SKU: TM.06539SET
P/C in set. Kiss Me Again, I Want What I Want, Charity Bazaar, Ze Eng Lang, Love Me Love my Dog, Hats Make Woman.
SKU: TM.14379SET
Act I Scene 1. Sc pg 1-61. Includes Arretez, O mes freres.
SKU: TM.06549SET
SKU: TM.03656SET
Act II Scene 3. Complete Scene 3.
SKU: BA.TP00789
ISBN 9790006203116. 22.5 x 16.5 cm inches. Key: C minor. Preface: Michael Stegemann.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CF.PL1072
ISBN 9781491160244. UPC: 680160918836.
An Anthology of Piano Music for the Left Hand Alone marks a rare and significant entry to the piano literature as one of the only collections of the oft-neglected left-hand piano repertoire. Serious literature for the left hand alone has a long and storied past. Contained within this volume, the serious advanced pianist will find a wealth of artistically satisfying repertoire for the left hand that will not only strengthen the technical development of the left hand, but also make for impressive showpieces on the recital stage.This volume includes hitherto unpublished gems like Earl Wild's Etude No. 3 for the Left Hand Alone (Based on Gershwin’s The Man I Love) and Ruth Wylie's Soliloquy for Piano, Left Hand, Op. 23, as well as established classics of the repertoire like Godowky's Chopin arrangements, and even modern and contemporary additions like Bartok’s Etude for the Left Hand and Corigliano's Etude No. 1 for the Left Hand Alone.
SKU: CF.YAS244
ISBN 9781491164969. UPC: 680160923878. Key: E minor.
Fossils and Finale combines two of the better-known movements from the humorous Carnival of the Animals. This fourteen-movement suite by Camille Saint-Saëns featured musical depictions of animals such as The Swan and The Elephant, and was written for a private performance with young students in mind. While the composer didn't feel it was serious enough to be performed during his lifetime, it has since gone on to become a beloved classical-musical favorite. In this arrangement, the quirky Fossils with optional xylophone is written to be more accessible for intermediate students, segueing seamlessly into the circus-like Finale. Both movements feature bright, fun melodies within playable ranges and keys for the developing ensemble and the original piano part integrated into the string parts.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: CF.YAS244F
ISBN 9781491165362. UPC: 680160924271. Key: E minor.
Fossils and Finale combines two of the better-known movements from the humorous Carnival of the Animals. This 14-movement suite by Camille Saint-Saëns featured musical depictions of animals such as The Swan and The Elephant, and was written for a private performance with young students in mind. While the composer didn't feel it was serious enough to be performed during his lifetime, it has since gone on to become a beloved classical musical favorite. In this arrangement, the quirky Fossils with optional xylophone is written to be more accessible for intermediate students, segueing seamlessly into the circus-like Finale. Both movements feature bright, fun melodies within playable ranges and keys for the developing ensemble and the original piano part integrated into the string parts.
SKU: HL.50573035
SKU: HL.49044116
ISBN 9783795708597. German.
Petr Cajkovskij besass nicht nur franzosische Wurzeln. Von Kindheit an wuchs er in engem Kontakt zur franzosischen Kultur auf, die ihn zeitlebens fesseln sollte. Der Komponist hielt sich immer wieder in Paris auf, machte Bekanntschaft mit den Grossen des dortigen Musiklebens und traumte davon, eine Oper fur die franzosischen Buhnen zu komponieren. Der Band rekonstruiert neben diesen biographischen Aspekten die franzosische Cajkovskij-Rezeption zwischen 1877 und 1900 mit ihren verschiedenen Stationen, Protagonisten und asthetischen Positionen. Es wird gezeigt, wie die anfanglich begeisterte Aufnahme des Komponisten in den franzosisch-russischen Salons der 1880er Jahre in eine Ablehnung umschlagt, die das stereotype Bild vom Trivialmusiker Cajkovskij vorwegnimmt. In Cajkovskijs Oeuvre hat der Bezug zu Frankreich gleichwohl deutliche Spuren hinterlassen. Dargestellt wird eine ganz Gruppe von Kompositionen, die fur franzosische Interpreten oder Auftraggeber geschaffen wurden. Einen Schlussel zum Verstandnis von Cajkovskijs Musik bietet auch seine Auseinandersetzung mit franzosischer Musik von Hector Berlioz uber Georges Bizet bis zu Camille Saint-Saens. Anhand der franzosischen Musikzitate, die in seinen Werken immer wieder begegnen, kann schliesslich Cajkovskij Umgang mit fremder Musik und die Herausbildung einer hybriden musikalischen Sprache analysiert werden.
SKU: HL.49017905
ISBN 9790001168007. 7.5x11.0x0.055 inches. Latin.
There are very few composers who have left such a comprehensive oeuvre covering all genres as Camille Saint-Saens. His vocal music, however, has rather fallen into oblivion - if one leaves aside his 'indestructible' Christmas oratorio (Oratorio de Noel, Opus 12). But apart from that, Saint-Saens, who worked as an organist at various churches from 1852, composed a number of little church music works: settings for different instrumentations, certainly destined to be used in services, including his Ave verum for four-part choir (including organ without pedal ad lib.). It is a simple, yet harmonically rich setting which constitutes a valuable addition to the choral repertoire and an evocative alternative to the common Ave settings.