Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

You Raise Me Up is part of the wonderful Young Jazz Ensemble series designed for developing Jazz groups and young players of grade 2 standard. The full instrumentation for a large brass band is provided though this flexible ensemble is versatile enough to be played by smaller groups as are further optional parts to extend or alter the arrangement to suit. A smash hit on either side of the Atlantic performed by vocal star Josh Groban and Westlife and also sung as a touching tribute to the NASA space shuttle Columbia astronauts this uplifting melody has arranged for the young Jazz ensemble. Featuring a tenor sax solo with modest brass ranges thisn straighteigth-note chart will come together. This chart builds in intensity with modulations from F to G to A-Flat. This is a must have enjoyable and entertaining edition. This fabulous package also contains a CD including all the songs from the series played by professional musicians allowing yiou to hear how each arrangement should sound.

Young Jazz Ensemble – Grade 3Tenor sax and trumpet take the spotlight on this familiar standard arranged here in a medium swing style. The interaction with the full band is marvelous and after the solo section aroaring sax soli leads to a feature section for the entire ensemble. This one swings hard and sounds great!

Meghan Trainor's #1 smash hit features a catchy melody a strong rhythmic pulse and a hint of “doo wop.” Arranged here in an easy setting for young players this is great way to bring a taste of current pop to your next concert.

As recorded by the Count Basie Orchestra here is Sammy Nestico's classic arrangement of this Frank Foster jazz standard! Including all the signature piano stylings muted brass on the first strain sax soli trumpet solo and ashout chorus that roars this timeless chart deserves a place in every band's library.

Available again here is Frank Mantooth's classic chart from 1987 as performed by the Ashley Alexander Big Band on Seems Like Old Times. Let your piano player show off with this stunning ballad arrangement by the recognized master of keyboard voicings and harmonic substitutions. The woodwind doubles on flute and clarinet are optional and the piano part is completed voiced out.

Available again here is Frank Mantooth's classic chart from 1987 as performed by the Ashley Alexander Big Band on Seems Like Old Times. Let your piano player show off with this stunning ballad arrangement by the recognizedmaster of keyboard voicings and harmonic substitutions. The woodwind doubles on flute and clarinet are optional and the piano part is completed voiced out.

This is one of the trademark tunes from the Stan Kenton Orchestra. Starting with the saxes playing the first statement of the theme the arrangement builds up intensity with each repeat as layers of sound are added in true Kentonfashion. Skillfully arranged for young players.

Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works inpractice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists. / Niveau : Intermédiaire à Avancé / Jazz / Recueil / Violon

Jazz Suite in Color for solo piano is an arrangement of the original Jazz Suite in Color, a trio for clarinet, trumpet, and piano. Now solo pianists can enjoy this exciting mix of jazz styles painted musically with a splash of color. As in the original, there are three movements, each with a distinctive jazz style. The first movement projects a jazzy feeling of celebration and happiness. The second movement is calm and serene, yet depicts the sadness of the blues. The third movement is a happy and carefree ragtime piece. / Piano

La référence GB3071 2 de l'éditeur Billaudot dont l'auteur célèbre est Senon Gilles, qui a pour titre VINGT FLASH JAZZ VOLUME 2 PARTIES SEPAREES, a été écrite et composée pour Saxophone et plus particulièrement pour 2 Saxophones. Cette partition musicale appartient à la catégorie Jazz & Blues. / 2 Saxophones / Partition

A must have for all pianists seeking a creative approach to developing left and right hand coordination. The exercises and solos (based on the chord changes to well-known standards) are rhythmic, colorful, and fun to play. The chapters cover six specific areas of left hand development and left/right hand integration, with practical application from standard jazz tunes in the form of musical solo piano pieces. This book will definitely be an essential part of your practice routine. Besides improving your hand coordination, it will challenge you to think differently about it. All of the concepts are easily applicable to the real world. Highly endorsed! Pianist Emiko Hayashi has written a very comprehensive, challenging yet very accessible method book. With exercises designed for left hand alone and exercises designed to develop interplay between the hands, I wholeheartedly recommend this book. I\'ve already started practicing! - Kenny Barron In Etudes for Jazz Piano Emiko Hayashi illuminates a challenge that faces scores of jazz pianists at all levels; that of integrating the left hand in improvisation in a meaningful way, not only as an accompanist, but as an integral part of the whole. By taking various jazz standards and creating etudes specifically for the left hand as well as for developing coordination and the conversational aspects between the left and right hands, Ms. Hayashi illustrates many possibilities for expanding one�s technical and expressive range. I would think this set of etudes would be extremely useful to jazz pianists at any stage of development since the obvious outcome of the study will improve one�s ability to play melodically and expressively throughout the keyboard, without regard to the traditional roles of the left and right hands. - Todd Coolman It is understood that all musicians must play piano. Emiko\'s book fills a void for non-pianists addressing specific technical problems which will help towards being able to use the piano to improve and enlarge one\'s playing and composing, no matter what instrument you play. This is a hands-on book directed towards immediate results. - David Liebman

How to Apply Your Vocabulary to the Drum Kit in a Musical Fashion-Jazz Drumming is designed to help today's rock pop and R&B drummer learn the jazz idiom quickly and efficiently. It is an inclusive and in-depth study of how to authentically perform alongside a rhythm section within jazz's popular styles and forms. This package includes a set of detailed charts and each composition focuses on a particular musical form drumset sound solo concept and comping approach. Genre relevant drumset-based rudimental voicings solo transcriptions and simple brush patterns are also presented. After completing this study the reader will be able to perform within a jazz ensemble – and sound like they belongthere!

Intermediate/Advanced. Don't leave home without knowing these 11 essential standards by one of America's greatest composers. Jerome Kern's style of composing (fresh, flowing harmonies and memorable, lyrical melodies) caught the attention of Jazz players in the 40s and 50s and still inspires thousands of new musicians every day. These Jazz Classics presented here are generally considered Kern's finest work. Lyrics included. Rhythm Section: Hal Galper (p); John Goldsby (b); Steve Davis (d) Includes: # The Song Is You # Yesterdays # I'm Old Fashioned # Why Do I Love You # Dearly Beloved # Pick Yourself Up # The Way You Look Tonight # Smoke Gets In Your Eyes # Long Ago And Far Away # I've Told Ev'ry Little Star # All The Things You Are