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Johann Sebastian Bach: Harpsichord Concerto No.3 in D major: Harpsichord: Part
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto BWV 1054 originated as a transcription of Bach’s Violin Concerto in E major BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234) where BWV 1054 forms the third item. Toaccommodate the upper limit of the harpsichord keyboard Bach decided to transpose the piece down a whole tone which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concerto owes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement a form otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226) two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.50 GBP - Sold by Musicroom UK
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Bach Johann Sebastian - Concertos Pour Violon, Concerto Pour Deux Violons - Orchestra
Schott
la mineur, mi majeur, ré mineur Content : Violin Concerto in A minor, BWV 10...
(+)
la mineur, mi majeur, ré mineur Content : Violin Concerto in A minor, BWV 1041: Andante - Allegro assai - Violin Concerto in E major, BWV 1042: Allegro - Adagio - Allegro assai - Concerto for two Violins in D minor, BWV 1043: Vivace - Largo ma non tanto - Allegro
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Ciaccona Bwv1004 (BACH JOHANN SEBASTIAN)
Guitar
[Sheet music]
Sinfonica Jazz
Par BACH JOHANN SEBASTIAN. SINS0070/ Répertoire / Guitare
11.20 EUR - Sold by LMI-partitions
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Compl. Arias (Voc, 2 Fl) Vol.3 - Bwv 243, 201, 197A
Alto Solo, 2 Flûtes Traversières et Basse Continue
[Sheet music]
Musica Rara
Bwv 243, 201, 197A. Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Knipschild,...
(+)
Bwv 243, 201, 197A. Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Knipschild, Ann/ Répertoire / Alto Solo, 2 Flûtes Traversières et Basse Continue
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St. John Passion "O Mensch, bewein" BWV 245.2 (BACH JOHANN SEBASTIAN)
Voice and Orchestra
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. The St. John Passion, Bach’s first passion oratorio...
(+)
Par BACH JOHANN SEBASTIAN. The St. John Passion, Bach’s first passion oratorio, can hardly be understood as “one” work. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer‘s direction and for every one of these occasions it was revised – sometimes quite substantially. This edition presents the St. John Passion in its second version of 1725, of which only excerpts were rendered in the New Bach Edition volume II/4 (1973). This version as well as the last one of 1749 constitute the two versions that have come down to us almost in their entirety. Most recently found sources – in particular the libretto print of the passion rediscovered in 2015 – are taken into consideration in this edition for the first time./ Répertoire / Chant et Orchestre
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Johann Sebastian Bach: The Well Tempered Clavier BWV 846-869 - Book 1: Piano:
Wiener Urtext
Apart from various insignificant emendations relating to accidentals and ornamen...
(+)
Apart from various insignificant emendations relating to accidentals and ornamentation this 1997 revision of Bach's Welltempered Clavier contains a remarkable correction in the musical text of the B minor prelude which so far has not been included in any modern edition. The present Wiener Urtext Edition deviates from the autograph which seems erroneous in bar 11 and was never revised by Bach himself and instead follows the musically more logical early version which is supported by a correction by J.Fr. Agricola dating from his studies with Bach (ca. 1740).
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Johann Sebastian Bach: Das Wohltemperierte Klavier Teil I BWV 846-869: Piano
Harpsichord
[Study Score / Miniature]
G. Henle
L?édition Henle de la 1re partie revue et corrigée dès 1997 ainsi que la r...
(+)
L?édition Henle de la 1re partie revue et corrigée dès 1997 ainsi que la révision toute récente de la 2e partie par Yo Tomita (printemps 2007) ont servi de base à l?établissement du texte de la présente édition d'étude. De nombreuses remarques viennent compléter l?édition. Les deux parties du Clavier bien tempéré en Urtext Henle sont aussi disponibles avec et sans doigté (HN 14 et HN 1016).?
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BACH - THE WELL TEMPERED CLAVIER BWV 846-869 - PIANO
Wiener Urtext
Apart from various insignificant emendations relating to accidentals and ornamen...
(+)
Apart from various insignificant emendations relating to accidentals and ornamentation, this 1997 revision of Bach's Welltempered Clavier contains a remarkable correction in the musical text of the B minor prelude which so far has not been included in any modern edition. The present Wiener Urtext Edition deviates from the autograph which seems erroneous in bar 11, and was never revised by Bach himself, and instead follows the musically more logical early version which is supported by a correction by J.Fr. Agricola dating from his studies with Bach (ca. 1740).Pages : 152Niveau : facile - moyen / Piano / Wiener Urtext Edition
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Johann Sebastian Bach: Das Wohltemperierte Klavier Teil II BWV 870-893: Piano
Français
Piano solo
G. Henle
The Well-Tempered Clavier Part II without fingering-L?édition Henle de la 1re p...
