SKU: CA.624600

ISBN 9790007011963.

SKU: CA.630200

ISBN 9790007012427.

SKU: CA.608700

ISBN 9790007010423.

SKU: CA.630600

ISBN 9790007012465.

SKU: CA.616200

ISBN 9790007011178.

SKU: CA.615100

ISBN 9790007011062.

SKU: RM.SL10000

ISBN 9790231090000.

SKU: CA.624200

ISBN 9790007011925.

SKU: CA.600600

ISBN 9790007009656.

SKU: BR.OB-4629-19

ISBN 9790004317020. 9 x 12 inches.

SKU: TM.05019VS

Vicino a te through the end of the opera. Includes: La nostra morte e il trionfo dell'amor! Sc. pg 332-end; Vs 232-end. Rehearsal No. 7.

SKU: BR.OB-4949-16

ISBN 9790004326305. 10 x 12.5 inches.

For the composition of the Christmas Oratorio, Bach made use of the parody method - as he did in other large vocal works as well - that is, he drew upon previously written pieces (here primarily from the Congratulatory Cantatas BWV 213 and 214) and skilfully adapted them to the new text. It is likely that Bach began working on the music during the Advent period of 1734. Besides the first performance which took place during the Christmas season 1734/35, it seems quite probable that other performances were held during Bachs lifetime, since the original, partly autographic performance material discloses traces of frequent use.

For the composition of the Christmas Oratorio, Bach made use of the parody method - as he did in other large vocal works as well - that is, he drew upon previously written pieces and skilfully adapted them to the new text.

SKU: BR.OB-4949-15

ISBN 9790004326299. 10 x 12.5 inches.

For the composition of the Christmas Oratorio, Bach made use of the parody method - as he did in other large vocal works as well - that is, he drew upon previously written pieces (here primarily from the Congratulatory Cantatas BWV 213 and 214) and skilfully adapted them to the new text. It is likely that Bach began working on the music during the Advent period of 1734. Besides the first performance which took place during the Christmas season 1734/35, it seems quite probable that other performances were held during Bachs lifetime, since the original, partly autographic performance material discloses traces of frequent use.

For the composition of the Christmas Oratorio, Bach made use of the parody method - as he did in other large vocal works as well - that is, he drew upon previously written pieces and skilfully adapted them to the new text.

SKU: BR.OB-4949-30

ISBN 9790004326336. 10 x 12.5 inches.

For the composition of the Christmas Oratorio, Bach made use of the parody method - as he did in other large vocal works as well - that is, he drew upon previously written pieces (here primarily from the Congratulatory Cantatas BWV 213 and 214) and skilfully adapted them to the new text. It is likely that Bach began working on the music during the Advent period of 1734. Besides the first performance which took place during the Christmas season 1734/35, it seems quite probable that other performances were held during Bachs lifetime, since the original, partly autographic performance material discloses traces of frequent use.

For the composition of the Christmas Oratorio, Bach made use of the parody method - as he did in other large vocal works as well - that is, he drew upon previously written pieces and skilfully adapted them to the new text.