glauco Fernandes
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Glauco Fernandes
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International artists :
• Flores, Antonio
• Vega, Antonio
• Carlos Jobim, Antonio
Classical composers :
• Vivaldi, Antonio
• Quartero, Antonio
• Sacchini, Antonio
• Rosetti, Antonio
• Salieri, Antonio
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Sum In Medio Tempestatum. Mottetto Per S., 2 Vl., Vla E B. Rv 632 (VIVALDI ANTONIO)
Edition Critique des oeuvres de Vivaldi (Fac-simil
[Sheet music]
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Mottetto Per S., 2 Vl., Vla E B.. Par VIVALDI ANTONIO. / Répertoire / Edition C...
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Mottetto Per S., 2 Vl., Vla E B.. Par VIVALDI ANTONIO. / Répertoire / Edition Critique des oeuvres de Vivaldi (Fac-simil
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Cantate Per Soprano E Basso Continuo Primo Volume (VIVALDI ANTONIO)
Edition Critique des oeuvres de Vivaldi (Fac-simil
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Edizione Critica A Cura Di Francesco Degrada. Par VIVALDI ANTONIO. / Répertoire...
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Edizione Critica A Cura Di Francesco Degrada. Par VIVALDI ANTONIO. / Répertoire / Edition Critique des oeuvres de Vivaldi (Fac-simil
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Amor, Hai Vinto. Cantata Per S. E B.C. Rv 651 (VIVALDI ANTONIO)
Edition Critique des oeuvres de Vivaldi (Fac-simil
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Critical Edition, Softcover. Par VIVALDI ANTONIO. Italian/ Répertoire / Edition...
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Critical Edition, Softcover. Par VIVALDI ANTONIO. Italian/ Répertoire / Edition Critique des oeuvres de Vivaldi (Fac-simil
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Vivaldi Concerto In Re Maggiore 2 Violini 2 Violoncelli Archi E Cemb.
Français
Scores
[Sheet music]
ID Music
Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres com...
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Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition Vivaldi Concerto In Re Maggiore 2 Violini 2 Violoncelli Archi E Cemb. vous retrouverez tout le talent de ce compositeur. Cette partition a été éditée par les éditions ID Music sous le numéro PR461 et fait bien évidemment partie du pur style Classique. / Scores / Partition
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Vivaldi Concerto In La Maggiore Per Violino, Archi E Cembalo Rv343
Français
Violon, Cordes Et Clavecin
[Sheet music]
ID Music
Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres com...
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Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition Vivaldi Concerto In La Maggiore Per Violino, Archi E Cembalo Rv343 vous retrouverez tout le talent de ce compositeur. Ecrite pour Violon et plus précisément pour Violon, Cordes Et Clavecin cette partition a été éditée par les éditions ID Music sous le numéro PR462. / Violon, Cordes Et Clavecin / Partition
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Vivaldi Concerto In La Maggiore Violon Archi Cembalo And Organo
Français
Organ
[Sheet music]
ID Music
Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres com...
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Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition Vivaldi Concerto In La Maggiore Violon Archi Cembalo & Organo vous retrouverez tout le talent de ce compositeur. Ecrite pour Orgue cette partition a été éditée par les éditions ID Music sous le numéro RIPR1097. / Orgue / Partition
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Vivaldi Haydn Accolay Violon 2Cd
Français
Piano solo
[Sheet music + CD]
ID Music
Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres com...
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Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition Vivaldi Haydn Accolay Violon 2Cd vous retrouverez tout le talent de ce compositeur. Ecrite pour Piano cette partition a été éditée par les éditions ID Music sous le numéro YOU010. / Piano / Partition Cd
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Vivaldi Concerto In La Maggiore Per Violino, Archi E Cembalo Rv336
Français
Violon, Cordes Et Clavecin
[Sheet music]
ID Music
Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres com...