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The Well-Tempered Clavier Part II without fingering-L?édition Henle de la 1re partie revue et corrigée dès 1997 ainsi que la révision toute récente de la 2e partie par Yo Tomita (printemps 2007) ont servi de base à l?établissement du texte de la présente édition d'étude. Yo Tomita l?éminent spécialiste de Bach commente dans une préface détaillée le statut complexe des sources de la 2e partie. De nombreuses remarques viennent compléter l?édition. Les deux livres du Clavier bien tempéré en Urtext Henle sont aussi disponibles avec et sans doigté (HN 16 et HN 1016). ?
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The Piano Player Series: Uplifting Classics
Piano solo
[Sheet music]
Faber Music Limited
Par . The Piano Player: Uplifting Classics presents 20 of the most famous pieces...
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Par . The Piano Player: Uplifting Classics presents 20 of the most famous pieces of classical music, ideal to lift the spirits specially arranged for intermediate solo piano. Contents include Can-Can by Offenbach, Jerusalem by Parry and William Tell Overture by Rossini. The striking cover features Edward Bawden?s colour linocut Aesop?s Fables: Peacock and Magpie, 1970, and a 4-page pullout provides the full artwork as a beautiful collectible. The Piano Player series includes six wonderful collections of some of the greatest classical music ever written, specially arranged for the intermediate pianist, each with its own collectible pull-out poster of the stunning Edward Bawden cover artwork. / Date parution : 2023-07-31/ Recueil / Piano
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The Piano Player: Classical Favourites
Piano solo
[Sheet music]
Faber Music Limited
Par . The Piano Player: Classical Favourites presents 20 of the most popular pie...
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Par . The Piano Player: Classical Favourites presents 20 of the most popular pieces of classical music, specially arranged for intermediate solo piano. Contents include Eine Kleine Nachtmusik by Mozart, Fantasia on a theme by Thomas Tallis by Vaughan Williams and O mio babbino caro by Puccini. The striking cover features Edward Bawden?s colour linocut Aesop?s Fables: Daw in Borrowed Feathers, 1970, and a 4-page pullout provides the full artwork as a beautiful collectible. The Piano Player series includes six wonderful collections of some of the greatest classical music ever written, specially arranged for the intermediate pianist, each with its own collectible pull-out poster of the stunning Edward Bawden cover artwork. / Date parution : 2022-09-20/ Recueil / Piano
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Concerto A Tre In C (BACH JOHANN SEBASTIAN)
Flûte à Bec F1, Violon et Basse Continue
[Sheet music]
Carus Verlag
Gerlach, Reinhard (Arr.)Bwv 1032. Par BACH JOHANN SEBASTIAN. adaptation of the s...
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Gerlach, Reinhard (Arr.)Bwv 1032. Par BACH JOHANN SEBASTIAN. adaptation of the sonata for flute and piano BWV 1032/ Répertoire / Flûte à Bec F1, Violon et Basse Continue
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Johann Sebastian Bach: Cantata No.134: SATB: Part
Soli (AT), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134Canta...
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Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134Cantata for Easter Tuesday (third version).Cantata BWV 134 belongs to those works in which we can follow particularly clearly Bach's custom of continually altering and improving his works from performance to performance.Although this cantata in the course of its history became a valuable even a particularly festal church cantata it does not disown its secular origin. The complete absence of blblical words and chorale is striking. Urtext of the New Bach Edition Fullscore & performance material (BA10134) vocal score (BA10134-90) available for sale
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Bach J.s. - Ascension Oratorio Bwv 11 - Vocal Score
Choral
[Partitions]
-
Intermediate/advanced
Barenreiter
Bach, Johann Sebastian Ascension Oratorio BWV 11 Edition no.: BA 10011-90 ISMN:...
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Bach, Johann Sebastian Ascension Oratorio BWV 11 Edition no.: BA 10011-90 ISMN: 9790006522514 Language(s) of work: German, English Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: V, 46 S. - 27,0 x 19,0 cm
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Passacaglia and Fugue, BWV 582 (BACH JOHANN SEBASTIAN)
String Quartet: 2 violins, viola, cello
[Sheet music]
SJ Music
Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this arr...
