This is the piano accompaniment for Suzuki Viola School Volume 6 (Revised). Titles: Tonalization and Intonation Exercises (S. Suzuki) * Exercises in Octaves and Fifths (D. Preucil) * La Folia (M. Marais/arr. D. Preucil) * Allegro (G.H. Fiocco) * Suite in G Major from Suite in G Major for Violoncello, BWV 1007 (Allemande, Minuet I, Minuet II) (J.S. Bach) * Arioso, Sinfonia for Oboe, Violin, Viola, Basso Continuo, Ich Steh mit einen Fuss im Grabe, BWV 156 (J.S. Bach) * Chromatic Scale Exercises (D. Preucil) * Three-Octave Scales and Arpeggios in D Major and D Minor (D. Preucil) * Adagio and Rondo in D (Adagio, Rondo) (W.A. Mozart) * Hungarian Dance No. 5 (J. Brahms) * Position Etudes (S. Suzuki) * Country Dances (L. van Beethoven) * Concerto for Two Violins, Violin II arranged for Viola, BWV 1043 (1st Movement: Vivace) (J.S. Bach) * Concerto in C Minor (I. Allegro molto ma maestoso, II. Adagio molto espressivo) (J.C. Bach/arr. Casadesus).

Actus Tragicus. Trauermusik (Fassung In F). Par BACH JOHANN SEBASTIAN. Tonalité : F-Dur - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 106/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes à Bec F1, 2 V

Set of Wind Parts-Bach’s Christmas Oratorio composed in 1734 narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided several libretti for Bach during his Leipzig period.Like the St. Matthew and St. John Passions the Christmas Oratorio is narrated by an Evangelist and includes devices from Italian opera such as the recitative and aria. It was written to be performed during the thirteen days of Christmas of the Lutheran Church calendar (25 December 6 January) allowing the wondrous story of the Gospel to gradually unfold.- Fullscore and performance material (BA5014) vocal score (BA5014-90) and study score (TP85) available for sale.- Urtext of the New Bach Edition.

Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Barge, Wilhelm/ Todt, W./ Répertoire / Flûte Traversière et Piano

Originally titled ‘Concerto Nach Italienischem Gusto' (Concerto After The Italian Taste) Bach’s Italian Concerto was first published in 1735 as a three-movement concerto for the two-manual Harpsichord. Here the piece is arranged for Saxophone Quartet (SATBar).

Urtext edition of Six suites by Bach for Cello. Set for the ABRSM Cello Syllabus Grade 8.