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Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition Vivaldi Concerto In La Maggiore Per Violino, Archi E Cembalo Rv336 vous retrouverez tout le talent de ce compositeur. Ecrite pour Violon et plus précisément pour Violon, Cordes Et Clavecin cette partition a été éditée par les éditions ID Music sous le numéro PR716. / Violon, Cordes Et Clavecin / Partition
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Sonate Nr. 5 E-Moll (VIVALDI ANTONIO)
Guitare et Musique de Chambre
[Sheet music]
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Easy
Doblinger
Gitarre-Continuo Von Walter Haberl. Par VIVALDI ANTONIO. Vc Git / Niveau : Assez...
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Gitarre-Continuo Von Walter Haberl. Par VIVALDI ANTONIO. Vc Git / Niveau : Assez Facile / Répertoire / Guitare et Musique de Chambre
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Sonate In C-Dur (VIVALDI ANTONIO)
Guitare et Musique de Chambre
[Sheet music]
Doblinger
Für Flöte Und Gitarre (Basso Continuo). Par VIVALDI ANTONIO. Fl Git/ Répertoi...
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Für Flöte Und Gitarre (Basso Continuo). Par VIVALDI ANTONIO. Fl Git/ Répertoire / Guitare et Musique de Chambre
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The Four Seasons Op. 8/1-4 (Les quatre saisons)
Deutsch
Piano solo
Schott
Quatre saisons' Vivaldi sont parmi les plus beaux et plus largement connu pièce...
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Quatre saisons' Vivaldi sont parmi les plus beaux et plus largement connu pièces maîtres baroques. Chacun des concertos pour quatre violon est précédée par un sonnet qui caractérise la saison représentée dans le concerto. On pense que les poèmes par Vivaldi himse / Piano
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Antonio Vivaldi: Gloria RV 589 (Chorus Score): SATB: Vocal Score
Latin
Soli (SSA), gemischter Chor (SATB) und Orchester
Barenreiter
The chorus score contains no Piano reduction or solo parts - for full Vocal scor...
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The chorus score contains no Piano reduction or solo parts - for full Vocal score (with Piano reduction) see BA7674-90. Today the ?Gloria? RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldidisplays the whole range of his mastery from festive sublime outer movements to tender transparently scored solo passages.The same mastery has also been applied to the ?Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive Choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).
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Il Teuzzone, RV 736 (ANTONIO VIVALDI)
Voice and Orchestra
[Sheet music]
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Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano ...
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Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano e inglese). Par ANTONIO VIVALDI. 'With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed. '/ Répertoire / Chant et Orchestre
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CARUS VIVALDI A. - LAETATUS SUM RV 607
Conducteur
Carus Verlag
Laetatus sum
CV 40.013/00
Die hier im Erstdruck vorgelegte Komp...
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Laetatus sum
CV 40.013/00
Die hier im Erstdruck vorgelegte Komposition des 121. Vulgata-Psalms, der in der römischen Liturgie vor dem II. Vaticanum Bestandtteil der Vesper am Festtag einer Jungfrau, namentlich der Jungfrau Maria, war, gehört zu den einfachsten der erhaltenen Psalmvertonungen Antonio Vivaldis.
Werkverzeichnis: RV 607
Besetzung: Coro SATB, Vl, Va, Bc
Sprache: lateinisch
Dauer: 4 min
Seiten: 16 / Partitions classique / Ensemble et orchestre / Conducteur / CARUS
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Concerto Per Violino, Archi E Bc, Rv 259 Op. Vi/2 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
[Score]
-
Intermediate/advanced
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Classique / Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 280 Op. Vi/5 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
[Score]
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Intermediate/advanced
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Classique / Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 324 Op. Vi/1 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
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Intermediate/advanced
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 324 Op. Vi/1 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et B.C.
[Score]
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Intermediate/advanced
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et B.C.
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Concerto Per Violino, Archi E Bc, Rv 239 Op. Vi/6 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
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Intermediate/advanced
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 259 Op. Vi/2 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et B.C.
-
Intermediate/advanced
Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et B.C.
39.43 EUR - Sold by LMI-partitions
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Concerto Per Violino, Archi E Bc, Rv 318 Op. Vi/3 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
-
Intermediate/advanced
Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
39.43 EUR - Sold by LMI-partitions
(Seller in french langage)
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