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Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this arrangement of his organ work (BWV 582) for string quartet by John Cooley, as it conveniently has four contrapuntal parts, and he was well known for making arrangements of his own works, according to instrumental resources at his disposal. Moreover, the parts mostly fit well within the ranges of violin, viola and cello, although notes have been raised by an octave in a few places. This quartet version is therefore simply the four parts written out separately, following Bach?s original version note for note. It is quite ?notey? but straightforward and accessible technically to reasonably good players as there are no tricky rhythms or high notes. As well as this organ piece arrangement, SJ Music has also published John Cooley?s arrangements of Mozart?s piano duets K497 and K521 for piano trio and piano quartet respectively, Bach?s concerto for violin and oboe for string quartet, and one of Purcell?s trio sonatas for string trio. / Date parution : 2022-03-16/ Répertoire / Quatuor à Cordes
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Partita Bwv 1013
Français
Recorder
[Sheet music]
Billaudot
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...
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Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition PARTITA BWV 1013 qui a été écrite pourFlûte A Bec. Les éditions Billaudot qui ont éditées cette oeuvre l'ont répertoriée sour la référence GB7397. / Flûte A Bec / Partition
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Bach J.s. - Now My Soul Exalts The Lord Bwv 10 - Vocal Score
Choral SATB
[Sheet music]
Barenreiter
Bach, Johann Sebastian Now my soul exalts the Lord BWV 10 Cantata for the Feast ...
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Bach, Johann Sebastian Now my soul exalts the Lord BWV 10 Cantata for the Feast of Visitation B. V. M. With his cantata ?Meine Seel erhebt den Herren? which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme. With a small scoring of one trumpet (which if need be can be omitted), two oboes, strings and basso continuo along with four soloists and choir, Bach succeeds in writing a festive music of 20-25 minutes. This performing edition is based on the Urtext of the ?New Bach Edition?. - Festive cantata based on the Urtext of the ?New Bach Edition? - With a duration of 20-25 minutes Edition no.: BA 10010-90 ISMN: 9790006561520 Editor: Wolf, Uwe Arranger: Grünert, Matthias Language(s) of work: German, English Language(s) of text: English, German Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: IV, 33 S. - 27,0 x 19,0 cm
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Bach J.s. - Passion Selon Saint-matthieu Bwv 244 (arrangement De Mendelssohn Berlin 1829 Et Leipzig
Choral SATB
[Partitions]
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Intermediate
Barenreiter
Felix Mendelssohn can claim the credit of having ushered in the Bach-Renaissance...
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Felix Mendelssohn can claim the credit of having ushered in the Bach-Renaissance with his arrangement and performance of the “St Matthew Passion”. It was revived for the first time in the Berlin Singakademie on 11 March 1829, one hundred years after its premiere in Leipzig’s Thomaskirche. A second arrangement was performed in Leipzig in 1841. Originally only available on hire as part of the edition published by Bärenreiter in 2009, this vocal score is now available on sale. It enables both the Berlin and the later Leipzig versions to be performed. A concordance provides information on the respective sequence of movements and their relation to the Bach Works Catalogue (BWV) and the “New Bach Edition”. - Both Mendelssohn versions available in one edition - Easy-to-play idiomatic piano reduction Edition no.: BA 9088-90 ISMN: 9790006502363 Editor: Winkler, Klaus Language(s) of work: German Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: XV, 258 S. - 27,0 x 19,0 cm
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Bach J.s. - Lobe Den Herrn, Meine Seele Bwv 143 - Score
Barenreiter
Edition no.: TP 1143 ISMN: 9790006205332 Editor: Glöckner, Andreas Language(s) ...
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Edition no.: TP 1143 ISMN: 9790006205332 Editor: Glöckner, Andreas Language(s) of work: German Language(s) of text: German, English Product format: Study score, Urtext edition Binding: Stapled Pages / Format: VIII, 32 S. - 22,5 x 16,5 cm Little is known about the genesis of “Lobe den Herrn, meine Seele” BWV 143. A transcription from the 19th century was for a long time considered the only source; the musical text of the “New Bach Edition” was based on this material. Recently however a copy of the score from 1762 has become available. It offers a more reliable musical text, rendering a complete revision of the cantata necessary. On the basis of this new source, the work is presented here as part of the “New Bach Edition – Revised” in what is presumably its original form in C major with three trumpets. This orchestration is more typical of Bach’s writing than the version for three horns in the surviving B-flat major version. - Revised Urtext edition of the Weimar Cantata - Based on the “New Bach Edition – Revised” - Idiomatic piano reduction
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Bach J.s. - Lobe Den Herrn, Meine Seele Bwv 143 - Vocal Score
[Vocal Score]
Barenreiter
Edition no.: BA 10143-90 ISMN: 9790006542413 Editor: Glöckner, Andreas Arranger...
