Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter?s new performing editions of Bach?s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ?Bach digital?. The present volume is an updated edition of Series IV, Volume 6 of the ?New Bach Edition? (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the ?Fantasia in C minor? (BWV 1121), the ?Fantasia in G major? (BWV 571), the ?Fugue in G major? (BWV 577) and the C major version of the ?Toccata and Fugue in E major? (BWV 566). On the other hand, the ?Prelude in G major? (BWV 568) as well as the alternative versions of the ?Fugue in C minor? (BWV 574a) and the ?Prelude in A major? (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its ?Bach? digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ? New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ? New contents reflecting the current state of source evaluations ? Links to sources in ?Bach digital? ? Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli

Over 20 of the composer's best-loved, most often performed compositions, including the Toccata and Fugue in D minor, BWV 565; Passacaglia and Fugue in C minor, BWV 582; the Fugue in B minor on a theme of Corelli, BWV 579, and many more. Content : Fantasia and Fugue in C Minor, BWV 537 Toccata and Fugue in D Minor (Dorian), BWV 538 Toccata and Fugue in F Major, BWV 540 Fantasia and Fugue in G Minor, BWV 542 Fantasia and Fugue in C Minor, BWV 562 (fugue incomplete) Fantasia with Imitation in B Minor, BWV 563 Toccata, Adagio and Fugue in C Major, BWV 564 Toccata and Fugue in D Minor, BWV 565 Prelude and Fugue in E Major, BWV 566 Prelude in G Major, BWV 568 Prelude in A Minor, BWV 569 Fantasia in C Major, BWV 570 Fantasia in G Major, BWV 572 Fantasia in C Major, BWV 573 (incomplete) Fugue in C Minor on a Theme of Legrenzi, BWV 574 Variant, BWV 574a Fugue in C Minor, BWV 575 Fugue in G Minor, BWV 578 Fugue in B Minor on a Theme of Corelli, BWV 579 Passacaglia and Fugue in C Minor, BWV 582

Par BACH JOHANN SEBASTIAN. Kommt, Eilet Und Laufet/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes à Bec F1, Flû

Par BACH JOHANN SEBASTIAN. Kommt, Eilet Und Laufet/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes à Bec F1, Flû

Par BACH JOHANN SEBASTIAN. Kommt, Eilet Und Laufet/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes à Bec F1, Flû

Cantata for the 1st Sunday after Trinity (composed for June 11 1724)-O Ewigkeit du Donnerwort BWV 20Cantata for the 1st Sunday after Trinity composed for June 11 1724Johann Sebastian Bach opened the second year of his Leipzig church compositions on 11 June 1724 with a performance of the cantata ?O Ewigkeit du Donnerwort?.The work is based on a church hymn by Johann Rist that depicts in riveting language the terrors of the Last Judgment and the torments of Hell followed by an admonition to live a life pleasing to God. The poem inspired Bach to write one of his most impressive church compositions altogether.This remarkably extensive score with twelve sheets sheds particularly instructiveand detailed light on Bach's creative process. The Bach Archive Leipzig acquired this priceless manuscript at the end of 2016 making it possible for the first time to reunite the original performance material and the handwritten score of a Bach chorale cantata.Our facsimile edition complements the edition of BWV 20 presented by James Webster almost 50 years ago in volume I/15 of the ?New Bach Edition?.- Autograph score combined with the original parts- Two facsimile fascicles in four-colour reproduction (24 + 64 pp.) each in a facsimile dustcover and one volume of commentary (German/English 16 pp.) all combined in a slipcase- Series Documenta musicologica II/52- Limited edition of 250 copies- With a Commentary by Peter Wollny (Ger/Engl)

[Präludien, Toccaten, Fantasien und Fugen II (Orgelwerke, Band 6)] / Classique / Editeur : Dietrich Kilian / Partition / Cartonné / Plats de carton / Edition Urtext

Kantate Zum 1. Weihnachtsfeiertag. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Jutta (Trad. ) - BWV 110/ Répertoire / Solistes SATB, Choeur SATB, 3 Trompettes, Timbales

En 1721 Jean-Sébastien Bach épouse en secondes noces Anna Magdalena Wilcken (1701-1760). Il lui dédie l?air Bist du bei mir BWV 508. Le texte a été écrit par un poète anonyme. La notoriété de cet air reste inégalable par la sublime tendresse de la mélodie qui évolue en parfaite harmonie avec un texte puissant dans lequel le poète nous livre une belle vision de l?amour : tant que l?être aimé est auprès de nous même la mort est douce. Jacob de Haan a réalisé ce superbe arrangement pour Brass Band.

Another volume in this highly acclaimed series premiering sensational new arrangements for cello. CELLOWISE 2 includes Lacrimosa by Mozart Paganini's La Campanella Prokofiev Romeo and Juliet Brahms Waltzes Op. 39 and Bach's Gavotte en Rondeau from Violin Partita in E made famous by Segovia.With the drama and spectacle of Prokofiev's Romeo and Juliet acrobatic leaps and fun of the Fair in Moussorgsky's Gopak reflective chiaroscuro of the Brahms Waltzes the fireworks of Paganini's La Campanella mystical Lacrimosa of Mozart's Requiem or Bach's colourful variations in the Gavotte en Rondeau this selection explores vivid and dramatic themes fromthe great Classics. It is idiomatic to the cello clear and accessible in technical format and makes a practical and versatile concert handbook for cellists of all ages.ContentsBach    * 3. Polonaise (from Suite No. 2 BWV 1067)    * 4. Gavotte en Rondeau (from Partita No. 3 in E major BWV 1006)Brahms    * 7. Waltz op. 39 No. 9    * 8. Waltz op. 39 No. 15Handel    * 1. Hornpipe (from the Water Music)    * 2. Air (from the Water Music)Mozart    * 5. Lacrimosa (from the Requiem K626)Mussorgsky (Moussorgsky)    * 9. Gopak (from Sorochintsky Fair)Paganini    * 6. La CampanellaProkofiev    * 10. Montagues and Capulets (from Romeo and Juliet)

The selections written in a variety of tempos textures and styles span four centuries of keyboard studies and have been chosen for both their expressive and technical content. One example is Little Bird by Grieg which highlights the musicality of written out trills imitating bird calls. These etudes are also a musical resource for intermediate adults who need additional reinforcement in technique. For all pianists Book Six of Expressive Etudes serves equally well as performance repertoire. Includes: Prelude in G Major BWV 902a (Bach); Etude Op. 29 Nos. 7&8 (Bertini); Exercise No. 9a (Brahms); Spirit of Chivalry Op. 100 No. 25 The Storm Op. 109 No. 13 Berceuse OP.109 No. 7 Awakening in the Woods Op. 109 No. 12 (Burgmuller); Study Op. 718 No. 10 (Czerny); Etude Op. 261 No. 125 (Czerny); Maria (Granados); Little Bird Op. 43 No. 4 (Grieg); Etude Op. 47 No. 15 Etude Op. 46 No. 1 Barcarolle Op. 45 No. 8 (Heller); Etude Op. 37 No. 18 (Lemoine); Etude in G Minor Op. 91 No. 10 (Moskowski); The Top Op. 11 No. 2 (Nielsen); Italian Mariner's Song Op. 68 No. 36 (Schumann).