The Pathways of Song series offers concert songs in easy vocal ranges for the voice student, by composers such as Schubert, Brahms, Handel, Bach, Mozart, Beethoven, and Haydn. The series includes representative repertoire, with English translations and piano accompaniment. / Voix

A Short Sad Song (Leavitt) Chopsticks Chorale #38 (Bach) Chorale No.26 [Bach, Johann Sebastian] Fifty Rocks (Leavitt) Hava Nagila (Let's Be Happy) In My Merry Oldsmobile Jeanie With The Light Brown Hair Joy To The World! La Paloma Blanca (The White Dove) (Hague) Lirpa-lee Melody (Leavitt) Maidens Wish (Chopin) My Wild Irish Rose Polly Wolly Doodle Short'nin' Bread Softshoe Shuffle (Leavitt) Spanish March The Big Rock Candy Mountain The Glow Worm The Happy Farmer Op.68 No.10 (Album For The Young) [Schumann, Robert] When The Saints Go Marching In Zerfleisse, Mein Herze (St John Passion) [Bach, Johann Sebastian]

'4 songs from the Hassidic Song Festival'. Songs by S. Carlebach A. Nof R. Sirotkin.Available separately: SA and IPAK.

A fabulous warm-hearted collection of wedding hits arranged for easy piano. Complete with guitar chord symbols and full lyrics where appropriate. Songs include How Deep Is Your Love I Will Always Love You My Heart Will Go On Your Love Amazes Me and Endless Love.

for Intermediate Piano. BACH: Air on the G String - Badinerie, BWV 1067 - Allegro, BWV 1048 - Jesu, Joy of Man's Desiring - Sheep May Safely Graze - Toccata and Fugue, BWV 565 · BEETHOVEN: Theme from Piano Concerto No. 5 (Emperor) - Theme from Symphony No. 3 (Eroica) - Theme from Symphony No. 5 - Theme from Symphony No. 7 - Theme from Symphony No. 9 · BIZET: Habanera from Carmen · BOCCHERINI: Minuet from String Quintet, Op. 11, No. 5 · BORODIN: Nocturne from String Quartet No. 2 · BRAHMS: Hungarian Dance, WoO 1, No. 5 - Lullaby, Op. 49, No. 4 · CLARKE: Trumpet Voluntary · DVORÁK: Theme from Symphony No. 9 (From the New World) · ELGAR: Nimrod from Enigma Variations - Pomp and Circumstance · FAURÉ: Après un rêve, Op. 7, No. 1 - Pavane, Op. 50 · FRANCK: Panis angelicus · GLUCK: Dance of the Blessed Spirits from Orfeo ed Euridice · GOUNOD: Ave Maria adapted from Prelude in C Major, BWV 846 by JS Bach · GREIG: Anitra's Dance from Peer Gynt Suite No. 1 - Morning from Peer Gynt Suite No. 1 - Norwegian Dance, Op. 35, No. 2 · HANDEL: Air from Water Music, HWV 348 - Allegro from Water Music, HWV 349 - Allegro from Water Music, HWV 348 - The Arrival of the Queen of Sheba from Solomon - Bourrée from Flute Sonata, HWV 363b - Hallelujah Chorus from Messiah - Largo from Serses · HAYDN: Theme from String Quartet, Op. 3, No. 5 - Theme from Symphony No. 94, Hob I:94 (Surprise) · LEHAR: Waltz from The Merry Widow · MASSENET: Meditation from Thaïs · MENDELSSOHN: Nocturne from A Midsummer Night's Dream - Wedding March from A Midsummer Night's Dream · MOZART: Ave Verum Corpus - Theme from Clarinet Concerto - Theme from Eine kleine Nachtmusik - Lacrimosa from Requiem - Theme from Piano Concerto No. 21 - Theme from Symphony No. 40 - Theme from Symphony No. 41 · Offenbach: Barcarolle from The Tales of Hoffmann - Can-Can from Orpheus in the Underworld · PACHELBEL: Canon in D · PARRY: Jerusalem · PUCCINI: Musetta's Waltz from La bohème - Un bel dì vedremo from Madame Butterfly - Vissi d'arte from Tosca · RACHMANINOFF: Theme from Piano Concerto No. 2 · RIMSKY-KORSAKOV: Flight of the Bumblebee - Song of India - The Young Prince and the Young Prince from Scheherazade · SAINT-SAËNS: Danse macabre - The Swan from The Carnival of the Animals · SCHUBERT: Ave Maria - Serenade · SOUSA: The Stars and Stripes

40 Arrangements of Famous Classical Masterpieces-Following the success of the first volume of original compositions for piano in Best of Piano Classics (ED 9060) Schott now presents another collection with a selection of 40 arrangements of popular classical masterpieces for the discerning amateur pianist to use over the years. The contents include great works from Bach to Gershwin ranging from chamber music symphonies and concertos through to opera. This selection of musical favourites presents the best known and loveliest pieces of classical music from the Baroque era through to the 20th Century from ???Air??? to ???Rhapsody in Blue???. With fingerings tempo and pedal suggestions added these appealing arrangements for advancedplayers in modern printed scores that are easy to read are recommended not only for tuition purposes but for all those who enjoy playing the piano in their leisure time.

Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue

Fantasy on Lobe den Herren (Praise to the Lord the Almighty)-Le choral Lobe den Herren succède au choeur d?ouverture de la Cantate BWV 137 de Jean Sébastien Bach. La mélodie du choral trouve ses origines dans l?Allemagne du XVIIe siècle. Elle a été intégrée à l?un des premiers et des plus importants recueils de chorals luthériens publié à l?époque de Bach le recueil de cantiques du théologien Johann Freylinghausen. Avec Song of Adoration Roland Kernen signe une superbe fantaisie pour Orchestre d?Harmonie sur cette célèbre mélodie chorale.

Fantasy on Lobe den Herren (Praise to the Lord the Almighty)-Fantaisie sur le choral Lobe den Herren ('Louez le Seigneur')Le choral Lobe den Herren succ¬de au ch?ur d'ouverture de la Cantate BWV 137 de Jean-Sébastien Bach. La mélodie du choral trouve ses origines dans l'Allemagne du XVIIe si¬cle. Elle a été intégrée ± l'un des premiers et des plus importants recueils de chorals luthériens publié ± l'époque de Bach le recueil de cantiques du théologien Johann Freylinghausen. Avec Song of Adoration Roland Kernen signe un superbe arrangement pour Orchestre d'Harmonie de cette cél¬bre mélodie chorale.

Par . 15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui s’adresse aux jeunes musiciens, maîtrisant un peu plus d’une octave. 15 Easy Classical Solos a été conçu pour être joué en corrélation avec les séries Artist et/ou Master Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment. Spécifiquement adapté à chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie. Comprenant les parties d’accompagnement de piano et des pistes audio d’accompagnement disponibles en ligne au format MP3, ces ouvrages représentent une source complémentaire inestimable à toute méthode pédagogique. / Date parution : 2023-08-12/ Recueil / Basson et Piano

Fantasy on Lobe den Herren (Praise to the Lord the Almighty)-Le choral Lobe den Herren succède au choeur d?ouverture de la Cantate BWV 137 de Jean Sébastien Bach. La mélodie du choral trouve ses origines dans l?Allemagne du XVIIe siècle. Elle a été intégrée à l?un des premiers et des plus importants recueils de chorals luthériens publié à l?époque de Bach le recueil de cantiques du théologien Johann Freylinghausen. Avec Song of Adoration Roland Kernen signe une superbe fantaisie pour Orchestre d?Harmonie sur cette célèbre mélodie chorale.

'Gounod wrote the first version of this famous song in 1852 and it was published in December of that year by Mayaud as 'Premier prélude de J.S. Bach'. The words were by Lamartine – 'Vers sur un album' from his Recueillments poétiques of 1839. Exactly when these words were supplanted by those of the 'Ave Maria' is not clear but it seems to have happened within the first few years of the song's life. After a century and a half the piece is still sung played and loved the world over and this is surely its own guarantee of musical value as it is of its composer's more general gift as a songwriter. In the view of Maurice Ravel that sharp critic of everything shoddy or meretricious 'the true founder of the mélodie in France was Charles Gounod.' ' (Roger Nichols)

Hessenberg a étudié à Leipzig avec Günther Raphael et était un chanteur dans le Bach Choir sous la direction de Karl Straube. Plus tard, il fut professeur de théorie de la musique et la composition à la Musikhochschule de Francfort. C'est particulièrement dans le domaine de la musique chorale sacré et profane qu'il créé important et souvent chantée ouvrages, parmi lesquels le célèbre motet ' O Herr mache mich zum Werkzeug deines Friedens ' (C 37176). Les paramètres de trois volets folk-song deux présents (SABar) sont composées dans un style polyphonique et conviennent même pour les petites chorales. Ils seraient inscrivent dans un programme de musique chorale mixte avec des maîtres anciens et nouveaux. Contenu : Tanz mir nicht mit meiner Jungfer Käthen - Ich fahr dahin. / Choeur Mixte (SABar)