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Edition no.: BA 10143-90 ISMN: 9790006542413 Editor: Glöckner, Andreas Arranger: Köhs, Andreas Language(s) of work: German, English Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: IV, 23 S. - 27,0 x 19,0 cm Little is known about the genesis of “Lobe den Herrn, meine Seele” BWV 143. A transcription from the 19th century was for a long time considered the only source; the musical text of the “New Bach Edition” was based on this material. Recently however a copy of the score from 1762 has become available. It offers a more reliable musical text, rendering a complete revision of the cantata necessary. On the basis of this new source, the work is presented here as part of the “New Bach Edition – Revised” in what is presumably its original form in C major with three trumpets. This orchestration is more typical of Bach’s writing than the version for three horns in the surviving B-flat major version. - Revised Urtext edition of the Weimar Cantata - Based on the “New Bach Edition – Revised” - Idiomatic piano reduction
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Focus on Melody - Volume 2: Piano: Instrumental Album
Piano solo
[Sheet music]
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Intermediate/advanced
FJH
The second installment of this exceptional piano literature series continues to ...
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The second installment of this exceptional piano literature series continues to strengthen a student’s ability to find and project melody. The music represents a variety of keys tempi meters and style. Includes technical exercises for melodic expression descriptive summaries for each piece and composer biographies. Contents include: Fantasia in G major Wq. 117:8 (C.P.E. Bach); Concerto in D Minor BWV 974 2nd mvt (J.S. Bach); Gavotte from French Suite #5 (J.S. Bach); Buciumeana from Romanian Dances No. 4 (Bartok); Bagatelle in F Major Op. 33 No. 3 (Beethoven); Sonata in C# Major Op. 27 No. 2 1st mvt (Beethoven); Dream (Bloch); Waltz in G# Minor Op. 39 No. 3(Brahms); Mazurka in G Minor Op. 67 No. 2 (Chopin); Prelude in C Minor Op. 28 No. 20 (Chopin); Doctor Gradus ad Parnassum (Debussy); The Little Shepherd (Debussy); Sonatina in C Major Op. 151 No. 4 1st mvt (Diabelli); Epilago (Granados); Arietta (Grieg); Etude in E Major Op. 47 No. 16 (Heller); Piano Piece Op. 11 No. 7 (Kodaly); Sung Outside the Prince's Door Op. 4 No. 1 (MacDowell); Venetian Boat Song Op. 30 No. 6 (Mendelssohn); Fantasia in D Minor K. 397 (Mozart); Siciliana (Muffat); Sonata No. 6 in C Minor 3rd mvt (Pescetti); Visions Fugitives Op. 22 No. 16 (Prokofiev); A Ground in Gamut Z. 645 (Purcell); Concerto No. 2 in C Minor Op. 18 Theme (Rachmaninoff); Romance Op. 15 No. 2 (Rimsky-Korsakov); Sonata in E Major K. 380 L. 23 (Scarlatti); Album Leaf in C Major (Wagner).
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Overtures Nos. 1-2 Bwv 1066-1067
Orchestra
[Sheet music + CD]
Eulenburg
/ Orchestre
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O Du Angenehmer Schatz (BACH JOHANN SEBASTIAN)
Solo A, 2 Flûtes TraversièreSBasson et Violoncelle
[Sheet music]
Carus Verlag
Aus: Ehre Sei Gott In Der Höhe, Kantate Zum 1. Weihnachtstag. Par BACH JOHANN S...
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Aus: Ehre Sei Gott In Der Höhe, Kantate Zum 1. Weihnachtstag. Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - Hellmann, Diethard (Arr. ) - BWV 197a #4/ Répertoire / Solo A, 2 Flûtes TraversièreSBasson et Violoncelle
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O Du Angenehmer Schatz (BACH JOHANN SEBASTIAN)
Solo A, 2 Flûtes TraversièreSBasson et Violoncelle
[Sheet music]
Carus Verlag
Aus: Ehre Sei Gott In Der Höhe, Kantate Zum 1. Weihnachtstag. Par BACH JOHANN S...
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Aus: Ehre Sei Gott In Der Höhe, Kantate Zum 1. Weihnachtstag. Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - Hellmann, Diethard (Arr. ) - BWV 197a #4/ Répertoire / Solo A, 2 Flûtes TraversièreSBasson et Violoncelle
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